A Room in Dodge City follows a nameless drifter into an American heart of darkness. In this nightmarish version of the historic Dodge City, mythic beasts crawl out of the woodwork; bizarre rituals are enacted; and death is never the end. Equal parts humor and horror-show, David Leo Rice's novel combines the mundaneness of modern life-motels, strip malls, temp jobs-with something stranger, darker, and more eternal. Told through linked vignettes that read like metaphoric fairytales gone wrong, Dodge City consumes the reader just as it slowly consumes the drifter, leaving all to wonder whether any of us can ever truly escape this world-or our own. Winner of the Electric Book Award Each chapter is fully illustrated by Christina Collins. "David Lynch meets Neil Gaiman meets Samuel Beckett and the Theater of the Absurd. Just as Dodge City is a place the narrator can never leave, Rice's book sucks you in and doesn't let you walk out of it intact, either." -Nick Antosca, author of The Girlfriend Game, Midnight Picnic, & Fires "With a draftsman's hand and a psychonaut's eye, Rice has mapped the alien precinct in which we already live. I've never encountered a book so strange yet so familiar. Writers such as William Burroughs and Samuel Delany may have helped prepare the ground, but this high-speed, controlled drift across it is all Rice's own." -Joanna Ruocco, author of Dan & A Compendium of Domestic Incidents "A vivid, precisely described nightmare filled with jokes for people who think nothing is funny anymore. Rice imagines American pop culture as a Hieronymus Bosch painting come to life, and he gives us a carnival barker's tour through a disturbing landscape of lost souls, vain ambitions, and distorted identities, ultimately finding a path to redemption through the spiritual wreckage." -Mark Beauregard, author of The Whale: A Love Story "Rice cares deeply about his characters and this comes out in every vignette. He doesn't follow the nihilistic postmodern structure by declaring that life is meaningless or hopeless. What we find is the presence of hope in all things, no matter how run-down they might appear on the surface." -Joe Halstead, author of West Virginia "Dodge City is a walk on the dark side of the contemporary imagination that reworks the post-realist storytellings of Donald Barthelme or Henri Michaux into a voice that is unique. A picaresque novel for the age of the Darknet and Tor." -Simon Pummell, director of Bodysong & Identicals "In his mind-boggling debut novel, Rice conjures a series of seemingly unassuming vignettes that read like a revelatory prose poem written by the Zodiac Killer. A celebration of what it means to know that you know that you can never know everything." -Mike Kleine, author of Kanley Stubrick "Don't enter into Rice's terrifying and hilarious fictional multiverse looking for causality, continuity, or logic, as we know them. A Room in Dodge City will plunge you into a nightmarish warren-maze where somewhere, amid the numberless trapdoors, inner chambers and branching halls on branching halls, a literary orgy is going down among the imaginative intellects of Blake Butler, Kathryn Davis, Haruki Murakami, Livia Llewellyn, and Robert Coover, refereed by Cronenberg and Lynch." -Adrian Van Young, author of Shadows in Summerland & The Man Who Noticed Everything "A Room in Dodge City warps the serial format to its own uncanny ends. Briskly paced with elegantly streamlined prose, the book follows its own impeccably strange and addictive dream logic." -Jeff Jackson, author of Mira Corpora & Novi Sad "Unsettling and unsettled, reading A Room in Dodge City is like reading Jakob von Gunten's dream journal the day after he'd stayed up late to watch High Plains Drifter and Videodrome." -Gabriel Blackwell, author of Madeleine E. Find out more about Alternating Current Press at alternatingcurrentarts.com.

It's attorney Harry Gryden's job to make sure that the accused get a fair trial. But with the Masterson brothers, Wyatt Earp and Doc Holiday laying down their own brand of law, being a courtroom legend turns Harry into a man who doesn't carry a gun, but is in a fight for his life. Original.

In the 1870s and 1880s, Dodge City was known as the wickedest in the American West. But gunmen, horse thieves, and desperadoes of every sort finally lost their bloody battle with vigilantes, troopers, railroad men and heroic peace officers. "(Stanley) Vestal astutely plays it soft and quiet, presenting the documented facts, leaving his reader free to make of them what he will". 8 photos.

The instant New York Times bestseller! Dodge City, Kansas, is a place of legend. The town that started as a small military site exploded with the coming of the railroad, cattle drives, eager miners, settlers, and various entrepreneurs passing through to populate the expanding West. Before long, Dodge City’s streets were lined with saloons and brothels and its populace was thick with gunmen, horse thieves, and desperadoes of every sort. By the 1870s, Dodge City was known as the most violent and turbulent town in the West. Enter Wyatt Earp and Bat Masterson. Young and largely self-trained men, the lawmen led the effort that established frontier justice and the rule of law in the American West, and did it in the wickedest place in the United States. When they moved on, Wyatt to Tombstone and Bat to Colorado, a tamed Dodge was left in the hands of Jim Masterson. But before long Wyatt and Bat, each having had a lawman brother killed, returned to that threatened western Kansas town to team up to restore order again in what became known as the Dodge City War before riding off into the sunset. #1 New York Times bestselling author Tom Clavin's Dodge City tells the true story of their friendship, romances, gunfights, and adventures, along with the remarkable cast of characters they encountered along the way (including Wild Bill Hickock, Jesse James, Doc Holliday, Buffalo Bill Cody, John Wesley Hardin, Billy the Kid, and Theodore Roosevelt) that has gone largely untold—lost in the haze of Hollywood films and western fiction, until now.

