Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

Recasts the Reformation as a battleground over memory, in which new identities were formed through acts of commemoration, invention and repression.

Rejection of idolatry during the Reformation had dramatic and far-reaching effects on English society: the removal of color and ornament from churches, the alteration of divine and secular laws, and the destruction of an enormous amount of religious art. This study looks at the changes in sixteenth-century theology that brought about iconoclasm and offers new insight into a central aspect of the Reformation.

The Transformations of Tragedy explores different Christian influences, from the Early Modern to Modern periods, upon the development of post-classical Western tragedy.

This book examines the afterlife of the lollard movement, demonstrating how it was shaped and used by evangelicals and seventeenth-century Protestants. It focuses on the work of John Foxe, whose influential Acts and Monuments (1563) reoriented the lollards from heretics and traitors to martyrs and model subjects, portraying them as Protestants’ ideological forebears. It is a scholarly mainstay that Foxe edited radical lollard views to bring them in line with a mainstream monarchical church. But this book offers a strong corrective to the argument, revealing that the subversive material present in Foxe’s text allowed seventeenth-century religious radicals to appropriate the lollards as historical validation of their own theological and political positions. The book argues that the same lollards who were used to strengthen the English church in the sixteenth century would play a role in its fragmentation in the seventeenth.

Originally published: Battle Creek, Mich.: Review and Herald Pub. Co., 1900.

What is Protestant Art? presents an introduction to Protestant visual culture from the Reformation to the present. Examining historical images as evidence of changing practices and attitudes, Andrew T. Coates explores three major themes in the history of Protestant visual culture: 1) the religious work of images, 2) the relationship between word and image, 3) the power of the Bible and its visual representation. The book analyses images such as prints, paintings, maps of the ‘Holy Land,’ and Bible illustrations to demonstrate the broad range of images that could be classified as Protestant ‘art.’ This work argues that the variety of images and visual practices throughout Protestant history might better be described by the term ‘visual culture’ than ‘art.’

English Irena Backus' scholarship has been characterised by profound historical learning and philological acumen, extraordinary mastery of a wide range of languages, and broad-ranging interests. From the history of historiography to the story of Biblical exegesis and the reception of the Church Fathers, her research on the long sixteenth century stands as a point of reference for both historians of ideas and church historians alike. She also explored late medieval theology before turning her attention to the interplay of religion and philosophy in the seventeenth century, the focus of her late research. This volume assembles contributions from 35 international specialists that reflect the breadth of her interests and both illustrate and extend her path-breaking legacy as a scholar, teacher and colleague. Français La recherche d’Irena Backus témoigne d’une culture historique et philologique étendue, de son impeccable maîtrise des instruments linguistiques et de la multiplicité de ses centres d’intérêt. Ses études sont aujourd’hui une référence essentielle pour les spécialistes de l’histoire intellectuelle, de l’histoire de l’exégèse biblique et de la réception des Pères de l’Eglise pendant le long XVIe siècle. Seiziémiste de formation, elle s’est également aventurée dans d’autres chronologies, en s’intéressant à l’Église de la fin du moyen âge et à la philosophie de ce XVIIe siècle qui l’a de plus en plus passionnée et qui constitue aujourd’hui son centre d’intérêt majeur. Ce recueil célèbre son long et original enseignement et ses grandes qualités de chercheuses et de collègue.