Within the context of Miguel de Cervantes Saavedra and his influence on Jorge Luis Borges, Manuel Puig and Gabriel Marquez, Paul Kong brings a variety of theoretical perspectives to bear as he analyzes the concepts of the archive and the manuscript. Setting the stage with an exploration of the intricate and intriguing relationship between the archive and the manuscript, Kong questions the apparently natural association between the two. In the light of Kong's historically contextualized and patient exegesis, the ideological nature of the archive, evident in its charge to serve as a totalizing habitat, stands in contrast with the manuscript that resists attempts to contain it. The playful responses of Borges, Puig and Marquez as they mine the "archive" of Cervantes' works support the anti-colonial dimension of Latin American literature and further problematize the relationship between archive and manuscript. The book concludes with a discussion of the future of archival discourse, especially in the setting of the virtual reality of the Internet and of globalization. Carefully grounded by Kong's close readings and supported by a wealth of astute references and allusions to writers as diverse as Virgil, Wordsworth, and Dickens, The Raiders and Writers of Cervantes' Archive is sure to provoke and intrigue Latin American scholars, narrative theorists, archivists, and those interested in issues related to cultural domination, ideology, and cyberspace.

The Afterlife of Texts in Translation: Understanding the Messianic in Literature reads Walter Benjamin’s and Jacques Derrida’s writings on translation as suggesting that texts exist within a process of continual translation. Understanding Benjamin’s and Derrida’s concept of ‘afterlife’ as ‘overliving’, this book proposes that reading Benjamin’s and Derrida’s writings on translation in terms of their wider thought on language and history suggests that textuality itself possesses a ‘messianic’ quality. Developing this idea in relation to the many rewritings and translations of Don Quijote, particularly the multiple rewritings by Jorge Luis Borges, Edmund Chapman asserts that texts consist of a structure of potential for endless translation that continually promises the overcoming of language, history and textuality itself.

The first book-length study of meta-phenomena in film and television series.

Theodore Kaczynski saw violent collapse as the only way to bring down the techno-industrial system, and in more than a decade of mail bomb terror he killed three people and injured 23 others. One does not need to support the actions that landed Kaczynski in supermax prison to see the value of his essays disabusing the notion of heroic technology while revealing the manner in which it is destroying the planet. For the first time, readers will have an uncensored personal account of his anti-technology philosophy, including a corrected version of the notorious ''Unabomber Manifesto,''Kaczynski, s critique of anarcho-primitivism, and essays regarding ''the Coming Revolution.''

"More than 30,000 people were forcibly disappeared during the military dictatorship that governed Argentina from 1976-83, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop looks at how techniques of dissimulation, doubling, displacement, suspension, and embodiment come to serve both epistemological and ethical functions, grounding new forms of historical knowledge and a new narrative commons whose work continues into the new millennium. Their writing, Bishop argues, recalibrates our understanding of the reciprocity between fiction and history. In the end, The Space of Disappearance asks us to look again at what we think we cannot see. For there, in fiction, at the limits of the literary, disappearance appears as a vital agent of resistance, storytelling, and worldbuilding"--

Collects articles and book reviews by the English novelist