Judson: Innovation in Stained Glass by David Judson and Steffie Nelson is a history of the world-renowned family of artisans who began crafting stained glass windows in Los Angeles in 1897. Five generations of Judsons have worked with artists, architects, and designers to create Old World-style stained glass whose quality and craftsmanship has often been compared to the work of Louis Tiffany. Famed for its Craftsman glass, Judson arts-and-crafts era windows have been celebrated by experts in the field for decades. Judson's work with Frank Lloyd Wright on Hollyhock House in the 1920s was recently re-saluted when the house was named to the UNESCO World Heritage Sites list. Established in the Pasadena during the heyday of the Arroyo Culture, headquarters of Judson Studios are still housed in the original Craftsman-era home and studio of patriarch William Lees Judson. Much of Judson's finest early work was installed in religious buildings. Along with the studio's numerous institutional and residential projects, Judson: Innovation in Stained Glass illustrates fine work in churches dating back to the early twentieth century. Modern work is also featured, including the extraordinary Air Force Academy Chapel in Colorado Springs, completed in 1962, a mid-century wonder whose soaring panels of color introduced an architecturally mesmerizing approach to stained glass that had never been executed before. In 2018, under David Judson's leadership, the studio created the world's largest fused glass window for the Church of the Resurrection in Leawood, Kansas. Including 140 panels, and measuring more than 3,400 square feet of art glass, the window made news internationally, intriguing congregants, tourists, and stained glass experts alike with its precision detail and artful melding of colors in a mural that depicted both sacred and secular stories. Once Judson Studios developed methods for blending subtle variations of color in glass for the Church of the Resurrection window, the possibilities of glass as an artist's medium were apparent. Now, in addition to its work in traditional leaded stained glass, Judson Studios is working with fine artists creating effects in fused glass that were previously unachievable. Most recently, fine artist Sarah Cain worked with Judson Studios to create a work in glass 10 feet high by 150 feet long; it was installed at the San Francisco International Airport in July 2019. About the Authors: David Judson is president of Judson Studios, the fifth generation of the Judson family to lead the studio since it was founded in 1897. David oversees the studio's creative process, where he works with architects, designers, and artists who turn to Judson for its legendary work in stained glass. In 2015, he opened the second Judson Studios facility which incorporates the firm's innovative fusing technology that allows fine artists to express their vision in glass. David is the president of the Stained Glass Association of America (SGAA) and lives with his family in Pasadena, California. Steffie Nelson has covered art, design, and culture for The New York Times, Los Angeles Times, W Magazine, and others.

In this popular play-cycle, Sayers makes the Gospels come alive. "Her Jesus can bring tears to your eyes. You will be deeply moved--a powerful experience".--Sheldon Vanauken, A Severe Mercy.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

The Basilica of the Sacred Heart at the University of Notre Dame contains one of the largest collections of late nineteenth-century French stained glass outside of France. The French Gothic-inspired church has forty-four large stained glass windows containing two hundred and twenty scenes. Today, more than 100,000 visitors tour the basilica each year to admire its architecture or participate in the beautiful liturgies. Honoring both the Sacred Heart and the Virgin Mary, the vibrant windows have, for more than a century, drawn visitors and worshippers alike into a conversation with the art and faith found in the windows. This informative and conveniently sized guidebook tells the unique story of the windows: the improbable creation of a glassworks by cloistered Carmelite nuns in LeMans, France, and their stained glass that so perfectly illuminated the late nineteenth-century French Catholic spirituality of the Congregation of Holy Cross, who established the University of Notre Dame. The words of Father Edward Sorin, CSC, founder of the university, are featured throughout the text. He saw the basilica and its windows as an avenue for teaching this spirituality. The book describes the windows according to their location in the building, from the narthex at the entrance to the Lady Chapel behind the altar. Full-color photographs provide a detailed view of the scenes found in each window. These photos are accompanied by informed commentary on the historical and theological importance of the windows, the iconography of featured saints, and how they illuminate the work of the Holy Cross to educate both mind and spirit. Stories in Light is an easy-to-read book written for all who visit the basilica, including faculty, students, alumni, and friends and family of Notre Dame, and for readers everywhere who want to know more about the rich history and heritage of the Basilica of the Sacred Heart's stained glass.

