“Nassar brings to life the artistic prowess, rallying cries, and dashed dreams of the leading Palestinian litterateurs in Israel.” —Shira Robinson, author of Citizen Strangers When the state of Israel was established in 1948, not all Palestinians became refugees: some stayed behind and were soon granted citizenship. Those who remained, however, were relegated to second-class status in this new country, controlled by a military regime that restricted their movement and political expression. For two decades, Palestinian citizens of Israel were cut off from friends and relatives on the other side of the Green Line, as well as from the broader Arab world. Yet they were not passive in the face of this profound isolation. Palestinian intellectuals, party organizers, and cultural producers in Israel turned to the written word. Through writers like Mahmoud Darwish and Samih al-Qasim, poetry, journalism, fiction, and nonfiction became sites of resistance and connection alike. With this book, Maha Nassar examines their well-known poetry and uncovers prose works that have, until now, been largely overlooked. The writings of Palestinians in Israel played a key role in fostering a shared national consciousness and would become a central means of alerting Arabs in the region to the conditions—and to the defiance—of these isolated Palestinians. Brothers Apart is the first book to reveal how Palestinian intellectuals forged transnational connections through written texts and engaged with contemporaneous decolonization movements throughout the Arab world, challenging both Israeli policies and their own cultural isolation. Maha Nassar’s readings not only deprovincialize the Palestinians of Israel, but write them back into Palestinian, Arab, and global history.

A comprehensive investigation of the Qur'an, Bible, Islam and Christianity, revealing harmony between the principal teachings of the Books, but disharmony between the religious traditions. Suppose the Qur'an taught that: Jesus is the Messiah who was born of the virgin Mary, taught the Gospel, healed the sick, raised the dead, was crucified, died, and was resurrected; Salvation is a gift from God to all who believe, repent and ask God's forgiveness; Muslims are to believe the Gospel and other revelation contained in the Bible, believe that Jesus is the Messiah, receive guidance from the Holy Spirit, resist the temptations from Satan, avoid the condemnation of hell, and cultivate a personal relationship with the God of Abraham. If you do not believe this, then you are welcome to join me on this investigative journey where we can examine the evidence honestly. This means that: Interpretations must be supported by the evidence; Interpretations must not damage the integrity of the evidence; Assumptions used in interpreting the evidence must be verified. In my opinion, the most important lesson from studying history is: never be afraid to re-examine the evidence in order to learn or verify the truth. We should never be afraid to critically examine claims of truth, for truth should be able to withstand rigorous scrutiny. Walter Phillips BSc, BEng, MASc, MURP, CEng, MIStructE, MIHT, MAPM, MCSCE, MBAPE

She’s always belonged to me, even when she wasn’t with me. We didn’t work well in past, but that doesn’t mean we can’t work well now. She understands every broken part of me, moreso then my own flesh and blood. I didn’t do a good job being her man when we were kids and now’s the time to make up for that. Even as everything is going to shit around us, I’m determined to show her that we were always meant to be.

Reproduction of the original: The Mesmerist's Victim by Alexander Dumas

Granville Stuart (1834-1918) is a quintessential Western figure, a man whose adventures rival those of Wyatt Earp, Buffalo Bill, or Sitting Bull, and who embodied many of the contradictions of America's westward expansion. Stuart collected guns, herded cattle, mined for gold, and killed men he thought outlaws. But he also taught himself Shoshone, French, and Spanish, denounced formal religion, married a Shoshone woman, and eventually became a United States diplomat.In this fascinating biography, Clyde A. Milner II and Carol A. O'Connor, co-editors of the acclaimed Oxford History of the American West, trace Stuart's remarkable trajectory from his birth in Virginia, through his formative years in the agricultural settlements of Iowa and the mining camps of Gold Rush California, to his rough-and-tumble life in Montana and his rise to prominence as a public figure. Along the way, we see Granville and his brother James battling bandits and horsethieves and becoming leaders of the new Montana territory. The authors explore Granville's life as a cattleman, including his role as the leader of a vigilante force, known as "Stuart's Stranglers," responsible for several hangings in 1884, his abandonment of his half-Shoshone children after his second marriage, his government service in offices ranging from the head of the Butte Public Library to U.S. Minister to Paraguay and Uruguay, and his final years, during which he composed a memoir, Forty Years on the Frontier, still widely read for its dramatic account of the era.Written with narrative flair and a lively awareness of current issues in Western history, As Big as the West fully illuminates the conflicting realities of the frontier, where a man could speak of wiping out "half-breeds" while fathering 11 mixed-race children, and go from vigilante to diplomat in the space of a few years.

