The British poets Wilfred Owen, Ivor Gurney, and Siegfried Sassoon found themselves psychologically altered by what they experienced in the First World War. Owen was hospitalized in April 1917 for "shell shock" in Scotland, where he met Siegfried Sassoon in June of that year, hospitalized for the same affliction. Ivor Gurney found the war, ironically, to have been a place of relative stability within an otherwise tormented life; When he was wounded during the war's final year, his doctors observed signs of mental illness, which evolved into incapacitating psychosis by 1922. For each of these men--all poets before the war--poetry served as a way to inscribe continuity into their lives, enabling them to retaliate against the war's propensity to render the lives of the participants discontinuous. Poetry allowed them to return to the war through memory and imagination, and poetry helped them to bring themselves back from psychological breakdown to a state of stability, based upon a relationship to the war that their literary war enabled them to create and discover. This work investigates the ways in which the poetry of war functioned as a means for these three men to express the inexpressible and to extract value out of the experience of war. Bibliography and index are also included. Instructors considering this book for use in a course may request an examination copy here.

Operation Protective Edge, launched in early July 2014, was the third major Israeli assault on the Gaza Strip in six years. It was also the most deadly. By the conclusion of hostilities some seven weeks later, 2,200 of Gaza’s population had been killed, and more than 10,000 injured. In these pages, journalist Mohammed Omer, a resident of Gaza who lived through the terror of those days with his wife and then three-month-old son, provides a first-hand account of life on-the-ground during Israel’s assault. The images he records in this extraordinary chronicle are a literary equivalent of Goya’s “Disasters of War”: children’s corpses stuffed into vegetable refrigerators, pointlessly because the electricity is off; a family rushing out of their home after a phone call from the Israeli military informs them that the building will be obliterated by an F-16 missile in three minutes; donkeys machine-gunned by Israeli soldiers under instructions to shoot anything that moves; graveyards targeted with shells so that mourners can no longer tell where their relatives are buried; fishing boats ablaze in the harbor. Throughout this carnage, Omer maintains the cool detachment of the professional journalist, determined to create a precise record of what is occurring in front of him. But between his lines the outrage boils, and we are left to wonder how a society such as Israel, widely-praised in the West as democratic and civilized, can visit such monstrosities on a trapped and helpless population.

We know that millions of soldiers were scarred by their experiences in the First World War trenches, but what happened after they returned home? ??Suzie Grogan reveals the First World War's disturbing legacy for soldiers and their families. How did a nation of broken men, and 'spare' women cope? ??In 1922 the British Parliament published a report into the situation of thousands of 'service patients', or mentally ill ex-soldiers still in hospital. What happened to these men? Were they cured? What treatments were on offer? And what was the reception from their families and society? ??Drawing on a huge mass of original sources, Suzie Grogan answers all those questions, combining individual case studies with a narrative on wider events. Unpublished material from the archives shows the true extent of the trauma experienced by the survivors. This is a fresh perspective on the history of the post-war period, and the plight of a traumatised nation.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

A genuinely new insight into the lives of shell-shocked soldiers both during and after the Great War. >

Rose Allatini is remembered today for writing 'Despised and Rejected', the only novel to be prosecuted under the Defence of the Realm Act during the Great War as 'liable to prejudice recruiting in His Majesty's forces. The book's positive depiction of homosexuals and conscientious objectors alarmed the wartime authorities. But Rose Allatini was also the author (under several disguises) of nearly forty other novels, over seven decades. This monograph sets out to dispel the myth that these other books were no more than romantic pot-boilers. The novels' themes include: critiques of the position of women in London and Vienna at the start of the twentieth century; an exploration of the experience of mental illness; warnings of the rise of Nazism in thirties Austria, depictions of the experiences of refugees in London during the Second World War; and speculations about spiritual healing. Rose Allatini was a novelist who went where many others did not care to venture.

What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated images of war, in turn, circulate through language to constitute our 'cultural memory' of war. This is a major contribution to our understanding of the diverse ways in which men and women have wrestled with the intractable task of conveying what twentieth-century wars meant to them and mean to us.

“Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction.”—The Boston Globe The first book of the Regeneration Trilogy—a Booker Prize nominee and one of Entertainment Weekly’s 100 All-Time Greatest Novels. In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon’s “sanity” and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim. One of the most amazing feats of fiction of our time, Regeneration has been hailed by critics across the globe. More than one hundred years since World War I, this book is as timely and relevant as ever.

The life of Siegfried Sassoon has been recorded and interpreted in literature and film for over half a century. He is one of the great figures of the First World War, and Memoirs of a Fox-Hunting Man and Memoirs of an Infantry Officer are still widely read, as are his poems, which did much to shape our present ideas about the Great War. Sassoon was a genuine hero, a brave young officer who also became the war's most famous opponent, risking imprisonment and even a death sentence by throwing his Military Cross into the Mersey. He was friend to Robert Graves, mentor to Wilfred Owen and much admired by Churchill. But Sassoon was more than the embodiment of a romantic ideal; he was in many senses the perfect product of a vanished age. And many questions about his character, unique experience and motivations have remained unanswered until now. Siegfried Sassoon’s life has been recorded and interpreted in literature and film for over half a century. But this poet, First World War hero, friend to Robert Graves and mentor to Wilfred Owen, was more than the embodiment of a romantic ideal. Passionately involved with the aristocratic aesthete Stephen Tennant, married abruptly to the beautiful Hester Gatty, estranged, isolated, and a late Catholic convert, his private story has never before been told in such depth. Egremont discovers a man born in a vanished age, unhappy with his homosexuality and the modernist revolution that appeared to threaten the survival of his work, and engaged in an enduring personal battle between idealism and the world in which he moved. Shortlisted for the 2005 James Tait Black Memorial Prize for Autobiography