Hermes Press is proud to announce their second major collaboration with Paws, Incorporated producing another unique title featuring everyone's favorite orange cat, GARFIELD! Hermes and Paws have come together to treat the world to a compendium of the greatest examples of original artwork from classic Garfield daily and Sunday comic strips in their original size, including rare unpublished strips, that has never been seen before (the Sunday strips will be reproduced in a slightly smaller format due to their huge size)! This historic archival reprint will feature hundreds of pieces of original production art from the comic strip, with an introductory essay from Jim Davis himself! If you love Garfield and want to experience the strips as they were originally drawn, this is the book for you! From the very beginning in 1979 to the last non-digital strip in 2011, this purrfect book shows you Garfield like you've never seen him before! Jim Davis' Garfield: The Original Art Daily and Sunday Archive dives deep into the treasures contained in the vaults of Paws, Inc. See how Garfield has evolved over the years! See gags with characters that no longer appear in the strip (We miss you Lyman!) in the original inks, with notations galore from the man behind it all, Jim Davis! Garfield, Odie, and the rest of the gang come to life in this full-sized archival reprint.

Collects the complete first two years of the comic strip "The Phantom," a masked superhero who fought crime in exotic locations.

As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual.

Mary Wollstonecraft Shelley's classic novel Frankenstein: or, The Modern Prometheus, first published in 1818, started a phenomeon that has survived the years and permeated many aspects of popular culture. It has spawned numerous films, television programs, books, comics, stage presentations, and the like, and continues to do so today. Like the Frankenstein Monster, this work is made up of many individual parts, some of which are quite different in their specific themes, but all of which relate to Frankenstein in some way. They consider the untold true story of Frankenstein, Glenn Strange's portrayals of the Monster, the portrayals of lesser-known actors who played the character, Peter Cushing and his role as Baron (and Dr.) Frankenstein, the classic film Young Frankenstein co-written by Mel Brooks and Gene Wilder (who also starred in it), the battles between do-gooders and the Monster and other horror figures, Frankenstein in cartoons--and much more. Each of the 15 essays, all written by the author, is prefaced with explanatory notes that place the essay in its historical perspective, comment on its origin and content, and where appropriate, supplement the text with new, additional, or otherwise relevant information. Richly illustrated.

Nobody suspected that Lady Luck was actually Brenda Banks, a "debutante crime buster bored with social life" who decided to become a "modern lady Robin Hood." Her costume was not that of a traditional comic book vigilante; it looked like something that a Will Eisner femme fatale would wear. It was an emerald green gown, a green hat, and a green silk veil that hung over her face to disguise her identity. She solved blackmail cases, spy cases, kidnappings, and any other cases that came her way. As Brenda Banks, she was in love with Police Chief Hardy Moore; ironically, Moore's job was to bring in Lady Luck. Lady Luck is a fictional, American comic-strip and comic book crime fighter and adventuress created and designed in 1940 by Will Eisner with artist Chuck Mazoujian (1917-2011). Through 1946, she starred in a namesake, four-page weekly feature published in a Sunday-newspaper comic-book insert colloquially called "The Spirit Section". The feature, which ran through November 3, 1946, with one months-long interruption, was reprinted in comic books published by Quality Comics. A revamped version of the character debuted in 2013 in DC Comics's Phantom Stranger comic. Lady Luck was ranked 84th in Comics Buyer's Guide's "100 Sexiest Women in Comics" list. Created and designed in 1940 by Will Eisner (who wrote the first two Lady Luck stories under the pseudonym "Ford Davis") with artist Chuck Mazoujian, Lady Luck appeared in her namesake, four-page weekly feature published in a Sunday-newspaper comic-book insert colloquially called "The Spirit Section". This 16-page, tabloid-sized, newsprint comic book, sold as part of eventually 20 Sunday newspapers with a combined circulation of as many as five million, starred Eisner's masked detective the Spirit and also initially included the feature Mr. Mystic, plus filler material. Writer Dick French took over scripting after these first two episodes. Later, writer-artist Nicholas Viscardi (later known as Nick Cardy) took over the feature from the May 18, 1941 strip through Feb. 22, 1942, introducing Lady Luck's chauffeur and assistant, Peecolo.[5] Though his Lady Luck stories were credited under the house pseudonym Ford Davis, Viscardi would subtly work in the initials "NV" somewhere into each tale. Writer-artist Klaus Nordling followed, from the March 1, 1942 to March 3, 1946 strip, when "Lady Luck" was temporarily canceled. After briefly being replaced by the humor feature "Wendy the Waitress" by Robert Jenny, "Lady Luck" returned from May 5 to November 3, 1946, under cartoonist Fred Schwab. "Lady Luck" stories were reprinted in the Quality Comics comic book Smash Comics #42-85 (April 1943 - Oct. 1949), whereupon the series changed its title to Lady Luck for five more issues. Nordling providing new seven- to 11-page stories in Lady Luck #86-90 (Dec. 1949 - Aug. 1950), with Gill Fox drawing the covers. Occasional backup features were "Lassie" by writer-artist Bernard Dibble and the humor features "The Count", by Nordling, and "Sir Roger", by Dibble or, variously, Bart Tumey. Lady Luck was revived alongside Eisner characters John Law, Nubbin, and Mr. Mystic in IDW Publishing's Will Eisner's John Law: Dead Man Walking, a 2004 collection of new stories by writer-artist Gary Chaloner.. This Archive contains Lady Luck adventures from: Smash Comics #42-85 Lady Luck #86-90 Approx 308 pages.

This book covers a number of different topics, including Black Magic, lucky numbers and insight into dreams. Instructions are provided on how to be a spirit medium and hypnotize, among other things. It's easy to read and is as informative as it is entertaining.

A Newbery Medal winning modern classic about a racially divided small town and a boy who runs. Jeffrey Lionel "Maniac" Magee might have lived a normal life if a freak accident hadn't made him an orphan. After living with his unhappy and uptight aunt and uncle for eight years, he decides to run--and not just run away, but run. This is where the myth of Maniac Magee begins, as he changes the lives of a racially divided small town with his amazing and legendary feats.

In this unique work, Henry Miller gives an utterly candid and self-revealing account of the reading he did during his formative years.