Featured in the Netflix series Love, Death & Robots Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.

The Man Who Ended History: A Documentary is a science fictional tale that examines a branch of science rarely encountered in genre fiction: historiography. How and why should our understanding of history change if eyewitness accounts by observers sent from the future are prioritized over contemporaneous documents? A finalist for the Hugo, Nebula, and Sturgeon awards, this story also won the Ignotus Award for Best Foreign Story in Spain. Ken Liu has called it the story he's most proud of having written.

The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New Yorker Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.

On Bittersweet Place is the powerful coming-of-age story of Lena Czernitski, a young Russian Jew whose family flees their homeland in the Ukraine after the October Revolution. The story unfolds in Chicago during the Jazz Age of the 1920 s, where Lena s impoverished family has settled and where she must traverse the early years of adolescence. Lena s new world is large and beautiful and full of promise, but it is also cold and unwelcoming and laden with danger. Ronna Wineberg delivers a moving, universal story of family, self-discovery, young love, and the always relevant experience of the immigrant, the refugee, the outsider struggling to create a new home and a better life in an unfamiliar place.

With dashing originality and in prose that sings like an entire choir of sirens, Cynthia Ozick relates the life and times of her most compelling fictional creation. Ruth Puttermesser lives in New York City. Her learning is monumental. Her love life is minimal (she prefers pouring through Plato to romping with married Morris Rappoport). And her fantasies have a disconcerting tendency to come true - with disastrous consequences for what we laughably call "reality." Puttermesser yearns for a daughter and promptly creates one, unassisted, in the form of the first recorded female golem. Laboring in the dusty crevices of the civil service, she dreams of reforming the city - and manages to get herself elected mayor. Puttermesser contemplates the afterlife and is hurtled into it headlong, only to discover that a paradise found is also paradise lost. Overflowing with ideas, lambent with wit, The Puttermesser Papers is a tour de force by one of our most visionary novelists. "The finest achievement of Ozick's career... It has all the buoyant integrity of a Chagall painting." -San Francisco Chronicle "Fanciful, poignant... so intelligent, so finely expressed that, like its main character, it remains endearing, edifying, a spark of light in the gloom." -The New York Times "A crazy delight." -The New York Time Book Review

'Acampora is an original' Jay McInerney, author of Bright Lights, Big City An electrifying debut novel of two women's friendship, a haunting obsession and twisted ambition, set against the feverish backdrop of contemporary Hollywood. Abby Graven is a dreamer. She dreams her way through her small, lonely life - hiding back at her parents, working at the grocery store. At night, she collects tabloid clippings that taunt her with Elise - her best friend, now Hollywood's hot new starlet. When a school reunion throws Elise in her path, Abby seizes her chance. With feverish certainty, she boards a one-way flight to LA to become Elise's assistant and enters her gauzy realm of film sets and glamorous actors. But behind Elise's glossy magazine veneer, she is drowning in Hollywood's vicious social cycle. Ever the devoted friend, Abby conceals her own burning desire for greatness. For she is smarter than Elise. More talented. A true artist. And as she edges closer to her own ambitions, Abby can see only one way to make her dream come true. Propelled by seductive, unstoppable force, The Paper Wasp slashes through the dark side of Hollywood and the treacherous intimacies of female friendship, pursuing a heroine of blazing artistic vision and blinding drive.

The little girl and the rapeseed flower -- As far as Abashiri -- The razor -- The paper door -- Seibei and his gourds -- An incident -- Han's crime -- At Kinosaki -- Akanishi Kakita -- Incident on the afternoon of November third -- The shopboy's god -- Rain frogs -- The house by the moat -- A memory of Yamashina -- Infatuation -- Kuniko -- A gray moon

NEW YORK TIMES BESTSELLER • This essay collection from the “bitches gotta eat” blogger, writer on Hulu’s Shrill, and “one of our country’s most fierce and foulmouthed authors” (Amber Tamblyn, Vulture) is sure to make you alternately cackle with glee and cry real tears. Whether Samantha Irby is talking about how her difficult childhood has led to a problem in making “adult” budgets; explaining why she should be the new Bachelorette (she's "35-ish, but could easily pass for 60-something"); detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father's ashes; sharing awkward sexual encounters; or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms (hang in there for the Costco loot!); she’s as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.

The New York Times Bestseller In Ink and Bone, bestselling author Rachel Caine introduced a world where knowledge is power, and power corrupts absolutely. Now she continues the story of those who dare to defy the Great Library—and rewrite history... Jess Brightwell has survived his introduction to the sinister, seductive world of the Library, but serving in its army is nothing like he envisioned. His life and the lives of those he cares for have been altered forever. Embarking on a mission to save one of their own, Jess and his band of allies make one wrong move and suddenly find themselves hunted by the Library’s deadly automata and forced to flee Alexandria, all the way to London. But Jess’s home isn’t safe anymore. The Welsh army is coming, London is burning, and soon Jess must choose between his friends, his family, and the Library, which is willing to sacrifice anything and anyone in the search for ultimate control...

The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.