Immerse yourself in Count Leo Tolstoi's masterful narrative, 'The Awakening (The Resurrection),' a sweeping epic that explores themes of redemption, forgiveness, and profound awakening. Experience Leo Tolstoi's literary revival with "Count Leo Tolstoi The Awakening (The Resurrection): Leo Tolstoi's Literary Revival." Delve into Tolstoi's thought-provoking exploration of morality, redemption, and societal reform as he weaves a narrative that transcends time, offering readers a profound glimpse into the human condition. As Tolstoi's literary resurrection unfolds, witness the awakening of characters grappling with the consequences of their actions and the quest for spiritual renewal. His work becomes a testament to the enduring power of literature to provoke introspection and inspire societal change. But here's the twist that will stimulate your intellect: What if Tolstoi's literary revival is not just a resurrection of characters within his novel but a revival of timeless themes that continue to resonate in our contemporary world? Could his work be an invitation to reflect on the perennial questions of morality and societal transformation? Engage with short, intellectually stimulating paragraphs that navigate the philosophical depths of Tolstoi's literary revival. His words challenge you to contemplate the moral fabric of society and consider the potential for personal and collective awakening. Are you prepared to witness the literary revival and engage with the timeless questions of morality presented by Count Leo Tolstoi? Immerse yourself in paragraphs that bridge the gap between classic literature and contemporary relevance. Tolstoi's literary revival is not just a novel; it's an opportunity to grapple with profound questions that endure across time. Will you heed the call to participate in Tolstoi's literary awakening? Here's your chance to not just read but to engage with a literary revival. Acquire "Count Leo Tolstoi The Awakening (The Resurrection): Leo Tolstoi's Literary Revival" now, and let Tolstoi's words prompt your own reflections on morality, redemption, and societal transformation.

Writing about music, far from being the specialized domain of the rock critic with encyclopedic knowledge of micro-genres or the fancy-pants star journalist flying on private planes with Led Zeppelin, has become something almost any music lover can do—and does. It’s been said, however, that writing about music is a difficult, even pointless enterprise—an absurd impossibility, like “dancing about architecture.” But aside from the fact that dancing about architecture would be awesome, what is that ineffable something that drives people to write about music at all? In this short, insightful book, Joel Heng Hartse unpacks the rock writer Richard Meltzer’s assertion that writing about music should be a “parallel artistic effort” with music itself—and argues that music and the impulse to write about it is part of the eminently mysterious desire for meaning-making that makes us human. Touching on the close resonances between music, language, love, and belief, Dancing about Architecture is a Reasonable Thing to Do is relevant to anyone who finds deep human and spiritual meaning in music, writing, and the mysterious connections between them.

Life is hard . . . then you die. It’s as simple as that. Dead bodies stay dead. So in this modern, scientific age, how can any reasonable person possibly believe that Jesus actually rose from the dead? Santa Claus and the Tooth Fairy turned out to be myths. How is Jesus’s Resurrection any different? How can there possibly be any credible evidence for an event that happened two thousand years ago? The resurrection of Jesus is the most important event in the history of the world—if it’s true. If Jesus did rise, then he is God, the ultimate reality itself. In him, you can find the meaning of life, the secret of happiness, and the way to eternal life. Raising Jesus provides the evidence to show that it really is true. In this era of “alternative facts,” Raising Jesus relies on the most balanced and up-to-date scholarship to shed trustworthy new insights into the evidence. It does this in an easy-to-follow, systematic way using engaging illustrations to reveal the logic of complex arguments. Most importantly, it deals head on with the biggest problem most people in our modern, scientific age have with the resurrection: the philosophical objection that dead people simply don’t come back from the dead. Raising Jesus ultimately shows how believing Jesus rose from the dead is, in fact, the most reasonable conclusion you can make.