The Pinkster King and the King of Kongo presents the history of the nation's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. It also develops a provocative new interpretation of one of America's most intriguing black folkloric traditions, Pinkster. Jeroen Dewulf rejects the usual interpretation of this celebration of a "slave king" as a form of carnival. Instead, he shows that it is a ritual rooted in mutual-aid and slave brotherhood traditions. By placing these traditions in an Atlantic context, Dewulf identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, and he traces these rituals to the ancient Kingdom of Kongo and the impact of Portuguese culture in West-Central Africa. Dewulf's focus on the social capital of slaves follows the mutual aid to seventeenth-century Manhattan. He suggests a much stronger impact of Manhattan's first slave community on the development of African American identity in New York and New Jersey than hitherto assumed. While the earliest works on slave culture in a North American context concentrated on an assumed process of assimilation according to European standards, later studies pointed out the need to look for indigenous African continuities. The Pinkster King and the King of Kongo suggests the necessity for an increased focus on the substantial contact that many Africans had with European--primarily Portuguese--cultures before they were shipped as slaves to the Americas. The book has already garnered honors as the winner of the Richard O. Collins Award in African Studies, the New Netherland Institute Hendricks Award, and the Clague and Carol Van Slyke Prize.

The Pinkster King and the King of Kongo presents the history of the nation's forgotten Dutch slave community and free Dutch-speaking African Americans from seventeenth-century New Amsterdam to nineteenth-century New York and New Jersey. It also develops a provocative new interpretation of one of America's most intriguing black folkloric traditions, Pinkster. Jeroen Dewulf rejects the usual interpretation of this celebration of a "slave king" as a form of carnival. Instead, he shows that it is a ritual rooted in mutual-aid and slave brotherhood traditions. By placing these traditions in an Atlantic context, Dewulf identifies striking parallels to royal election rituals in slave communities elsewhere in the Americas, and he traces these rituals to the ancient Kingdom of Kongo and the impact of Portuguese culture in West-Central Africa. Dewulf's focus on the social capital of slaves follows the mutual aid to seventeenth-century Manhattan. He suggests a much stronger impact of Manhattan's first slave community on the development of African American identity in New York and New Jersey than hitherto assumed. While the earliest works on slave culture in a North American context concentrated on an assumed process of assimilation according to European standards, later studies pointed out the need to look for indigenous African continuities. The Pinkster King and the King of Kongo suggests the necessity for an increased focus on the substantial contact that many Africans had with European--primarily Portuguese--cultures before they were shipped as slaves to the Americas. The book has already garnered honors as the winner of the Richard O. Collins Award in African Studies, the New Netherland Institute Hendricks Award, and the Clague and Carol Van Slyke Prize.

"This book presents a provocatively new interpretation of one of New Orleans's most enigmatic traditions--the Mardi Gras Indians. By interpreting the tradition in an Atlantic context, Dewulf traces the 'black Indians' back to the ancient Kingdom of Kongo and its war dance known as sangamento. He shows that good warriors in the Kongo kingdom were per definition also good dancers, masters of a technique of dodging, spinning, and leaping that was crucial in local warfare. Enslaved Kongolese brought the rhythm, dancing moves, and feathered headwear of sangamentos to the Americas in performances that came to be known as 'Kongo dances.' By comparing Kongo dances on the African island of Saao Tomae with those in Latin America, the Caribbean, and Louisiana, Dewulf demonstrates that the dances in New Orleans's Congo Square were part of a much broader Kongolese performance tradition. He links that to Afro-Catholic mutual-aid societies that honored their elected community leaders or 'kings' with Kongo dances. While the public rituals of these brotherhoods originally thrived in the context of Catholic procession culture around Epiphany and Corpus Christi, they transitioned to carnival as a result of growing orthodoxy within the Church. Dewulf's groundbreaking research suggests a much greater impact of Kongolese traditions and of popular Catholicism on the development of African American cultural heritage and identity. His conclusions force us to radically rethink the traditional narrative on the Mardi Gras Indians, the kings of Zulu, and the origins of black participation in Mardi Gras celebrations"--Provided by publisher.

Black Women and Energies of Resistance in Nineteenth-Century Haitian and American Literature intervenes in traditional narratives of 19th-century American modernity by situating Black women at the center of an increasingly connected world. While traditional accounts of modernity have emphasized advancements in communication technologies, animal and fossil fuel extraction, and the rise of urban centers, Mary Grace Albanese proposes that women of African descent combated these often violent regimes through diasporic spiritual beliefs and practices, including spiritual possession, rootwork, midwifery, mesmerism, prophecy, and wandering. It shows how these energetic acts of resistance were carried out on scales large and small: from the constrained corners of the garden plot to the expansive circuits of global migration. By examining the concept of energy from narratives of technological progress, capital accrual and global expansion, this book uncovers new stories that center Black women at the heart of a pulsating, revolutionary world.

