This volume deals with the Arab literary response to European colonialism as articulated in the works of four leading twentieth-century poets: A?mad Shawq?, Ma?r?f al-Ru f?, Badr Sh?kir al-Sayy?b and ?Abd al-Wahh?b al-Bay?t?.

Considers the Arabic novel within the triangle of the nation-state, modernity and tradition.The novel is now a major genre in the Arabic literary field; this book explores the development of the novel, especially the ways in which the genre engages with a

Situating Nima's life firmly within the context of 20th century Iranian history this book contributes to an emerging trend in literary scholarship on Persian literature that views Persian poetry as a living and constantly evolving tradition rather than an icon of some fading glory.

Comparatively studies, through both form and content, the development of Arabic and Persian modernist poetry during the mid-twentieth century.

In Arab-Jewish Literature: The Birth and Demise of the Arabic Short Story, Reuven Snir offers an account of the emergence of the art of the Arabic short story among the Arabized Jews during the 1920s, especially in Iraq and Egypt, its development in the next two decades, until the emigration to Israel after 1948, and the efforts to continue the literary writing in Israeli society, the shift to Hebrew, and its current demise. The stories discussed in the book reflect the various stages of the development of Arab-Jewish identity during the twentieth century and are studied in the relevant updated theoretical and literary contexts. An anthology of sixteen translated stories is also included as an appendix to the book. "Highly recommended for academic libraries collecting in the areas of Arab-Jewish cultural history, diaspora and exile studies, and literary identity formations." - Dr. Yaffa Weisman, Los Angeles, in: Association of Jewish Libraries News and Reviews 1.2 (2019)

Includes passages translated into English.

Poetry has long dominated the cultural landscape of modern Iraq, simultaneously representing the literary pinnacle of high culture and giving voice to the popular discourses of mass culture. As the favored genre of culture expression for religious clerics, nationalist politicians, leftist dissidents, and avant-garde intellectuals, poetry critically shaped the social, political, and cultural debates that consumed the Iraqi public sphere in the twentieth century. The popularity of poetry in modern Iraq, however, made it a dangerous practice that carried serious political consequences and grave risks to dissident poets. The Dangers of Poetry is the first book to narrate the social history of poetry in the modern Middle East. Moving beyond the analysis of poems as literary and intellectual texts, Kevin M. Jones shows how poems functioned as social acts that critically shaped the cultural politics of revolutionary Iraq. He narrates the history of three generations of Iraqi poets who navigated the fraught relationship between culture and politics in pursuit of their own ambitions and agendas. Through this historical analysis of thousands of poems published in newspapers, recited in popular demonstrations, and disseminated in secret whispers, this book reveals the overlooked contribution of these poets to the spirit of rebellion in modern Iraq.

The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.

"The Soviet Arabist Kulthum 'Awda-Vasilieva was born in 1892 to Orthodox Christian parents in Nazareth, in Ottoman Palestine. She died in Moscow in 1965, leaving autobiographical writings that help explain how this unwelcome fifth daughter of Palestinian peasants went on to become a distinguished Arabist in the USSR and possibly the first Arab female university professor anywhere. As she tells it in an essay translated in this book, luck played a role: the opening of an Imperial Orthodox Palestine Society (Russian acronym IPPO) missionary school in Nazareth in 1885 helped lift a girl her own mother considered "ugly" and lacking prospects into a world of educational opportunities and social and geographic mobility. After Nazareth 'Awda received a scholarship to the IPPO women's seminary in Beit Jala and mastered Russian. As a young teacher back in Nazareth she met and married Ivan Vasiliev, a doctor at the IPPO hospital. On a summer 1914 visit to Vasiliev's parents in Kronstadt, the couple was stranded by World War I and stayed. After his death during the Russian Civil War the young widow, now called Klavdia Viktorovna Ode-Vasilieva, supported her three daughters by teaching hygiene and Russian literacy to peasants in Ukraine, before moving to what soon became Leningrad to work with the great Arabist Ignatii Krachkovskii. She would live in Russia for the next half century"--

“Nassar brings to life the artistic prowess, rallying cries, and dashed dreams of the leading Palestinian litterateurs in Israel.” —Shira Robinson, author of Citizen Strangers When the state of Israel was established in 1948, not all Palestinians became refugees: some stayed behind and were soon granted citizenship. Those who remained, however, were relegated to second-class status in this new country, controlled by a military regime that restricted their movement and political expression. For two decades, Palestinian citizens of Israel were cut off from friends and relatives on the other side of the Green Line, as well as from the broader Arab world. Yet they were not passive in the face of this profound isolation. Palestinian intellectuals, party organizers, and cultural producers in Israel turned to the written word. Through writers like Mahmoud Darwish and Samih al-Qasim, poetry, journalism, fiction, and nonfiction became sites of resistance and connection alike. With this book, Maha Nassar examines their well-known poetry and uncovers prose works that have, until now, been largely overlooked. The writings of Palestinians in Israel played a key role in fostering a shared national consciousness and would become a central means of alerting Arabs in the region to the conditions—and to the defiance—of these isolated Palestinians. Brothers Apart is the first book to reveal how Palestinian intellectuals forged transnational connections through written texts and engaged with contemporaneous decolonization movements throughout the Arab world, challenging both Israeli policies and their own cultural isolation. Maha Nassar’s readings not only deprovincialize the Palestinians of Israel, but write them back into Palestinian, Arab, and global history.