The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

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See:

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

More than ten years in the making, this comprehensive single-volume literary survey is for the student, scholar, and general reader. The Continuum Encyclopedia of American Literature represents a collaborative effort, involving 300 contributors from across the US and Canada. Composed of more than 1,100 signed biographical-critical entries, this Encyclopedia serves as both guide and companion to the study and appreciation of American literature. A special feature is the topical article, of which there are 70.

An alphabetical reference with more than 1,500 entries that trace symbols to their cultural, religious, or mythological origins, and explain the hidden or encoded meaning that lies concealed beneath objects' and concepts' ordinary, outward appearance.

KEY BENEFIT: Rockin' Out: Popular Music In the U.S.A. analyzes the music and business of rock 'n' roll. Covering topics such as the rise of television idols, the proliferation of alternative sounds, and the influence of digital production techniques, this comprehensive, introductory text takes readers from the invention of the phonograph to the promise of the Internet. Joining longtime author Reebee Garofalo for the Sixth Edition, co-author Steve Waksman -- professor at Smith College and heavily published rock scholar -- has thoroughly revised each chapter to include new research and more current literature. KEY TOPICS: Introduction: Definitions, Themes, and Issues; Constructing Tin Pan Alley: From Minstrelsy to Mass Culture; Blues, Jazz, and Country: The Segregation of Popular Music; "Good Rockin' Tonight": The Rise of Rhythm and Blues; Crossing Cultures: The Eruption of Rock 'n' Roll; The Empire Strikes Back: The Reaction to Rock 'n' Roll; Popular Music and Political Culture: The Sixties; Music Versus Markets: The Fragmentation of Pop; Punk and Disco: The Poles of Pop; Are We the World?: Music Videos, Superstars, and Mega-Events; Rap and Metal: The Voices of Youth Culture; Repackaging Pop: The Changing Mainstream; Changing Channels: Music and Media in the New Millennium MARKET: For readers seeking an up-to-date overview of the music and business of rock 'n' roll

The Encyclopedia of Religion and Nature, originally published in 2005, is a landmark work in the burgeoning field of religion and nature. It covers a vast and interdisciplinary range of material, from thinkers to religious traditions and beyond, with clarity and style. Widely praised by reviewers and the recipient of two reference work awards since its publication (see www.religionandnature.com/ern), this new, more affordable version is a must-have book for anyone interested in the manifold and fascinating links between religion and nature, in all their many senses.

Focusing on the variety of genres that make up pop music, Roy Shuker explores key subjects which shape our experience of music such as music production, the music industry, music policy, fans, audiences and subcultures.

Originally published in 1985, One Chord Wonders was the first full-length study of the glory years of British punk rock. The book argues that one of punk’s most significant political achievements was to expose the operations of power in the British entertainment industries as they were thrown into confusion by the sound and the fury of musicians and fans. Through a detailed examination of the conditions under which punk emerged and then declined, Dave Laing develops a view of the music as both complex and contradictory. Special attention is paid to the relationship between punk and the music industry of the late 1970s, in particular the political economy of the independent record companies through which much of punk was distributed. The rise of punk is also linked to the febrile political atmosphere of Britain in the mid-1970s. Using examples from a wide range of bands, individual chapters use the techniques of semiology to consider the radical approach to naming in punk (from Johnny Rotten to Poly Styrene), the instrumental and vocal sound of the music, and its visual images. Another section analyses the influence of British punk in Europe prior to the music’s division into “real punk” and “post-punk” genres. The concluding chapter critically examines various theoretical explanations of the punk phenomenon, including the class origins of its protagonists and the influential view that punk represented the latest in a line of British youth “subcultures.” There is also a chronology of the punk era, plus discographies and a bibliography.