A comprehensive investigation of the Qur'an, Bible, Islam and Christianity, revealing harmony between the principal teachings of the Books, but disharmony between the religious traditions. Suppose the Qur'an taught that: Jesus is the Messiah who was born of the virgin Mary, taught the Gospel, healed the sick, raised the dead, was crucified, died, and was resurrected; Salvation is a gift from God to all who believe, repent and ask God's forgiveness; Muslims are to believe the Gospel and other revelation contained in the Bible, believe that Jesus is the Messiah, receive guidance from the Holy Spirit, resist the temptations from Satan, avoid the condemnation of hell, and cultivate a personal relationship with the God of Abraham. If you do not believe this, then you are welcome to join me on this investigative journey where we can examine the evidence honestly. This means that: Interpretations must be supported by the evidence; Interpretations must not damage the integrity of the evidence; Assumptions used in interpreting the evidence must be verified. In my opinion, the most important lesson from studying history is: never be afraid to re-examine the evidence in order to learn or verify the truth. We should never be afraid to critically examine claims of truth, for truth should be able to withstand rigorous scrutiny. Walter Phillips BSc, BEng, MASc, MURP, CEng, MIStructE, MIHT, MAPM, MCSCE, MBAPE

You are What You Eat: Literary Probes into the Palate offers tantalizing essays immersed in the culture of food, expanded across genres, disciplines, and time. The entire collection of You Are What You Eat includes a diversity of approaches and foci from multicultural, national and international scholars and has a broad spectrum of subjects including: feminist theory, domesticity, children, film, cultural history, patriarchal gender ideology, mothering ideology, queer theory, politics, and poetry. Essays include studies of food-related works by John Milton, Emily Dickinson, Fay Weldon, Kenneth Grahame, Roald Dahl, Shel Silverstein, J. K. Rowling, Mother Goose, John Updike, Maxine Hong Kingston, Alice Walker, Amy Tan, Louise Erdrich, Amanda Hesser, Julie Powell, Mary Wilkins Freeman, Martin Scorsese, Bob Giraldi, Clarice Lispector, José Antônio Garcia, Fran Ross, and Gish Hen. The topic addresses a range of interests appealing to diverse audiences, expanding from college students to food enthusiasts and scholars.

Lily Mitchell vowed never to date another musician, but Dylan Parker is nothing like the stereotype. Sure, he’s mysterious and sexy, with a flashy car and serious bedroom skills, but he’s also smart, hardworking, and humble. He shares Lily’s passion for classic literature and constantly surprises her with romantic gestures. Their steamy relationship moves at whirlwind pace, and Lily has never been happier. It’s all so perfect that at first, Lily wills herself to ignore the emerging red flags. As her worries about Dylan increase, she finds friendship and comfort in his brother and bandmate, Thomas. But Lily soon discovers that as much as Thomas cares for his brother, he’s also fallen hard for her. As Dylan spirals further out of control, Lily must decide what she really wants, and whom she is willing to hurt.

As soon as they stepped off the boat in New York, Irish immigrants Jim Leary and his brother Billy were conscripted into the Union Aero Corps, forced to fight in a civil war they had no interest in. Ten years later, with the war finally over and America divided into two nations, each brother believes the other died in combat. Jim Leary, now calling himself "Captain Gallagher," has taken to the air over the southwestern American territories in a stolen airship, leading the life of a pirate, raiding trains, stage coaches, and even other airships, the ane of both the Union and the fledgling Confederate States of America. A consortium of businessmen, tired of losing money and goods to Gallagher and his pirate cohorts, has hired a former Confederate air admiral to hunt them down. Now Gallagher finds himself pursued by an overwhelming force led by the infamous Garrett "Butcher" Prescott, the man he blames for his brother's death, and the beautiful and accomplished Justine Arthurs, an airship pilot, former Pinkerton agent and Union spy. Gallagher thinks he's got a plan that will bring down the Valkyrie, Prescott's massive dreadnaught. What he doesn't know is that the chief engineer on the Valkyrie is his longlost brother.

Why did Paul frequently employ a diverse range of metaphors in his letters to the Corinthians? Was the choice of these metaphors a random act or a carefully crafted rhetorical strategy? Did the use of metaphors shape the worldview and behavior of the Christ-followers? In this innovative work, Kar Yong Lim draws upon Conceptual Metaphor Theory and Social Identity Theory to answer these questions. Lim illustrates that Paul employs a cluster of metaphors--namely, sibling, familial, temple, and body metaphors--as cognitive tools that are central to how humans process information, construct reality, and shape group identity. Carefully chosen, these metaphors not only add colors to Paul's rhetorical strategy but also serve as a powerful tool of communication in shaping the thinking, governing the behavior, and constructing the social identity of the Corinthian Christ-followers.