The ParagraphFour Book describes how generic drug products make it to a drug store's shelf. In most cases, these products travel through the Paragraph IV Market --- a place where they challenge the validity of the brand drug's patents in a United States District Court. The book covers the Hatch-Waxman Act and the intersection of the patent law, regulations, and competition that create the Paragraph IV Market. Written as an easy-to-read business book, it is not a legal treatise and would appeal to attorneys, pharmaceutical professionals, and interested consumers.

Peter Lombard, a twelfth-century theologian, authored one of the first Western textbooks of theology, the Book of Sentences. Here, Lombard logically arranged all of the major topics of the Christian faith. His Book of Sentences received the largest number of commentaries among all works of Christian literature except for Scripture itself. Now, notable Lombard scholar Philipp W. Rosemann examines this text as a guiding thread to studying Christian thought throughout the later Middle Ages and into early modern times. This is the second title in a series called Rethinking the Middle Ages, which is committed to re-examining the Middle Ages, its themes, institutions, people, and events with short studies that will provoke discussion among students and medievalists, and invite them to think about the middle ages in new and unusual ways. The series editor, Paul Edward Dutton, invites suggestions and submissions.

Named one of the Best Books of the Year by Buzzfeed, Huffington Post, San Francisco Chronicle, and Library Journal “Sharp and fiery.... There is, now, a literary term for a book you can’t stop reading.... It is The Red Car.” —New York Times Book Review In her “dry, delightful fairy tale for grown-ups” (People), celebrated novelist Marcy Dermansky offers a biting exploration of a woman’s search for self-realization and models of a life well lived. When Leah’s former boss and mentor, Judy, dies in an accident and leaves Leah her most prized possession—a flashy red sports car—the shock forces Leah to reevaluate her whole life. Leah is living in Queens with a husband she doesn’t love and a list of unfulfilled ambitions. Returning to San Francisco to claim the mysteriously powerful car, she revisits past lives and loves in several sprawling days colored by sex and sorrow. Dermansky evokes an edgy, capricious, and beautifully haunting heroine—one whose search for realization is as wonderfully unpredictable and hypnotic as the twists and turns of the Pacific Coast Highway. Tautly wound, transgressive, and mordantly funny, The Red Car is an incisive exploration of one woman’s unusual route to self-discovery.

A Voice for Earth is a collection of poems, essays, and stories that together give a voice to the ethical principles outlined in the Earth Charter. The Earth Charter was adopted in the year 2000 with the mission of addressing the economic, social, political, spiritual, and environmental problems confronting the world in the twenty-first century. Part 1 of the book, "Imagination into Principle," comprises Steven C. Rockefeller's behind-the-scenes summary of how the language for the Earth Charter was drafted. In part 2, "Principle into Imagination," ten writers breathe life into its concepts with their own original work. Contributors include Rick Bass, Alison Hawthorne Deming, John Lane, Robert Michael Pyle, Janisse Ray, Scott Russell Sanders, Lauret Savoy, and Mary Evelyn Tucker. In part 3, "Imagination and Principle into a New Ethic," Leonardo Boff offers a new paradigm created through reflecting on the concept of care in the Earth Charter.

This book explores both the psychological and spiritual dimensions of the life of St. Thérèse of Lisieux. The basic premise of this book is that the spiritual life is not an encapsulated sphere, cloistered from the realities of our human existence. Rather it is our response to God within the physical, psychological, social and emotional dimensions of life. St. Thérèse did not grow in holiness apart from the human condition. Like all of us, she was emotionally scarred by the fragileness of life. She was deeply wounded by the death of her mother at the age of four, bedridden as the result of a neurotic episode when she was ten, struggled with debilitating scruples most of her life, and suffered an agonizing dark night of faith. St. Thérèse was no plaster statue saint. Her life was a real life. As it unfolds before us on the pages of Story of a Soul, we see a pilgrim soul who made her way home to God through many raging storms and dark nights. The specific nature of Thérèse's trials may differ from our own, but psychological and emotional suffering are our common lot. For example, we may not have know the pain of our mother dying when we were four, but most of us have know the pain of the loss of a loved one. The sufferings that we share with Thérèse are universal - physical pain, anxiety, anger, sadness, depression, loneliness, doubts of faith, to name a few. These sufferings make doing the will of God difficult, but they are the context of our choices. They are the context of holiness.

A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book Three develops an understanding of the parameters of music and how to use them in a detailed analysis of music.

A novel set in the 60's by a writer who lived through them.

This new work by Gerald Murnane is a fictionalised autobiography told in thirty sections, each of which begins with the memory of a book that has left an image on the writer’s mind. The titles aren’t given but the reader follows the clues, recalling in the process a parade of authors, the great, the popular, and the now-forgotten. The images themselves, with their scenes of marital discord, violence and madness, or their illuminated landscapes that point to the consolations of a world beyond fiction, give new intensity to Murnane’s habitual concern with the anxieties and aspirations of the writing life, in the absence of religious belief. A History of Books is accompanied by three shorter pieces of fiction which play on these themes, featuring the writer at different ages, as a young boy, a teacher, and an old recluse.