Shell Shock, Memory, and the Novel in the Wake of World War I explores the narrative traces, subaltern faces, and commemorative spaces of shell shock in wartime and postwar novels by Mulk Raj Anand, Ford Madox Ford, Mary A. Ward, George Washington Lee, Ernest Hemingway, F. Scott Fitzgerald and Christopher Isherwood. This book argues that World War I novels serve as an untapped source of information about shell shock, and renews our present understanding of the condition by exploring the nexus of shell shock and practices of commemoration. Shell shock novelists testify to the tenaciousness and complexity of the disorder, write survivors into visibility, and articulate the immediacy of wounds that remain to be seen. This book helps readers understand more fully the extent to which shell shock continues to shape and trouble modern memories of the First World War.

Bringing together a diverse collection of primary source documents, this book illuminates the events and experiences of World War I from a variety of perspectives, from soldiers on the front lines to civilians supporting the war effort at home. Part of Bloomsbury's Voices of an Era series, this carefully curated collection highlight the wartime experiences of a diverse array of individuals from around the globe. In addition to covering major military innovations and turning points, documents explore how issues of gender, race,diplomacy, and empire building impacted individuals' experience of the Great War. Each of the 42 documents includes contextual information and thought-provoking questions to guide readers in their exploration of the text. In addition to high-interest sidebars, in-text glossary definitions, biographical snapshots of key figures, and a comprehensive chronology of the war, the book also includes a guide to evaluating and interpreting primary sources that bolsters readers' analytical and critical thinking skills. Although it was nicknamed "the war to end all wars," World War I heralded the start of modern-day conflicts. The human toll of the Great War was immense-an estimated 9 million soldiers died on the battlefield, while more than 5 million civilians died as the result of military actions, disease, or famine. In the wake of World War I, empires crumbled and new nations won their independence. Although the events and aftermath of World War I happened on an epic scale, the conflict is best understood through the human lens provided by these primary sources.

'Shell Shock Cinema' shows how classical German cinema of the Weimar Republic was haunted by the horrors of World War I & the trauma of Germany's humiliating defeat. Anton Kaes argues that even films which do not depict war reveal a wounded nation in post-traumatic shock.

Beyond Memory: Silence and the Aesthetics of Remembrance analyses the intricate connections between silence, acts of remembrance and acts of forgetting, and relates the topic of silence to the international research field of Cultural Memory Studies. It engages with the most recent work in the field by viewing silence as a remedy to the traditionally binary approach to our understanding of remembering and forgetting. The international team of contributors examine case studies from colonialism, war, politics and slavery from across the globe, as well as drawing examples from literature, philosophy and sites of memory to draw three main conclusions. Firstly, that the relationship between remembering and forgetting is relational rather than ‘hermetic’, and the space between the two is often occupied by silence. Secondly, silence is a force in itself, capable of stimulating more or less remembrance. Finally, that silence is a necessary and key element in the interaction between the human mind and the ‘outer world’, and enables people to challenge their understanding of art, music, literature, history and memory. With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an essential component of history and memory studies.

Through a set of comparative studies of the fiction of Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer, The Passage of Literature explains the interrelation between English, Creole, and Indonesian formations of literary modernism, arguing that each passage of literature is the site of contest between competing genealogies of culture.

This book helps readers understand the extent to which shell shock continues to shape modern memories of the First World War.

This is the first full-length critical study of Parade's End to focus on the psychological effects of the war. Originally published in 4 volumes between 1924 and 1928, Parade's End has been described as 'the finest novel about the First World War' (Anthony Burgess), 'the greatest war novel ever written by an Englishman' (Samuel Hynes), 'a central Modernist novel of the 1920s, in which it is exemplary' (Malcolm Bradbury), and 'possibly the greatest 20th-century novel in English' (John N. Gray).These 10 newly commissioned essays focus on the psychological effects of the war, both upon Ford himself and upon his novel: its characters, its themes and its form. The chapters explore: Ford's pioneering analysis of war trauma, trauma theory, shell shock, memory and repression, insomnia, empathy, therapy, literary Impressionism and literary style. Writers discussed alongside Ford include Joseph Conrad, Siegfried Sassoon, May Sinclair, and Rebecca West, as well as theorists Deleuze and Guattari, Michel Foucault, Sigmund Freud, William James, and W. H. R. Rivers.