A radical new appraisal of the role of the peasant in post-socialist China, putting recent debates into historical perspective.

The role of the peasant in society has been fundamental throughout China's history, posing difficult, much-debated questions for Chinese modernity. Today, as China becomes an economic superpower, the issue continues to loom large. Can the peasantry be integrated into a new Chinese capitalism, or will it form an excluded and marginalized class? Alexander F. Day's highly original appraisal explores the role of the peasantry throughout Chinese history and its importance within the development of post-socialist-era politics. Examining the various ways in which the peasant is historicized, Day shows how different perceptions of the rural lie at the heart of the divergence of contemporary political stances and of new forms of social and political activism in China. Indispensable reading for all those wishing to understand Chinese history and politics, The Peasant in Postsocialist China is a new point of departure in the debate as to the nature of tomorrow's China.

Class and Class Conflict in Post-Socialist China traces the origins and the profound changes of the patterns of class conflict in post-socialist China since 1978.The first of its kind in the field of China Studies that offers comprehensive overviews and traces the historical evolutions of different patterns of class conflict (among workers, peasants, capitalists, and the middle class) in post-socialist China, the book provides comprehensive overviews of different patterns of class conflict. It uses a state-centered approach to study class conflict, i.e., study how the communist party-state restructures the patterns of class conflict in Chinese society, and brings in a historical dimension by tracing the origins and developments of class conflict in socialist and post-socialist China.

Presents an up-to-date look at the social processes and consequences of China's rapid economic growth.

With rapid commercialization, a booming urban economy, and the relaxation of state migratory policies, over 100 million peasants, known as China's "floating population," have streamed into large cities seeking employment and a better life. This book traces the profound transformation this massive flow of rural migrants has caused as it challenges Chinese socialist modes of state control.

There is no denying that China has experienced, and is still experiencing, radical changes, generally initiated by the vibrant market-driven economy that began in the late 1970s. The question remains, however, of what has happened to those who, just a few decades before, experienced pride and power in being part of the proletariat. How do they make sense of the past and face up to the uncertainties of the future? This book presents an anthropological investigation into their lives and memories in order to understand their situation.Presently a working-class neighborhood in Shanghai, Cucumber Lane was in the 1960s a well-known socialist ?model community? being transformed from an urban slum in the 1940s. The neighborhood was further recast as a ?civilized small community? in the 1990s. Based on oral histories as well as ethnographic observations and pertinent historical materials, this book portrays the ways the Chinese have been making sense of and coping with radical changes during a period punctuated by shifts in political priorities, vicissitudes in ideological orientation, changes in the way they conceive of their relationship with the state and enterprises, the (de-)politicization of social identities, the rise and fall of collectivism, and the explosive vitality of the new market economy.

The Routledge Handbook of Chinese Culture and Society is an interdisciplinary resource that offers a comprehensive overview of contemporary Chinese social and cultural issues in the twenty-first century. Bringing together experts in their respective fields, this cutting-edge survey of the significant phenomena and directions in China today covers a range of issues including the following: State, privatisation and civil society Family and education Urban and rural life Gender, and sexuality and reproduction Popular culture and the media Religion and ethnicity Forming an accessible and fascinating insight into Chinese culture and society, this handbook will be invaluable to students and scholars across a range of disciplines, including anthropology, sociology, area studies, history, politics and cultural and media studies.

Rise of the Red Engineers explains the tumultuous origins of the class of technocratic officials who rule China today. In a fascinating account, author Joel Andreas chronicles how two mutually hostile groups—the poorly educated peasant revolutionaries who seized power in 1949 and China's old educated elite—coalesced to form a new dominant class. After dispossessing the country's propertied classes, Mao and the Communist Party took radical measures to eliminate class distinctions based on education, aggravating antagonisms between the new political and old cultural elites. Ultimately, however, Mao's attacks on both groups during the Cultural Revolution spurred inter-elite unity, paving the way—after his death—for the consolidation of a new class that combined their political and cultural resources. This story is told through a case study of Tsinghua University, which—as China's premier school of technology—was at the epicenter of these conflicts and became the party's preferred training ground for technocrats, including many of China's current leaders.

"Cogent, evocative, and theoretically rigorous. I know of no one else who has so artfully delineated the complex, heterogeneous effects of political mobilization on the formation of collective and individual subjectivities."—Dorinne Kondo, author of Crafting Selves

During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.