DODGE CITY Matt Braun The cattle trail from Texas to Kansas was long, hot and dangerous. And by the time cowboys got there, they had the money and means to make a boomtown explode—and make Dodge City a great place to be a defense attorney...as long as you weren't looking for an innocent man. Harry Gryden believes in the kind of justice that only happens in a courtroom. In Dodge, it's his job to make sure that the accused get their fair trial. But Harry is a little too good at what he does. And with the Masterson brothers, Wyatt Earp and Doc Holiday laying down their own brand of law, being a courtroom legend is turning Harry into the rarest of Dodge City men: one who doesn't carry a gun, but is in a fight for his life...

A story about place, interfaith, and what it means to come home. Not long after stumbling into Mason County, Natalie Ruth Joynton finds herself the owner of four acres, a big red barn, and a white farmhouse set among the picturesque rolling hills of Northern Michigan. But there’s a catch. Right in her front lawn stands a life-size tribute to the Old West—specifically, Dodge City, Kansas. Replica Dodge boasts a one-room schoolhouse, a general store, a bank, a saloon, a bunkhouse, a jail, and a church. Who built Replica Dodge and why? What was this person hoping to do or attract? And what’s stranger: a person who builds such a spectacle or the people who buy it? Welcome to Replica Dodgefollows Joynton, a newly converted Jew with strong city roots, as she begins a new life with her fiancé in Michigan’s Bible Belt. The irony of the situation is not lost on her. Jews are notorious city-dwellers. Even secular Jews tend to stay within urban Jewish communities. And yet, here she is: almost a hundred miles from the closest synagogue and marrying—despite the guidance of several rabbis—a partner outside the Jewish faith. Can that faith (and marriage) survive roadkill and rifle season and Replica Dodge? As Joynton toils to build her own version of home in the heartland, she begins to discover that rural America is not one thing. It is many stories, and as varied as her experiences and hopes are, so too are those of her neighbors. Welcome to Replica Dodgesuggests that we move slowly through the new spaces in our lives—removing tape and Bubble Wrap, working with your partner to find a place for that weird chair, and wiping away the cobwebs to start fresh. Anybody who has ever felt like they didn’t belong will take comfort in this enchanting memoir.

BROTHERS IN ARMS Joseph and Liam Carrigan may have the same strong Irish blood running in their veins, but the similarity ends there. Where Joseph is level-headed and forthright, Liam is temperamental and roguish. After fighting on opposing sides in the Civil War, they reunite to head west in search of a better life and an enigmatic, long-lost uncle who disappeared years earlier. But their journey will not be an easy one. Not only must they contend with the dangers of both man and nature on the untamed frontier, but also with the never-ending sibling rivalry that once tore them apart -- and a menacing, shadowy figure who's on their trail, marking the Carrigan brothers' every move, waiting for the moment to strike.... From Cameron Judd, the Spur Award­nominated author of The Overmountain Men and Crockett of Tennessee, comes a new series steeped in the traditions of the Old West: courage, honor, and nonstop adventure. MORE THAN ONE MILLION CAMERON JUDD TITLES IN PRINT!

In Dragging Wyatt Earp essayist Robert Rebein explores what it means to grow up in, leave, and ultimately return to the iconic Western town of Dodge City, Kansas. In chapters ranging from memoir to reportage to revisionist history, Rebein contrasts his hometown’s Old West heritage with a New West reality that includes salvage yards, beefpacking plants, and bored teenagers cruising up and down Wyatt Earp Boulevard. Along the way, Rebein covers a vast expanse of place and time and revisits a number of Western myths, including those surrounding Francisco Vasquez de Coronado, the Cheyenne chief Black Kettle, George Armstrong Custer, and of course Wyatt Earp himself. Rebein rides a bronc in a rodeo, spends a day as a pen rider at a local feedlot, and attempts to “buck the tiger” at Dodge City’s new Boot Hill Casino and Resort. Funny and incisive, Dragging Wyatt Earp is an exciting new entry in what is sometimes called the nonfiction of place. It is a must- read for anyone interested in Western history, contemporary memoir, or the collision of Old and New West on the High Plains of Kansas.

“Shootin’—Lynchin’—Hangin’,” announces the advertisement for Tombstone’s Helldorado Days festival. Dodge City’s Boot Hill Cemetery sports an “authentic hangman’s tree.” Not to be outdone, Deadwood’s Days of ’76 celebration promises “miners, cowboys, Indians, cavalry, bars, dance halls and gambling dens.” The Wild West may be long gone, but its legend lives on in Tombstone, Arizona; Deadwood, South Dakota; and Dodge City, Kansas. In Tombstone, Deadwood, and Dodge City, Kevin Britz and Roger L. Nichols conduct a tour of these iconic towns, revealing how over time they became repositories of western America’s defining myth. Beginning with the founding of the communities in the 1860s and 1870s, this book traces the circumstances, conversations, and clashes that shaped the settlements over the course of a century. Drawing extensively on literature, newspapers, magazines, municipal reports, political correspondence, and films and television, the authors show how Hollywood and popular novels, as well as major historical events such as the Great Depression and both world wars, shaped public memories of these three towns. Along the way, Britz and Nichols document the forces—from business interests to political struggles—that influenced dreams and decisions in Tombstone, Deadwood, and Dodge City. After the so-called rowdy times of the open frontier had passed, town promoters tried to sell these towns by remaking their reputations as peaceful, law-abiding communities. Hard times made boosters think again, however, and they turned back to their communities’ rowdy pasts to sell the towns as exemplars of the western frontier. An exploration of the changing times that led these towns to be marketed as reflections of the Old West, Tombstone, Deadwood, and Dodge City opens an illuminating new perspective on the crafting and marketing of America’s mythic self-image.