An instant best-seller when originally published in 1994, this expanded and updated edition of The Rice Room tells of growing up with a double identity—Chinese and American. Ben Fong-Torres was torn between an alluring American lifestyle—including Elvis and rock ‘n’ roll—and the traditional cultural heritage his proud immigrant parents struggled to instill in their five children. Now illustrated with personal family photographs as well as photos of the author with various celebrities, Fong-Torres rounds out his life story with a new final chapter.

The first novel from Madagascar ever to be translated into English, Naivo’s magisterial Beyond the Rice Fields delves into the upheavals of the nation’s precolonial past through the twin narratives of a slave and his master’s daughter. Fara and her father’s slave, Tsito, have shared a tender intimacy since her father bought the young boy who’d been ripped away from his family after their forest village was destroyed. Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion to play with. But as Tsito looks forward toward the bright promise of freedom and Fara, backward to a twisted, long-denied family history, a rift opens that a rapidly shifting political and social terrain can only widen. As love and innocence fall away, their world becomes defined by what tyranny and superstition both thrive upon: fear. With captivating lyricism and undeniable urgency, Naivo crafts an unsentimental interrogation of the brutal history of nineteenth-century Madagascar as a land newly exposed to the forces of Christianity and modernity, and preparing for a violent reaction against them. Beyond the Rice Fields is a tour de force about the global history of human bondage and the competing narratives that keep us from recognizing ourselves and each other, our pasts and our destinies.

New York Times bestselling author Luanne Rice made her triumphant debut with this delicately drawn but emotionally powerful portrait of a woman’s extraordinary journey of the heart and soul–a timeless story of love, sisterhood, and the hope that emerges even out of heartbreak.... Una Cavan doesn’t believe in ghosts. But ghosts seem to believe in her. At least, her father’s ghost does, walking into and out of her life as casually as if he were entering and exiting a room. Una has always believed the Cavan women had the power of witches, and from the beaches of Connecticut to the bustle of New York City they’ve shared the special unbreakable bond of sisters. No man has been able to come between them…until Lily marries the “perfect” man and begins to drift away and Margo gets engaged. With another failed relationship behind her, and a thriving career as an actress ahead of her, Una wonders if she’s destined to be alone–or if there isn’t something more, something magical that life has in store for her. Then an unexpected encounter gives her the answer she’s been seeking…. From the Trade Paperback edition.

Sing along to this delicious twist on "The Wheels on the Bus" and celebrate the food, laughter, and love of a multigenerational family meal! * "Artfully brings an authentic expression of family love...an utterly charming [twist] to a familiar tune." -- Kirkus Reviews, starred review The rice in the pot goes round and round, Round and round, round and round, The rice in the pot goes round and round At the table where my family gathers round... At the table where this family gathers, they share food, laughter, and, most of all, love. Readers of all ages are sure to delight in this joyful, expressive sing-along, slurping noodles, squishing tofu, and tapping chopsticks as they sing along to this familiar tune. Rhythmic text from The Great Wall of Lucy Wu author and Asian/Pacific American Library Association Award winner Wendy Wan-Long Shang, and vibrant, playful illustrations from artist Lorian Tu bring this heartwarming, mouth-watering story to life. Informative back matter includes a food glossary and etiquette guidelines that are sure to delight and engage young readers.

In this moving autobiography, Daniel Gawthrop writes about the politics and pleasures of being a self-identified ''rice queen''; a gay man who is attracted to Asians. Navigating through the urban jungles of Western cities like Vancouver and London, as well as the humid streets of Bangkok and Saigon, Daniel explores the multicultural minefields of sexuality and culture as he articulates the manners and contradictions of his desires. The politics of race, and the unspoken rules of gay Asian culture in both Western and Eastern settings, underscore Daniel's personal journey in which he recalls his teen years spent idolizing Bruce Lee and his fixation on an Asian schoolmate whose hazing becomes a sexual spectacle for him. As he enters adulthood, his desires become manifest as he explores the subcultures of Long Yang Clubs (where gay Asians and ''their admirers'' can meet) before departing for Asia, where his encounters often become transactions, and he learns the hard way that sexual desire has a human and emotional cost. Evoking the themes of Edward Said's Orientalism, The Rice Queen Diaries is as much a personal statement about culture and otherness as it is about gay desire. Traversing three continents, these diaries are a personal reckoning, a bold coming to terms with the nuances of sexuality that has relevance for all of us.

