Modelled on A.L. Bashamís monumental work The Wonder That Was India, this account of the Origins and Development of Classical Hinduism represents a lifetime of reflection on the subject and offers an intriguing introduction to one of the richest of all Asian traditions. The late A. L. Basham was one of the world s foremost authorities on ancient Indian culture and religion. Modelled on his monumental work ‘The Wonder That Was India’, this account of the origins and development of classical Hinduism represents a lifetime of reflection on the subject and offers an intriguing introduction to one of the richest of all Asian traditions. Synthesizing Basham s great knowledge of the art, architecture, literature, and religion of South Asia, this concise history traces the spiritual life of Indian from the time of the Indus Culture through the crystallization of classical Hinduism in the first centuries of the common era and includes a final chapter by the editor, Kenneth G. Zysk, on Hinduism after the classical period. Uniquely comprehensive, it chronicles as well the rise of other mystical and ascetic traditions, such as Buddhism and Jainism, and follows Hinduism s later incarnations in the West. With its vivid presentation of Hinduism s sources and its clearly written explanations and analyses of the major Hindu texts-among them the Rg-veda, the Brahmanas, Upanisads, and the Mahabharata and Ramayana-The Origins of Classical Hinduism clarifies much of Hinduism s enduring mystique. Offering an especially helpful bibliography, numerous illustrations of Hindu art never before published, and a lucid, accessible style, this book is must reading for anyone who has ever been intrigued by this fascinating religion. For more info, please log on to www.mlbd.co.in

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three separate chapters: Krsna, Visnu, and Siva. The chapter The Goddess presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names are given the original. The editors have provided a thorough glossary to make these names accessible.

This book is a pioneering attempt to understand the prehistory of Hinduism in South Asia. Exploring religious processes in the Deccan region between the eleventh and the nineteenth century with class relations as its point of focus, it throws new light on the making of religious communities, monastic institutions, legends, lineages, and the ethics that governed them. In the light of this prehistory, a compelling framework is suggested for a revision of existing perspectives on the making of Hinduism in the nineteenth and the twentieth century.

An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms to consider history as a whole.

Some postcolonial theorists argue that the idea of a single system of belief known as "Hinduism" is a creation of nineteenth-century British imperialists. Andrew J. Nicholson introduces another perspective: although a unified Hindu identity is not as ancient as some Hindus claim, it has its roots in innovations within South Asian philosophy from the fourteenth to seventeenth centuries. During this time, thinkers treated the philosophies of Vedanta, Samkhya, and Yoga, along with the worshippers of Visnu, Siva, and Sakti, as belonging to a single system of belief and practice. Instead of seeing such groups as separate and contradictory, they re-envisioned them as separate rivers leading to the ocean of Brahman, the ultimate reality. Drawing on the writings of philosophers from late medieval and early modern traditions, including Vijnanabhiksu, Madhava, and Madhusudana Sarasvati, Nicholson shows how influential thinkers portrayed Vedanta philosophy as the ultimate unifier of diverse belief systems. This project paved the way for the work of later Hindu reformers, such as Vivekananda, Radhakrishnan, and Gandhi, whose teachings promoted the notion that all world religions belong to a single spiritual unity. In his study, Nicholson also critiques the way in which Eurocentric concepts—like monism and dualism, idealism and realism, theism and atheism, and orthodoxy and heterodoxy—have come to dominate modern discourses on Indian philosophy.

An edited collection on the history of law and legal texts in the Hindu traditions.

The ?igveda is the first book of humankind and the most sacred scripture of Hinduism. It also happens to be the most ill-understood book of our times. Despite the extensive study by academic and religious scholars, the purpose and meaning of the ?igveda and many ancient Hindu scriptures remain unclear. In this pathbreaking book, the discovery of the ?igveda as a book of ancient cosmology is described, and related to the seals of ancient Indus Valley Civilization, thereby challenging our perception of humanity."The Vedas have always been lauded as containing the secrets of cosmogenesis. Raja Roy in his remarkable book shows how this is true not only from the yogic vison but according to the latest insights of modern physics. The book takes the reader on a vast panoramic journey through the universe of matter, mind and human history as well."David Frawley (Vamadeva Shastri), Director, American Institute of Vedic Studies"Roy presents a new framework for the understanding of the Vedic hymns from the point of view of physics and then he draws parallels with recent theories on the nature of the universe. We celebrate the new path he has hewn through the bush of old scholarship."Professor Subhash Kak, Oklahoma State University

Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind exquisitely carved seals and thousands of short inscriptions in a long-forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the contemporaneous urban cultures of Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. How might we decipher the Indus inscriptions? What language did the Indus people speak? What deities did they worship? Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions, which have been debated with increasing animosity since the rise of Hindu nationalist politics in the 1980s. In this pioneering book, he traces the archaeological route of the Indo-Iranian languages from the Aryan homeland north of the Black Sea to Central, West, and South Asia. His new ideas on the formation of the Vedic literature and rites and the great Hindu epics hinge on the profound impact that the invention of the horse-drawn chariot had on Indo-Aryan religion. Parpola's comprehensive assessment of the Indus language and religion is based on all available textual, linguistic and archaeological evidence, including West Asian sources and the Indus script. The results affirm cultural and religious continuity to the present day and, among many other things, shed new light on the prehistory of the key Hindu goddess Durga and her Tantric cult.

A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform. By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads—the “cosmopolitan” Rammohun Roy and the “parochial” Swami Narayan—Brian Hatcher explores how urban and rural people thought about faith, ritual, and gods. Along the way he sketches a radical new view of the origins of contemporary Hinduism and overturns the idea of religious reform. Hinduism Before Reform challenges the rigid structure of revelation-schism-reform-sect prevalent in much history of religion. Reform, in particular, plays an important role in how we think about influential Hindu movements and religious history at large. Through the lens of reform, one doctrine is inevitably backward-looking while another represents modernity. From this comparison flows a host of simplistic conclusions. Instead of presuming a clear dichotomy between backward and modern, Hatcher is interested in how religious authority is acquired and projected. Hinduism Before Reform asks how religious history would look if we eschewed the obfuscating binary of progress and tradition. There is another way to conceptualize the origins and significance of these two Hindu movements, one that does not trap them within the teleology of a predetermined modernity.