This book tells the compelling story of the young legal activist Adriaen van der Donck (1618–1655), whose fight to secure the struggling Dutch colony of New Netherland made him a controversial but pivotal figure in early America. At best, he has been labeled a hero, a visionary, and a spokesman of the people. At worst, he has been branded arrogant and selfish, thinking only of his own ambitions. The wide range of opinions about him testifies to the fact that, more than three centuries after his death, Van der Donck remains an intriguing character. J. van den Hout follows Van der Donck from his war-torn seventeenth-century childhood and privileged university education to the New World, as he attempted to make his mark on the fledgling fur trading settlement. When he became embroiled in the politics of Manhattan, he took the colonists' complaints against their Dutch West India Company administrators to the highest level of government in the Dutch Republic, in what became a fight for his adopted homeland and a bicontinental showdown. Denounced and detained, but not deterred, Van der Donck wrote a landmark book that stands as a testament to his vision for the country, as the changes he set in motion continued long after his early death and his influence became firmly embedded in the American landscape. Van der Donck's determination to stand by his convictions offers a revealing look into the human spirit and the strong will that drives it against adversity and in search of justice.

This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance. In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and gathered in festive rituals to express their devotion to saints. Many of these traditions endure in the twenty-first century. The contributors to this volume draw connections between these Afro-Catholic festivals—observed from North America to South America and the Caribbean—and their precedents in the early modern kingdom of Kongo, one of the main regions of origin of men and women enslaved in the New World. This transatlantic perspective offers a useful counterpoint to the Yoruba focus prevailing in studies of African diasporic religions and reveals how Kongo-infused Catholicism constituted a site for the formation of black Atlantic tradition. Afro-Catholic Festivals in the Americas complicates the notion of Christianity as a European tool of domination and enhances our comprehension of the formation and trajectory of black religious culture on the American continent. It will be of great interest to scholars of African diaspora, religion, Christianity, and performance. In addition to the editor, the contributors include Kevin Dawson, Jeroen Dewulf, Junia Ferreira Furtado, Michael Iyanaga, Dianne M. Stewart, Miguel A. Valerio, and Lisa Voigt.

This volume examines the influence of African Catholics on the historical development of Black Christianity in America during the seventeenth century. Black Christianity in America has long been studied as a blend of indigenous African and Protestant elements. Jeroen Dewulf redirects the conversation by focusing on the enduring legacy of seventeenth-century Afro-Atlantic Catholics in the broader history of African American Christianity. With homelands in parts of Africa that had historically strong Portuguese influence, such as the Cape Verde Islands, São Tomé, and Kongo, these Africans embraced variants of early modern Portuguese Catholicism that they would take with them to the Americas as part of the forced migration that was the transatlantic slave trade. Their impact upon the development of Black religious, social, and political activity in North America would be felt from the southern states as far north as what would become New York. Dewulf’s analysis focuses on the historical documentation of Afro-Atlantic Catholic rituals, devotions, and social structures. Of particular importance are brotherhood practices, which were critical in the dissemination of Afro-Atlantic Catholic culture among Black communities, a culture that was pre-Tridentine in nature and wary of external influences. These fraternal Black mutual-aid and burial society structures were critically important to the development and resilience of Black Christianity in America through periods of changing social conditions. Afro-Atlantic Catholics shows how a sizable minority of enslaved Africans actively transformed the American Christian landscape and would lay a distinctly Afro-Catholic foundation for African American religious traditions today. This book will appeal to scholars in the history of Christianity, African American and African diaspora studies, and Iberian studies.

Offering an introduction to the world's seas as a platform for global exchange and connection, Michael North offers an impressive world history of the seas over more than 3,000 years. Exploring the challenges and dangers of the oceans that humans have struggled with for centuries, he also shows the possibilities and opportunities they have provided from antiquity to the modern day. Written to demonstrate the global connectivity of the seas, but also to highlight regional maritime power during different eras, A World History of the Seas takes sailors, merchants and migrants as the protagonists of these histories and explores how their experiences and perceptions of the seas were consolidated through trade and cultural exchange. Bringing together the various maritime historiographies of the world and underlining their unity, this book shows how the ocean has been a vital and natural space of globalization. Carrying goods, creating alliances, linking continents and conveying culture, the history of the ocean played a central role in creating our modern globalized world.

The voices of Black women have historically been silenced, especially in theological and religious contexts. Prophets rarely have platforms; faithfulness to oneself, one's community, and one's God does not often lead to prestige. Nineteenth-century Black women preachers Zilpha Elaw, Julia Foote, and Sojourner Truth are not usually presented in systematic theology classes or texts and not often cited in sermons for their biblical interpretations, nor are they taught in church history courses. They should be. These women present a liberating view of God and love for self and neighbor despite circumstances that would destroy them or relegate them and their ideas to the margins. As Elaw, Foote, and Truth preached, traveled, and ministered, they constructed a theology that affirmed their belovedness as Black women and enabled them to be both pastoral and prophetic. They modeled a way to do theology that wasfaithful to the biblical witness and Christian history, was pastorally attentive to their respective communities and themselves, and identified and challenged the evils of their day. They interpreted Scripture to show that God favored them and loved them, and their bodies, even when the world said otherwise. They recognized that in order to be pastoral, they must be prophetic, calling out structures of domination that would seek to harm. And as they preached a word of comfort to the oppressed, oppressors heard--and still hear--the judgment in their voices. Kate Hanch conducts a careful reading of these 19th-century Black women preachers' narratives and their texts, both written and spoken, to make explicit their theology. At once a work of religious history, biography, and constructive theology, Storied Witness calls attention to the essential lived witness of Zilpha Elaw, Julia Foote, and Sojourner Truth. By paying attention to their stories, we discover and honor both their theology and their role as theologians. Thanks to their witness, we are challenged by a theology that testifies to a liberating Christianity in defiance of the dominant culture around them and us.