A Room in Dodge City follows a nameless drifter into an American heart of darkness. In this nightmarish version of the historic Dodge City, mythic beasts crawl out of the woodwork; bizarre rituals are enacted; and death is never the end. Equal parts humor and horror-show, David Leo Rice's novel combines the mundaneness of modern life-motels, strip malls, temp jobs-with something stranger, darker, and more eternal. Told through linked vignettes that read like metaphoric fairytales gone wrong, Dodge City consumes the reader just as it slowly consumes the drifter, leaving all to wonder whether any of us can ever truly escape this world-or our own. Winner of the Electric Book Award Each chapter is fully illustrated by Christina Collins. "David Lynch meets Neil Gaiman meets Samuel Beckett and the Theater of the Absurd. Just as Dodge City is a place the narrator can never leave, Rice's book sucks you in and doesn't let you walk out of it intact, either." -Nick Antosca, author of The Girlfriend Game, Midnight Picnic, & Fires "With a draftsman's hand and a psychonaut's eye, Rice has mapped the alien precinct in which we already live. I've never encountered a book so strange yet so familiar. Writers such as William Burroughs and Samuel Delany may have helped prepare the ground, but this high-speed, controlled drift across it is all Rice's own." -Joanna Ruocco, author of Dan & A Compendium of Domestic Incidents "A vivid, precisely described nightmare filled with jokes for people who think nothing is funny anymore. Rice imagines American pop culture as a Hieronymus Bosch painting come to life, and he gives us a carnival barker's tour through a disturbing landscape of lost souls, vain ambitions, and distorted identities, ultimately finding a path to redemption through the spiritual wreckage." -Mark Beauregard, author of The Whale: A Love Story "Rice cares deeply about his characters and this comes out in every vignette. He doesn't follow the nihilistic postmodern structure by declaring that life is meaningless or hopeless. What we find is the presence of hope in all things, no matter how run-down they might appear on the surface." -Joe Halstead, author of West Virginia "Dodge City is a walk on the dark side of the contemporary imagination that reworks the post-realist storytellings of Donald Barthelme or Henri Michaux into a voice that is unique. A picaresque novel for the age of the Darknet and Tor." -Simon Pummell, director of Bodysong & Identicals "In his mind-boggling debut novel, Rice conjures a series of seemingly unassuming vignettes that read like a revelatory prose poem written by the Zodiac Killer. A celebration of what it means to know that you know that you can never know everything." -Mike Kleine, author of Kanley Stubrick "Don't enter into Rice's terrifying and hilarious fictional multiverse looking for causality, continuity, or logic, as we know them. A Room in Dodge City will plunge you into a nightmarish warren-maze where somewhere, amid the numberless trapdoors, inner chambers and branching halls on branching halls, a literary orgy is going down among the imaginative intellects of Blake Butler, Kathryn Davis, Haruki Murakami, Livia Llewellyn, and Robert Coover, refereed by Cronenberg and Lynch." -Adrian Van Young, author of Shadows in Summerland & The Man Who Noticed Everything "A Room in Dodge City warps the serial format to its own uncanny ends. Briskly paced with elegantly streamlined prose, the book follows its own impeccably strange and addictive dream logic." -Jeff Jackson, author of Mira Corpora & Novi Sad "Unsettling and unsettled, reading A Room in Dodge City is like reading Jakob von Gunten's dream journal the day after he'd stayed up late to watch High Plains Drifter and Videodrome." -Gabriel Blackwell, author of Madeleine E. Find out more about Alternating Current Press at alternatingcurrentarts.com.

