A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book Three develops an understanding of the parameters of music and how to use them in a detailed analysis of music.

Third in a series designed to expand the idea of music theory to points beyond the written page, to have students realize that the music they are performing, listening to, and composing evolves from the realm of music theory. Book 3 covers notes on the grand staff, rhythm, eighth notes, intervals, pentachords, and triads.

This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.

A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book Three develops an understanding of the parameters of music and how to use them in a detailed analysis of music.

A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book One covers the fundamentals of music notation.

A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book Two covers chord construction and the application of chords to four-part writing.

Describes the fundamentals of music, covering such topics as music notation, scales and modes, chord progression, and song form and structure.

In this book Mike Perlowin combines the practical experience of being a working musician in the fields of rock, blues, country, R&B, reggae, and bluegrass with the theoretical knowledge of an academic background to explain music theory in terms that any moderately accomplished musician can understand. Starting with the most basic of lessons, Perlowin clearly and concisely explains the tonal relationships between notes and how they form different types of scales and chords. Instead of using examples from unfamiliar classical music, this book uses well known tunes like Mary had a Little Lamb or Silent Night to illustrate theoretical principles. Rather than offering information on how to play a specific instrument, this book is designed for people who already play proficiently but don't understand music's underlying theoretical principles. Although the book is relatively short, it contains the equivalent of a year's worth of college level material, all made accessible to the average musician desiring a better understanding of music theory.