In the run-up to, during and after the invasion of Iraq a large number of literary texts addressing that context were produced, circulated and viewed as taking a position for or against the invasion, or contributing political insights. This book provides an in-depth survey of such texts to examine what they reveal about the condition of literature.

This book examines the cultural and political history of the Church of the East, the main Christian church in Iraq and Iran. Philip Wood uses medieval Arabic sources to examine history-writing by Christians in the fifth to ninth centuries AD.

One of NPR's Best Books of 2017! A groundbreaking anthology of science fiction from Iraq that will challenge your perception of what it means to be “The Other” “History is a hostage, but it will bite through the gag you tie around its mouth, bite through and still be heard.”—Operation Daniel In a calm and serene world, one has the luxury of imagining what the future might look like. Now try to imagine that future when your way of life has been devastated by forces beyond your control. Iraq + 100 poses a question to Iraqi writers (those who still live in that nation, and those who have joined the worldwide diaspora): What might your home country look like in the year 2103, a century after a disastrous foreign invasion? Using science fiction, allegory, and magical realism to challenge the perception of what it means to be “The Other”, this groundbreaking anthology edited by Hassan Blasim contains stories that are heartbreakingly surreal, and yet utterly recognizable to the human experience. Though born out of exhaustion, fear, and despair, these stories are also fueled by themes of love, family, and endurance, and woven through with a delicate thread of hope for the future. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

When the statue of Saddam Hussein was pulled down in Baghdad's Firdous square, Iraq was entering a new phase of uncertainty. This is a country whose history has been shaped by foreign occupations, authoritarianism, wars and violence. Its identity was always a matter of controversy. The incompatibility between Iraq as a territorial entity and the various cultural identities of its population made it more difficult for Iraqis to imagine their 'Nation'. This Identity Problem has been made worse by a political power which has always based itself on the hegemony politics of exclusion. Through a long journey in the historical processes and socio-political conflicts, the author tells the story of a country devastated by its legacy, seeking to reconcile with itself and re-imagine its nationhood.

Imagine that your only son was away in a war zone, exposed day and night to mortar attacks, IEDs, and snipers. Jacqueline Montez, the narrator in "Imagining Iraq" is the mother of a Marine stationed in Iraq. Racked with fear, she spends her days imagining her son's life in Ramadi, at the heart of the Sunni triangle, the most dangerous area of Iraq. To ease her loneliness and anxiety, Jacqueline rents rooms to veterans, many of whom tell her stories.The stories in this collection all based on true stories veterans have told the author. Some are heart-wrenching accounts of senseless loss. Some involve the moral choices soldiers must make-for example, whether to kill a terrorist when children are present. Some focus on the mental health of veterans struggling to transition back into civilian life. Others depict women soldiers determined to maintain their dignity in a mostly male world. Not all these stories are gloomy, however. One depicts an unlikely friendship between a Marine and a fiercely anti-American Iraqi tailor and another the collusion between a commanding officer and his men to save the life of a dog.Three of these stories have won the Maryland Writers Association National Fiction Competition. "Jason's Cap," about a suicidal Army veteran, won first prize in 2015. "Ox," about a wayward pup who finds his way into the hearts of a platoon of Marines, won second prize in 2016. "Imagining Iraq," about Marines billeted in the home of an Iraqi family, won third prize in 2010. "Imagining Iraq" was selected for a public reading at the Navy War Memorial on Veterans Day, 2010. Two stories, "Prejudice" and "Ahmed the Tailor", have appeared in Living Springs Baby Boomer Plus Collections.

Iraq at a Distance describes the plight of the Iraqi people, caught since 2003 in the carnage between U.S. troops and Iraqi insurgents. This provocative book is a bold attempt by five distinguished anthropologists to study an inaccessible war zone through ground-breaking comparisons with armed conflicts around the world.

Who are the Arabs? When did people begin calling themselves Arabs? And what was the Arabs' role in the rise of Islam? Investigating these core questions about Arab identity and history by marshalling the widest array of Arabic sources employed hitherto, and by closely interpreting the evidence with theories of identity and ethnicity, Imagining the Arabs proposes new answers to the riddle of Arab origins and fundamental reinterpretations of early Islamic history. This book reveals that the time-honoured stereotypes which depict Arabs as ancient Arabian Bedouin are entirely misleading because the essence of Arab identity was in fact devised by Muslims during the first centuries of Islam. Arab identity emerged and evolved as groups imagined new notions of community to suit the radically changing circumstances of life in the early Caliphate. The idea of 'the Arab' was a device which Muslims utilised to articulate their communal identity, to negotiate post-Conquest power relations, and to explain the rise of Islam. Over Islam's first four centuries, political elites, genealogists, poetry collectors, historians and grammarians all participated in a vibrant process of imagining and re-imagining Arab identity and history, and the sum of their works established a powerful tradition that influences Middle Eastern communities to the present day.