An excursion into the world's most essential and satisfying food offers two hundred easy-to-prepare dishes from the world's great rice cuisines, illuminated by stories, insights, and hundreds of photographs of people, places, and wonderful food. Reprint.

NEW YORK TIMES BESTSELLER • “A moving story of love and reunion . . . an absolute joy to read . . . I finally put Dream Country down at 2 a.m. and almost called in sick the next day to finish it.”—Denver Post It was just an argument, one of hundreds Daisy Tucker must have had with her teenage daughter, Sage, over the years. But this one had ended differently, with Sage gone from their Connecticut home the next morning, leaving behind only a brief note: “I have to go.” Daisy tried not to overreact, tried to remind herself this was different from what had happened thirteen years earlier to Sage’s twin brother, Jake. This was different from a three-year-old boy disappearing in the canyons of Wyoming, never to be found. Sage was sixteen and resourceful. She would be found. Years ago Daisy had traveled to Wyoming’s Wind River Mountains in search of inspiration for her art and had found a man with the wilderness inside him. James Tucker was a rancher, bound to the wild land he loved, and together he and Daisy created a small paradise for their family—until the day their little boy vanished without a trace. Now, as their daughter makes a dangerous cross-country pilgrimage to the father she longs for, Daisy will return to the place that took everything she had. . . . Filled with a wild and unpredictable beauty, Dream Country is a novel you’ll never want to end—even as you can’t wait to finish it.

With the same unique vision that brought his now classic Mars trilogy to vivid life, bestselling author Kim Stanley Robinson boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know. . . . “A thoughtful, magisterial alternate history from one of science fiction’s most important writers.”—The New York Times Book Review It is the fourteenth century and one of the most apocalyptic events in human history is set to occur—the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if the plague had killed 99 percent of the population instead? How would the world have changed? This is a look at the history that could have been—one that stretches across centuries, sees dynasties and nations rise and crumble, and spans horrible famine and magnificent innovation. Through the eyes of soldiers and kings, explorers and philosophers, slaves and scholars, Robinson navigates a world where Buddhism and Islam are the most influential and practiced religions, while Christianity is merely a historical footnote. Probing the most profound questions as only he can, Robinson shines his extraordinary light on the place of religion, culture, power—and even love—in this bold New World. “Exceptional and engrossing.”—New York Post “Ambitious . . . ingenious.”—Newsday

A powerful, moving, and revelatory novel set in nineteenth-century Africa--the captivating story of the loyal men and women who carried the body of explorer and missionary David Livingstone from Zambia to Zanzibar so that his remains could be returned home to England. Dawn, 1 May 1873, on the outskirts of Chitambo's village, near Lake Bangweulu in modern-day Zambia. The Scottish explorer and missionary David Livingstone has died. He had been heading south in the African interior on an increasingly maniacal mission to penetrate the greatest secret of Victorian exploration. He wanted to find the source of the world's longest river, the Nile. Instead, on an isolated and swampy floodplain, Dr. Livingstone found his death. How Livingstone is to be buried will be decided by his African companions, a group of sixty-nine men, women, and children. They decide that come what may, Livingstone, his papers and maps, must all be carried to England. They bury his heart and other organs under a tree and dry his flesh like jerky in the sun. Over nine months, battling severe illness and hunger, hostile chiefs and unknown terrain, all while taking a tortuous route of more than 1,000 miles to the coast to avoid marauding slave traders, they march with Livingstone's body and the evidence of his explorations. Their journey has been called "the most extraordinary story in African exploration." In this novel, their story is retold anew in the distinct, indelible voices of Livingstone's sharp-tongued female cook, Halima; a repressed, formerly enslaved African missionary named Jacob Wainwright; and the collective voice of the retainers. The result is a profound and tragic journey--an epic like no other--that encompasses all of the hypocrisy of slavery and colonization while celebrating resilience, loyalty, and love. In Out of Darkness, Shining Light, Petina Gappah has created an ambitious and artful masterpiece.