Referred to by comic strip historian Maurice Horn as the "granddaddy of all costumed superheroes," The Phantom was created in 1936 by Lee Falk with artwork by Sy Barry. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every "masked man of mystery" since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books - it has frequently been copied but never equaled. This exciting 22nd volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself: "Rex, the Missing Heir," and "The Gladiator," "The Missing Daddy," "Luaga's Undercover Tour," and "The Mission." Strips from this issue are taken directly from King Feature's proofs. Included in the volume is a comprehensive essay and documentary materials.

Referred to by comic strip historian Maurice Horn as the "granddaddy of all costumed superheroes," The Phantom was created in 1936 by Lee Falk with artwork by Ray Moore. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every "masked man of mystery" since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books - it has frequently been copied but never equaled. This exciting 17th volume begins the SY BARRY YEARS! We finish up Wilson McCoys long run of the series with "The Iron Dragon," and "The Werewolf," and then jump right into Sy Barry's years of the strip. Reprinted in all its black and white glory, journey with Hermes Press as we bring you three complete continuities drawn by Sy himself: "The Slave Market of Mucar," "The Epidemic," and "The Wharf Rats." Strips from this issue are taken directly from King Feature's proofs. Included in the volume is a comprehensive essay and documentary materials.

Imagine waking up in 1939 and reading the first Phantom Sunday strip in the newspaper. Now, for the first time, these rare Phantom Sundays are being collected in their full size in an archival reprint of the first six Phantom stories! The stories for these Sundays was created by Lee Falk with artwork by Ray Moore in a half page format, so this reprint is faithful to the originals and reproduces every detail of these Sundays as seen in Sunday sections of newspapers. These Sunday pages have the same look and feel of the originals only now they're collected in a high quality art book format that will last forever. The print run of this book is limited to 1000 copies.

More than thirty years have passed since Al Capp's death, and he may no longer be a household name. But at the height of his career, his groundbreaking comic strip, Li'l Abner, reached ninety million readers. The strip ran for forty-three years, spawned two movies and a Broadway musical, and originated such expressions as "hogwash" and "double-whammy." Capp himself was a familiar personality on TV and radio; as a satirist, he was frequently compared to Mark Twain. Though Li'l Abner brought millions joy, the man behind the strip was a complicated and often unpleasant person. A childhood accident cost him a leg-leading him to art as a means of distinguishing himself. His apprenticeship with Ham Fisher, creator of Joe Palooka, started a twenty-year feud that ended in Fisher's suicide. Capp enjoyed outsized publicity for a cartoonist, but his status abetted sexual misconduct and protected him from the severest repercussions. Late in life, his politics became extremely conservative; he counted Richard Nixon as a friend, and his gift for satire was redirected at targets like John Lennon, Joan Baez, and anti-war protesters on campuses across the country. With unprecedented access to Capp's archives and a wealth of new material, Michael Schumacher and Denis Kitchen have written a probing biography. Capp's story is one of incredible highs and lows, of popularity and villainy, of success and failure-told here with authority and heart.

On January 20, 1942, black oil mill worker Cleo Wright assaulted a white woman in her home and nearly killed the first police officer who tried to arrest him. An angry mob then hauled Wright out of jail and dragged him through the streets of Sikeston, Missouri, before burning him alive. Wright's death was, unfortunately, not unique in American history, but what his death meant in the larger context of life in the United States in the twentieth-century is an important and compelling story. After the lynching, the U.S. Justice Department was forced to become involved in civil rights concerns for the first time, provoking a national reaction to violence on the home front at a time when the country was battling for democracy in Europe. Dominic Capeci unravels the tragic story of Wright's life on several stages, showing how these acts of violence were indicative not only of racial tension but the clash of the traditional and the modern brought about by the war. Capeci draws from a wide range of archival sources and personal interviews with the participants and spectators to draw vivid portraits of Wright, his victims, law-enforcement officials, and members of the lynch mob. He places Wright in the larger context of southern racial violence and shows the significance of his death in local, state, and national history during the most important crisis of the twentieth-century.

Is the United States a force for democracy? From 1940s China to Guatemala today, Blum presents a study of American covert and overt interference in the internal affairs of other countries. Each chapter of the book covers a year in which the author takes one particular country case and tells the story.

Clover Press and The Library of American Comics prove that size does matter as we fulfill fans' long-standing requests to produce new editions of the first six volumes of Chester Gould's The Complete Dick Tracy. This is no simple reprinting - these volumes have been reformatted to be the same larger size as Volumes 7 through 29. In this premiere offering, we return again to those hardscrabble days of 1931, when tragedy in the Trueheart family puts young Dick Tracy on the police force and pits him against mobster "Big Boy," Larceny Lu, the counterfeiter Alec Penn, the nefarious "Stooge" Viller, and Steve the Tramp! As an added bonus, the first thirty-four Tracy Sunday pages, with stories separate from the daily continuity, have been rescanned to make them sharper and cleaner than their original reprinting. There's never been a better time than now to get reacquainted with Chester Gould's crime-busting plainclothesman, with the publication of the new bigger edition of The Complete Dick Tracy Volume 1!

'Richly documented and convincingly presented' -- New Society Mods and Rockers, skinheads, video nasties, designer drugs, bogus asylum seeks and hoodies. Every era has its own moral panics. It was Stanley Cohen's classic account, first published in the early 1970s and regularly revised, that brought the term 'moral panic' into widespread discussion. It is an outstanding investigation of the way in which the media and often those in a position of political power define a condition, or group, as a threat to societal values and interests. Fanned by screaming media headlines, Cohen brilliantly demonstrates how this leads to such groups being marginalised and vilified in the popular imagination, inhibiting rational debate about solutions to the social problems such groups represent. Furthermore, he argues that moral panics go even further by identifying the very fault lines of power in society. Full of sharp insight and analysis, Folk Devils and Moral Panics is essential reading for anyone wanting to understand this powerful and enduring phenomenon. Professor Stanley Cohen is Emeritus Professor of Sociology at the London School of Economics. He received the Sellin-Glueck Award of the American Society of Criminology (1985) and is on the Board of the International Council on Human Rights. He is a member of the British Academy.

Collects the complete first two years of the comic strip "The Phantom," a masked superhero who fought crime in exotic locations.

Classic volume of the definitive Complete Crumb library, back in print after years of unavailability!