On February 15, 2003, millions of people around the world demonstrated against the war that the United States, the United Kingdom, and their allies were planning to wage in Iraq. Despite this being the largest protest in the history of humankind, the war on Iraq began the next month. That year, the World Tribunal on Iraq (WTI) emerged from the global antiwar movement that had mobilized against the invasion and subsequent occupation. Like the earlier tribunal on Vietnam convened by Bertrand Russell and Jean-Paul Sartre, the WTI sought to document—and provide grounds for adjudicating—war crimes committed by the United States, the United Kingdom, and their allied forces during the Iraq war. For the Love of Humanity builds on two years of transnational fieldwork within the decentralized network of antiwar activists who constituted the WTI in some twenty cities around the world. Ayça Çubukçu illuminates the tribunal up close, both as an ethnographer and a sympathetic participant. In the process, she situates debates among WTI activists—a group encompassing scholars, lawyers, students, translators, writers, teachers, and more—alongside key jurists, theorists, and critics of global democracy. WTI activists confronted many dilemmas as they conducted their political arguments and actions, often facing interpretations of human rights and international law that, unlike their own, were not grounded in anti-imperialism. Çubukçu approaches this conflict by broadening her lens, incorporating insights into how Amnesty International, Human Rights Watch, and the Iraqi High Tribunal grappled with the realities of Iraq's occupation. Through critical analysis of the global debate surrounding one of the early twenty-first century's most significant world events, For the Love of Humanity addresses the challenges of forging global solidarity against imperialism and makes a case for reevaluating the relationships between law and violence, empire and human rights, and cosmopolitan authority and political autonomy.

In his November 19, 2005 presidential address, President George W. Bush summarized U.S. military policy as, "Our situation can be summed up this way: as the Iraqis stand up, we will stand down." EMBEDDED offers a firsthand account by a young Marine military advisor serving on the frontlines with the Iraqi Army of the effectiveness of America's efforts to help the Iraqis stand on their own. As a Division I track athlete and a magna cum laude graduate of the University of Pennsylvania's Wharton School, Wes Gray was given a full scholarship to the Ph.D. program in finance at the University of Chicago, the top ranked program in the world. However, after passing his comprehensive exams and while weighing offers from Wall Street, he had an epiphany: the right thing to do before taking on the challenges of the business world was to serve his nation and fulfill a lifelong dream of becoming a United States Marine. In 2006, 1st. Lt. Gray was deployed as a Marine Corps military advisor to live and fight with an Iraqi Army battalion for two hundred and ten days in the Haditha Triad, a small population center in the dangerous and austere al-Anbar Province of western Iraq.What he encountered was an insurgent fire pit recently traumatized by the infamous “Haditha Massacre,” in which 24 Iraqi civilians – men, women and children – were shot at close range by U.S. Marines at close range in retaliation for the death of a Marine lance corporal in a roadside bombing. Despite the tensions triggered by the shootings, Gray was able to form a bond with the Iraqi soldiers because he had an edge that very few U.S. service members possess 3⁄4 the ability to communicate because of his proficiency in Iraqi Arabic. His language skills and deep understanding of Iraqi culture were quickly recognized by the Iraqi soldiers who considered him an Arab brother and fondly named him “Jamal.” By the end of his advisor tour, he was a legend within the Iraqi Army. During his time in Iraq, Wes kept a detailed record of his observations, experiences, and interviews with Iraqi citizens and soldiers in vivid and brutally honest detail. Ranging from tension filled skirmishes against the insurgents to insights into the dichotomy between American and Iraqi cultures, he offers a comprehensive portrait of Iraq and the struggles of its people and soldiers to stand up and make their country a nation once again. His book is a Marine intelligence officer’s compelling report about the status and prospects of America's strategy for success in Iraq.

The recent reopening of Iraq’s National Museum attracted worldwide attention, underscoring the country’s dual image as both the cradle of civilization and a contemporary geopolitical battleground. A sweeping account of the rich history that has played out between these chronological poles, From Mesopotamia to Iraq looks back through 10,000 years of the region’s deeply significant yet increasingly overshadowed past. Hans J. Nissen and Peter Heine begin by explaining how ancient Mesopotamian inventions—including urban society, a system of writing, and mathematical texts that anticipated Pythagoras—profoundly influenced the course of human history. These towering innovations, they go on to reveal, have sometimes obscured the major role Mesopotamia continued to play on the world stage. Alexander the Great, for example, was fascinated by Babylon and eventually died there. Seventh-century Muslim armies made the region one of their first conquests outside the Arabian peninsula. And the Arab caliphs who ruled for centuries after the invasion built the magnificent city of Baghdad, attracting legions of artists and scientists. Tracing the evolution of this vibrant country into a contested part of the Ottoman Empire, a twentieth-century British colony, a republic ruled by Saddam Hussein, and the democracy it has become, Nissen and Heine repair the fragmented image of Iraq that has come to dominate our collective imagination. In hardly any other continuously inhabited part of the globe can we chart such developments in politics, economy, and culture across so extended a period of time. By doing just that, the authors illuminate nothing less than the forces that have made the world what it is today.