Multiple Modernities is a departure from the "classic" sociological homogenization theories. The edition presents an interdisciplinary discussion of the topic in sociological, historical and economic dimensions. It explores culturally specific forms of modernity with a focus on China and Europe.

Multiple Modernities approaches the concept of modernity through two historical phases of Norawy. The first study focuses on the interplay between Lutheran state officials and popular movements in the nineteenth century as an essential aspect of the growth of social democracy. The second examination of modernization centers on twentiethcentury Norway after World War II. The book is balanced between theoretical remarks on conceptual issues, an assessment of modernization processes, and a study of basic epistemic and structural challenges that confront us in our time. Scandinavian countries are often noted as cases of successful modernization processes. However, these references to a “Scandinavian model” tend to focus on the midtwentieth century after World War II. In Skirbekk’s view, the uniqueness of modernization processes in Scandinavia, for instance in Norway, is better conceived historically, not least by focusing on the nineteenth century with a continuation into the twentieth century.

This book represents the first discussion from a political science perspective of the concept of Multiple Modernities in three dimensions. First taking stock of the discussions of the concept itself, the book then connects the concept to more recently developed analytical and normative concepts that concretize it, before finally opening up a discussion about its implications and consequences for the political dimension. Written by outstanding scholars in the field, the book addresses four principal concepts – Good Society, Good Governance, Human Security and Varieties of Capitalism. It determines whether and to what degree these concepts enable us to discover the commonalities and differences that distinguish the emerging multiple modernities in our time with respect to their political implications and consequences. This text will be of key interest to scholars and students of political theory, political economy, international relations, comparative politics and sociology.

Engaging with the idea that the world reveals not one, but many routes to modernity, this volume explores the role of religion in the emergence of multiple forms of modernity, which evolve according to specific cultural conditions and interpretations of the 'modern project'. It draws upon case study material from Africa, The Middle East, Russia and South America to examine the question of whether modernity, democracy and secularism are universalistic concepts or are, on the contrary, unique to Western civilization, whilst considering the relationship of postsecularism to the varied paths of modern development. Drawing together work from leading social theorists, this critical theoretical contribution to current debates will appeal to sociologists, social theorists and political scientists, with interests in religion, secularization and postsecularization theory and transitions to modernity in the contemporary globalized world.

Engaging with the idea that the world reveals not one, but many routes to modernity, this volume explores the role of religion in the emergence of multiple forms of modernity, which evolve according to specific cultural conditions and interpretations of the 'modern project'. It draws upon case study material from Africa, The Middle East, Russia and South America to examine the question of whether modernity, democracy and secularism are universalistic concepts or are, on the contrary, unique to Western civilization, whilst considering the relationship of postsecularism to the varied paths of modern development. Drawing together work from leading social theorists, this critical theoretical contribution to current debates will appeal to sociologists, social theorists and political scientists, with interests in religion, secularization and postsecularization theory and transitions to modernity in the contemporary globalized world.

DIVAn accounting of the varying forms of social imaginary that have underpinned the rise of Western modernity./div

This book presents a heuristic and critical study of comparative theology in engagement with phenomenological methodology and sociological inquiry. It elucidates a postcolonial study of religion in the context of multiple modernities.

This edited book focuses on the dynamic balance between global cultural diversity and multilateral convergence in relevant policy areas that involve actual and potential policy convergences (and divergences): the environment, trade, peace and security, and human rights. It offers theoretical reflections about the impact of the concept of multiple modernities on new ideas, cultural backgrounds, and/or national or regional particularities. An interdisciplinary team of authors combines comparative policy analysis with theoretical dialogue about the conceptual, institutional, normative, and political dimensions of a new kind of multilateral cooperation. Finally, the book concludes that by stimulating an intercultural dialogue which goes beyond a mere "rational choice" approach, we can foster progress through a better understanding of the opportunities and limitations offered by a pluralist, varied, post-hegemonic, and multilayered form of multilateral cooperation. This book will be of key interest to scholars and students of European/EU studies, economics, human rights, climate change, history, cultural studies, international relations, international political economy, security studies, and international law.

Weber’s classic study which deals specifically with: Types of Asceticism and the Significance of Ancient Judaism, History and Social Organization of Ancient Palestine, Political Organization and Religious Ideas in the Time of the Confederacy and the Early Kings, Political Decline, Religious Conflict and Biblical Prophecy.

Can studying an artist’s migration provide the key to unlocking a “global” history of art? The artistic biography of Michail Grobman and his group, which was active in Israel in the 1970s, open up this vital new perspective and analytical mode.