(Fake Book). The Real Book series isn't just for jazzers anymore! This collection features over 200 pop mainstays of modern repertoire laid out in the favored Real Book style. Songs include: Addicted to Love * All She Wants to Do Is Dance * American Pie * Bad Day * Billie Jean * Bohemian Rhapsody * Bridge over Troubled Water * Cat's in the Cradle * Clocks * Dancin' in the Moonlight * Every Breath You Take * Eye of the Tiger * Good Riddance (Time of Your Life) * Hallelujah * Hey Jude * Hey, Soul Sister * Hotel California * I Will Remember You * Imagine * Jar of Hearts * Leaving on a Jet Plane * Let It Go * Losing My Religion * Love Shack * Piano Man * Roar * Rolling in the Deep * Some Nights * Start Me Up * Summer of '69 * Tears in Heaven * You're So Vain * You've Got a Friend * and more!

(Fake Book). Almost 200 additional pop mainstays of modern repertoire laid out in the favored Real Book style. Songs include: Africa * All About That Bass * Beast of Burden * Blackbird * Change the World * Crazy Little Thing Called Love * Dancing Queen * Despacito * Endless Love * Faith * Free Fallin' * Girls Just Want to Have Fun * Hello * Hit the Road Jack * I Wanna Dance with Somebody * I Will Survive * Jack and Diane * Last Kiss * Lean on Me * Man in the Mirror * Moves like Jagger * No Rain * Oye Como Va * Poker Face * Rehab * Royals * Stand by Me * Sweet Caroline * Take on Me * True Colors * Uptown Funk * What's Love Got to Do with It * With or Without You * You Are So Beautiful * You Can't Hurry Love * and more.

"Where Have All the Pop Stars Gone? -- Volume 1" chronicles the lives of musical soloists and band members whose songs hit the top of the music charts in the late 1950s and in the '60s. Through conversations with them, as well as producers, managers and family members, we share fascinating behind-the-scenes glimpses into the lives of these creative, talented people."Where Have All the Pop Stars Gone? -- Volume 1" includes authenticated, authorized biographical chapters on seven musical groups and solo performers: the Association (whose songs include three gold records -- "Cherish," "Windy" and "Never My Love"); Herman's Hermits (whose extensive string of hits includes three gold records -- "Mrs. Brown, You've Got a Lovely Daughter," "I'm Henry VIII, I Am" and "There's a Kind of Hush"); the Kingston Trio (whose enormous popularity reflected in seven gold albums triggered the folk music craze of the early '60s, and whose hits included million-selling "Tom Dooley," along with "Where Have All the Flowers Gone" and "Greenback Dollar"); Chris Montez (whose hit tunes included "Let's Dance," "Call Me" and "The More I See You"); the Spiral Starecase (who recorded "She's Ready," "No One For Me To Turn To" and the smash hit "More Today Than Yesterday"); Bobby Vee (whose 30 hit records included "Take Good Care of My Baby," "The Night Has a Thousand Eyes" and the million-selling "Come Back When You Grow Up"); and the Zombies (whose hits included "She's Not There," "Tell Her No" and the gold record "Time of the Season").

"The year is 1977. The King is dead, and the world mourns. But...When a mysterious briefcase turns up in his dressing room, Bruce, a coke-addled Elvis impersonator finds himself wedged between a Mob boss out to avenge the death of his only son, and a government conspiracy with far-reaching, world-ending ramifications, all in an attempt to discover the true identity of his father's killer."--Provided by publisher.

A convincing explanation of why interactive or movable books should be included in the library collection that documents their value as motivational instructional tools—in all areas of the school curriculum, across many grade levels. Pop-up books possess universal appeal. Everyone from preschoolers to adults loves to see and tactilely experience the beautiful three-dimensional work of Robert Sabuda, David A. Carter, and other pop-up book creators. Sabuda himself was inspired to become a pop-up book artist after experiencing the 1972 classic pop-up The Adventures of Super Pickle. The effect of these movable books on young minds is uniquely powerful. Besides riveting children's attention, pop-up books can also help build motor skills, teach cause and effect, and develop spatial understanding of objects. Based on their direct experience and many presentations to teachers and librarians, the authors have provided template lesson plans with curriculum and standards links for using the best pop-up books currently available in the instructional program of the school. The book also includes profiles of the most notable authors, a history of the format, definitions of terms such as "flap book" and "paper engineer," and information on how to create movable books. Librarians will find the section regarding collection development with the format—how and where to acquire them, proper storage methods—and the annotated listing of the authors' 50 favorite pop-ups extremely helpful.

The influence of the comic book has never been greater, from movies to streaming and beyond, but the journey comics took from disposable kids' magazines to literary prize-winning books and global franchises turned on a highly unusual group of writers and artists. Few would have expected a small gathering of British comic book fans and creators in the early '70s to spark a cultural revolution, but this was the start of a disparate movement of punks, dropouts and disaffected youths who reinvented a medium and became the imaginative heart of a global success story. Based on years of interviews with a generation of leading writers, artists and editors, Karl Stock reveals the true story of the wild times, passion and determination that helped, hindered and saw the reinvention of comics. Stock brilliantly tells the story of the triumphs and disasters that rewrote the rulebook on what comics could be and who they should be for.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

From Library Journal: "A comprehensive book, providing information on the rationale for connecting pop culture to library services and offering a range of projects to get students into the library." Integrating Pop Culture into the Academic Library explores how popular culture is used in academic libraries for collections, instruction, and programming. This book describes the foundational basis for using popular culture and discusses how it ignites conversations between librarians and students, making not only the information relatable, but the library staff, as well. The use of popular culture in the library setting acknowledges the importance of students’ interests and how these interests can be used to understand their information needs in unique and interesting ways. By integrating popular culture into library collections, instruction, and programming, librarians present research and discovery in ways that connect with students and the broader community. This book demonstrates that academic libraries using popular culture find it to be an effective tool, both for instruction and programming. The editors are librarians who utilize popular culture in various ways to provide instruction and reinforce information literacy concepts in their own practice. Readers will find chapters written by a variety of authors from different types of academic libraries, including community colleges, comprehensive universities, research universities, and law schools. These unique perspectives offer readers different ways of thinking about how librarians can incorporate students’ interests in popular culture to promote the mission of the library. In addition to well-known examples such as Hamilton: The Musical, Pokémon, Harry Potter, Black Panther, and Barbie, readers will also encounter lesser-known library applications of popular culture, including cartoneras, zines, fantasy maps, gaming collectives, and paranormal walking tours. All of these examples highlight the multiple way libraries leverage popular culture to expand their reach and identity with students and the community at-large.