Reproduction of the original: The Mesmerist's Victim by Alexander Dumas

Love can blossom even in the most desperate of situations. In "The Mesmerist’s Victim: Andrea de Taverney", the second entry in the "Marie Antoinette Romances", the setting is Revolution-era Paris. The story centres on two passionate, but rather unlucky souls who become lovers. Amidst all the chaos, intrigue, and beheadings, they fight to keep their romance alive. Returning characters from the series’ first entry, "Joseph Balsamo", make up the supporting cast. Action takes a back seat in "The Mesmerist’s Victim". Instead, Alexandre Dumas concentrates on deepening his characters and the intricate relationships which join them together through this turbulent time. Alexandre Dumas (1802 - 1870) was a hugely popular 19th Century French writer. Born of mixed French and Haitian heritage, Dumas first rose to prominence in Paris as a playwright, but later gained international fame with his historical fiction. Often co-authored with other writers, these stories wove together swashbuckling adventure, romance, and real events from France’s past. Among the best known are "The Three Musketeers", and its sequels "Twenty Years After", and "Le Vicomte de Bragelonne: Ten Years Later". Set across four decades, this trilogy follows the rise of the dashing D’Artagnan—from hot-headed soldier to trusted captain under Louis XIV. Dumas’ other novels include "The Count of Monte Cristo" and "The Black Tulip". His works have been adapted into more than 200 movies, including The Man in the Iron Mask starring Leonardo DiCaprio.

Using key canonical science fiction narratives, 'Mesmerists, Monsters, and Machines' examines the intersection of the literary and scientific cultures of the 19th century.

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.

The Hero of the People is a novel by Alexandre Dumas. Part of the Marie Antoinette romance series, this story relays a post French Revolution time where the intricate love affairs of the Royal Family are explored.

Max Freedom Long's 'Self-Suggestion and the New Huna Theory of Mesmerism and Hypnosis' delves into the realm of mind-body connections, exploring the power of suggestion and the Huna theory of healing through hypnotic techniques. Long's writing is clear and concise, making complex concepts accessible to readers interested in psychology and alternative healing practices. Drawing from his research on Polynesian shamanism, Long provides a unique perspective on the intersection of Western psychology and ancient spiritual traditions. This book is a valuable resource for those seeking to understand the potential of the human mind in relation to health and well-being. Max Freedom Long, known for his work on the Huna philosophy, was a researcher and author fascinated by the ways in which indigenous cultures approached healing and spiritual practices. His background in anthropology and psychology informed his exploration of hypnotism and mesmerism, leading to the creation of the Huna theory. Long's expertise in these areas shines through in 'Self-Suggestion and the New Huna Theory of Mesmerism and Hypnosis,' making it a comprehensive and insightful read for anyone interested in alternative healing methods. I highly recommend 'Self-Suggestion and the New Huna Theory of Mesmerism and Hypnosis' to readers intrigued by the intersection of psychology, spirituality, and holistic healing. Long's scholarly approach and thorough research make this book a valuable addition to any library focused on mind-body connections and the power of suggestion.

A valuable resource for readers exploring the classic horror genre, this book presents primary source documents alongside analysis in an examination of the social, political, and economic factors reflected in 19th century Gothic literature. The nineteenth century was a time of social, cultural, and economic change; revolutionary scientific developments; and enduring imaginative works. This book explores the classic horror genre of Gothic literature in its historical and social contexts. It contains chapters on four major works of classic horror, with each chapter providing a mix of background information, primary source historical documents, and analysis that will appeal as much to high school and college students as to lovers of literature and the Victorian era. Coleridge's The Rime of the Ancient Mariner is contextualized through documents pertaining to British imperialism, Antarctic Exploration, and the burgeoning environmentalist movement. Shelley's Frankenstein is explored through sections on galvanism, electricity, grave robbing, and the vitalist debate. Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde is read through explanations of nineteenth-century drug use and addiction and early theories of psychology and criminology. Stoker's Dracula is studied with reference to such topics as mesmerism, clairvoyance, alienism, medical ethics, xenophobia, and Victorian pseudoscience.