In this analysis of three generations of women in a Chinese silk factory, Lisa Rofel brilliantly interweaves the intimate details of her observations with a broad-ranging critique of the meaning of modernity in a postmodern age. The author based her study at a silk factory in the city of Hangzhou in eastern China. She compares the lives of three generations of women workers: those who entered the factory right around the Communist revolution in 1949, those who were youths during the Cultural Revolution of the 1970s, and those who have come of age in the Deng era. Exploring attitudes toward work, marriage, society, and culture, she convincingly connects the changing meanings of the modern in official discourse to the stories women tell about themselves and what they make of their lives. One of the first studies to take up theoretically sophisticated issues about gender, modernity, and power based on a solid ethnographic ground, this much-needed cross-generational study will be a model for future anthropological work around the world.

"Cogent, evocative, and theoretically rigorous. I know of no one else who has so artfully delineated the complex, heterogeneous effects of political mobilization on the formation of collective and individual subjectivities."—Dorinne Kondo, author of Crafting Selves

A special issue of PUBLIC CULTURE, this volume of essays examines modernity from transnational and transcultural perspectives, holding that within different cultures, there are different starting points of the transition to modernity that lead to differen

Through window displays, newspapers, soap operas, gay bars, and other public culture venues, Chinese citizens are negotiating what it means to be cosmopolitan citizens of the world, with appropriate needs, aspirations, and longings. Lisa Rofel argues that the creation of such “desiring subjects” is at the core of China’s contingent, piece-by-piece reconfiguration of its relationship to a post-socialist world. In a study at once ethnographic, historical, and theoretical, she contends that neoliberal subjectivities are created through the production of various desires—material, sexual, and affective—and that it is largely through their engagements with public culture that people in China are imagining and practicing appropriate desires for the post-Mao era. Drawing on her research over the past two decades among urban residents and rural migrants in Hangzhou and Beijing, Rofel analyzes the meanings that individuals attach to various public cultural phenomena and what their interpretations say about their understandings of post-socialist China and their roles within it. She locates the first broad-based public debate about post-Mao social changes in the passionate dialogues about the popular 1991 television soap opera Yearnings. She describes how the emergence of gay identities and practices in China reveals connections to a transnational network of lesbians and gay men at the same time that it brings urban/rural and class divisions to the fore. The 1999–2001 negotiations over China’s entry into the World Trade Organization; a controversial women’s museum; the ways that young single women portray their longings in relation to the privations they imagine their mothers experienced; adjudications of the limits of self-interest in court cases related to homoerotic desire, intellectual property, and consumer fraud—Rofel reveals all of these as sites where desiring subjects come into being.

Multiple Modernities is a departure from the "classic" sociological homogenization theories. The edition presents an interdisciplinary discussion of the topic in sociological, historical and economic dimensions. It explores culturally specific forms of modernity with a focus on China and Europe.

Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.

Arguing for the idea of connected histories, Bhambra presents a fundamental reconstruction of the idea of modernity in contemporary sociology. She criticizes the abstraction of European modernity from its colonial context and the way non-Western "others" are disregarded. It aims to establish a dialogue in which "others" can speak and be heard.

A fascinating ethnographic study of the cultural politics of urban redevelopment in Kampung Serani, one Penang community, in the 1990s. Through interviews, newspaper reports, and other records, Goh considers changing notions of culture, ethnic identity, and urban space.

"Offers an intense scholarly experience in its comprehensiveness, its variety of voices and its formal organization... the editors took a risk, experimented and have delivered a much-needed resource that upends the status-quo." - Architectural Histories, journal of the European Architectural History Network "Architectural theory interweaves interdisciplinary understandings with different practices, intentions and ways of knowing. This handbook provides a lucid and comprehensive introduction to this challenging and shifting terrain, and will be of great interest to students, academics and practitioners alike." - Professor Iain Borden, UCL Bartlett School of Architecture "In this collection, architectural theory expands outward to interact with adjacent discourses such as sustainability, conservation, spatial practices, virtual technologies, and more. We have in The Handbook of Architectural Theory an example of the extreme generosity of architectural theory. It is a volume that designers and scholars of many stripes will welcome." - K. Michael Hays, Eliot Noyes Professor of Architectural Theory, Harvard University The SAGE Handbook of Architectural Theory documents and builds upon the most innovative developments in architectural theory over the last two decades. Bringing into dialogue a range of geographically, institutionally and historically competing positions, it examines and explores parallel debates in related fields. The book is divided into eight sections: Power/Difference/Embodiment Aesthetics/Pleasure/Excess Nation/World/Spectacle History/Memory/Tradition Design/Production/Practice Science/Technology/Virtuality Nature/Ecology/Sustainability City/Metropolis/Territory. Creating openings for future lines of inquiry and establishing the basis for new directions for education, research and practice, the book is organized around specific case studies to provide a critical, interpretive and speculative enquiry into the relevant debates in architectural theory.

The transformational possibilities of everyday hygiene and care practices In order to mitigate the worst forecasts of climate change, many of us need to make drastic adjustments to how we live and what we consume. For Kelly Dombroski, these changes must also happen in the home: in rethinking routines of care and hygiene that still rely on disposable and plastic products. Caring for Life examines the remarkable evolution in Asia-Pacific hygiene practices and amplifies the creative work of ordinary people guarding human and more-than-human life in their everyday practices of care. Dombroski develops the concept of “guarding life,” a viewpoint that counters homogenous cultural practices and imposed sanitation standards and instead embraces diverse hygiene practices that are networked across varying wisdoms and bodies. She traces how the Chinese diaper-free infant toilet training practice of baniao has traveled to Australia and New Zealand, and she explores the practice of elimination communication, in which babies learn to communicate to their caregivers when they need to eliminate, thus removing the need for diapers. A mother herself, Dombroski conducted ethnographic research while mothering to examine how collectives of mothers draw on Chinese knowledge and their own embodied practices of childcare to create new hybrid forms of infant care. Caring for Life is a call to action, a theory of change, and a fascinating account of the transformational possibilities of care practices. It shows how experiments in personal care can lead to collective, widespread change, ultimately providing a practical and hopeful vision for environmental action. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.