THE STORY: Wounded in the war in Iraq, a farmer's boy turned soldier returns home with injuries that have extraordinary consequences for his fiancée and his family.

Performing in a high G environment is extremely demanding on the body: pulling G forces blood to the body’s extremities, putting the pilot, astronaut or driver at risk of G-Induced Lack of Consciousness (G-LOC). In “Pulling G” Erik Seedhouse describes what it feels like to pull 7 G in a fighter plane and the G pressures on the body when driving a Formula 1 car and many other gravity-defying vehicles. The book relates, for the first time, the effects of G in both hyper-gravity and microgravity. It describes the human response to increased and decreased G and the potentially dangerous effects of high G, with particular reference to dynamic injuries sustained in high acceleration environments. “Pulling G” provides an overview of G-related research and the development of intervention methods to mitigate the effects of increased and reduced G. As well as relating the training required to overcome G-forces on the Formula 1 track, Erik Seedhouse looks at the G forces encountered in such G environments as ejection from an aircraft, launch/re-entry, and zero-G. The book also considers how artificial gravity can be used to prevent bone demineralization and to reduce the effects of de-conditioning in astronauts. Erik Seedhouse is eminently qualified to describe the effects of large accelerations on the body. In addition to being the author of several previously published Springer Praxis books, he has developed astronaut-training protocols and is the training director for Astronauts for Hire (A4H). He is also the Canadian Forces’ High Risk Acceleration Training Officer.

Haunting new play by award-winning writer about the continuing hold of the Nazi times today.

In recent years of the 21st Century the author of this book and other scientists as well, have instigated and described many new ideas, researches, theories, macro-projects, USA and other countries patented concepts, speculative macro-engineering ideas, projects and other general innovations in technology and environment change. In aerospace these include air catapult transportation, hypersonic ground electric AB engine, protection of the Earth from asteroids and delivery of asteroids to the Earth, re-entry space apparatus to Earth, airborne wind turbines, electronic wind generator and propulsion, long distance shells, new self-propelled penetration bomb, inexpensive mini thermonuclear reactor, etc. In technology these include new ideas and innovation in space sciences and Earth technologies: Underground explosion nuclear energy; Electron hydro electric generator; Electron super speed hydro propulsion; Electric theory of tornado; Protection from tornado; and so on.

Philosophers and poets in times past tried to figure out why the stainless moon "smoothly polished, like a diamond" in Dante's words, had stains. The agreed solution was that, like a mirror, it reflected the imperfect Earth. Today we smile, but it was a clever way to understand the Moon in a manner that was consistent with the beliefs of their age. The Moon is no longer the "in" thing. We see it as often as the Sun and give it little thought — we've become indifferent. However, the Moon does reflect more than just sunlight. The Moon, or more precisely the nomenclature of lunar craters, still holds up a mirror to an important aspect of human history. Of the 1586 craters that have been named honoring philosophers and scientists, only 28 honor a woman. These 28 women of the Moon present us with an opportunity to meditate on this gap, but perhaps more significantly, they offer us an opportunity to talk about their lives, mostly unknown today.

In the run-up to, during and after the invasion of Iraq a large number of literary texts addressing that context were produced, circulated and viewed as taking a position for or against the invasion, or contributing political insights. This book provides an in-depth survey of such texts to examine what they reveal about the condition of literature.

In recent years, the US-led invasions of Afghanistan and Iraq have had an impact on the UK rivalled only by Brexit and the global financial crisis. For people at home, the wars were ever-present in the media yet remained distant and difficult to apprehend. Janina Wierzoch offers an analytical survey of British contemporary war narratives in novels, drama, film, and television that seek to make sense of the experience. The study shows how the narratives, instead of reflecting on the UK`s role as invader, portray war as invading the British home. Home loses its post-Cold War sense of »permanent peace« and is recast as a home/front where war once again becomes part of what it means to be »us«.

My son is dead and sitting on the throne. 1605. Orthodox Russia stands alone, defiant against the Roman Catholic and Protestant West. The Kremlin has suppressed all opposition and keeps a ruthless grip on power with the support of the church and an appeal to nationalist sentiment. In Poland, a formidable young opponent appears: Dmitry. At his back a Polish army fuelled by fear of the Russian threat marches on Moscow. But is he who he thinks he is? An explosive new version of the great German writer Schiller's last, unfinished play - resurrected in the unique, pulsating dramatic verse of Peter Oswald, which premiered in the original production directed by Tim Supple. This edition was published to coincide with the world premiere at Marylebone Theatre in London, in September 2022.