Deep within the castle walls, Darj, a young squire, and Ona, a beautiful lady in waiting, are fraught with anxiety over the fate of their friend, Simjim. The old king is dead, the mourning period has ended, and the crowning of a new ruler rapidly approaches. What are the intentions of the apparent crown prince, Morgalt, as the day of coronation approaches? Why is he prolonging his ascension to the throne? The Old King Is Dead, by Dr. Joe D. Dillsaver, chronicles the attempts of the three friends to free themselves from the tangled web of mystery surrounding Morgalt. Darj, Ona, and Simjim find themselves in a race against time to find the ancient book containing the laws of Parlum. Can they find the answers before Morgalt takes the crown? Danger lurks around every turn, and no one is safe now that The Old King Is Dead.

Ellery Queen and his father discover a baffling murder on a private island Ellery Queen and his father are meandering through breakfast when their apartment is invaded. Without making a sound, 2 men appear in the Queens’ living room, guns drawn, and proceed to search the place. When they’re done, a 3rd man follows: a paunchy little professor-type who happens to be the brother of a king. King Bendigo doesn’t rule a country, but his control of the international arms trade has made him one of the richest men in the world. It’s not surprising that somebody wants him dead. Bendigo’s brother comes to the Queens to ask them to save the tycoon’s life—but they fail. The king is found dead in a hermetically sealed room, a bullet lodged in his heart. The murder is impossible to solve—that is, for anyone but Ellery Queen.

A soulful, illuminating novel of love, murder and redemption, from a rising star on the American literary scene.

A heartbreaking, prize-winning novel set in a small Israeli town near the border with Lebanon that depicts with raw power the trauma of living in constant fear of attack.

What can the killing of a transgender teen can teach us about the violence of misreading gender identity as sexual identity? The Life and Death of Latisha King examines a single incident, the shooting of 15-year-old Latisha King by 14-year-old Brian McInerney in their junior high school classroom in Oxnard, California in 2008. The press coverage of the shooting, as well as the criminal trial that followed, referred to Latisha, assigned male at birth, as Larry. Unpacking the consequences of representing the victim as Larry, a gay boy, instead of Latisha, a trans girl, Gayle Salamon draws on the resources of feminist phenomenology to analyze what happened in the school and at the trial that followed. In building on the phenomenological concepts of anonymity and comportment, Salamon considers how gender functions in the social world and the dangers of being denied anonymity as both a particularizing and dehumanizing act. Salamon offers close readings of the court transcript and the bodily gestures of the participants in the courtroom to illuminate the ways gender and race were both evoked in and expunged from the narrative of the killing. Across court documents and media coverage, Salamon sheds light on the relation between the speakable and unspeakable in the workings of the transphobic imaginary. Interdisciplinary in both scope and method, the book considers the violences visited upon gender-nonconforming bodies that are surveilled and othered, and the contemporary resonances of the Latisha King killing.

Capture the fantasy, thrills, and far-flung adventure of the first three novels in Terry Brooks’s enchanting Magic Kingdom of Landover series—now for the first time in one gripping volume. Chicago lawyer Ben Holiday can’t fathom what lies ahead when he purchases Landover—a magical kingdom of chivalry and sorcery—from Meeks, the mysterious seller who placed the ad. Weary and jaded, Ben clings to the ad’s promise: “Escape into your dreams.” But Landover is not the enchanted idyll he expected. The kingdom is in ruin. The barons refuse to recognize Ben as King, a dragon is decimating the countryside, and a demon lord has challenged any prospective ruler to a fatal duel. To make matters worse, the Paladin, renowned champion of the Kings of Landover, seems to be merely a legend. Ben’s only allies are a bumbling court magician, a talking dog turned court scribe, and the beautiful Willow, who is part girl, part tree. With his friends in tow, Ben sets out to claim the throne. But when Meeks decides he wants Landover back, Ben will face supernatural foes of every stripe to prove himself worthy of the kingship. The question is: Can he survive?

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink

"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert. It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew . . . This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.