One of the lengthier grimoires of the medieval period, the Ars Notoria, commonly referred to as the Notary Art of Solomon, promises the reader a series of orations, prayers, and invocations, which may be used to secure the favor of the christian god, enhancing the memory, eloquence, and general academic capability of the one performing such rituals. Originally its own text, based on even older sources not yet fully documented, this text is commonly wrapped up into the Lesser Keys of Solomon along with such works as the Ars Goetia- some editions of the latter omit this work. Prayers contained herein invoke not just the god of christianity, but Jesus Christ and various angelic powers as well.

Compiled from original manuscripts and fragments in the British Museum Library, Joseph Peterson's new presentation is the most complete and accurate edition of this famous magical grimoire, "The Lesser Key of Solomon the King." He goes to great length to establish the provenance of each part, and possible derivative works, including critical analyses of all major variations, utilizing fresh translations of earlier magical texts such as Johann Trithemius's Steganographia, The Archidoxes of Magic by Paracelsus, and newly discovered Hebrew manuscripts of the original Key of Solomon. Abundantly illustrated, Peterson includes reproductions of the original magical circles, tools, and seals of the spirits with variations of certain drawings from various sources and notae missing from earlier editions. Source list. Appendicies. Index.

A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.

Provides a clear and detailed account of the preparations and precautions necessary for the successful evocation of its 72 spirits, which are described in detail. Includes Crowley's "An Initiated Interpretation of Ceremonial Magic," his version of "The Bornless Ritual," Enochian translations of some of the Goetic invocations, an introduction, and notes. Illustrated. Smythe-sewn and printed on acid-free paper.

The 'ALEISTER CROWLEY - Premium Collection' offers an unparalleled dive into the mystic and occult, weaving through the diverse tapestry of ceremonial magic, philosophy, and the Thelemic principles that have influenced modern esoteric thought. This anthology spans a variety of literary styles, from the poetic to the theoretic, encapsulating the rich and often controversial contributions of Crowley and his associates. It highlights significant pieces that have shaped the practice of magic and the understanding of mysticism, providing readers with a comprehensive exploration of early 20th-century occultism. The contributing authors, Aleister Crowley, S. L. MacGregor Mathers, and Mary d'Este Sturges, bring forth a profound collective expertise in Hermetic Qabalah, Goetia, and Thelemic teachings. These figures stand at the forefront of the Hermetic Order of the Golden Dawn and later Thelemic movements, marking a pivotal transition in the history of Western esotericism. Their works reflect the tumultuous yet fascinating intersection of mysticism, ceremonial magic, and the quest for spiritual enlightenment, offering a unique window into the cultural and spiritual ferment of their times. This anthology is recommended for those intrigued by the synthesis of philosophy, religion, and magic. It presents an exceptional opportunity to engage with the thoughts and writings of key figures in the realm of esoteric studies. Readers are invited to delve into the collection for its educational value, the depth of insight into the human and divine, and the enriching dialogue it creates between the differing perspectives and practices of its authors. The 'ALEISTER CROWLEY - Premium Collection' promises a journey through the complexities of occultism, challenging and enlightening in equal measure.

This carefully created collection presents the most important Aleister Crowley's works on Thelema and magick. This book has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Thelema Texts The Book of the Law (Liber AL vel Legis) The Law of Liberty (Liber DCCCXXXVII) Ecclesiæ Gnosticæ Catholicæ Creed Liber A'ash vel Capricorni Pneumatici Liber B vel Magi Liber Cheth vel Vallum Abiegni Liber Cordis Cincti Serpente Liber DCCCXIII vel Ararita Liber III vel Jugorum Liber Liberi vel Lapidis Lazuli Liber Librae Liber LXI vel Causæ Liber Porta Lucis Liber Resh vel Helios Liber Stellae Rubeae Liber Tzaddi vel Hamus Hermeticus Mysticism & Magick The Book Of Lies The Blue Equinox The Lesser Key of Solomon The Psychology of Hashish White Stains The Diary of a Drug Fiend

This collection of works expand over several centuries of Magi and Sorcerers throughout the history of Ceremonial and Transcendental Occult Magic. This work is an anthology of all the source materials used to create today's updated spellbooks and reference journals.

Inspired by the work of eminent scholar Richard Kieckhefer, The Sacred and the Sinister explores the ambiguities that made (and make) medieval religion and magic so difficult to differentiate. The essays in this collection investigate how the holy and unholy were distinguished in medieval Europe, where their characteristics diverged, and the implications of that deviation. In the Middle Ages, the natural world was understood as divinely created and infused with mysterious power. This world was accessible to human knowledge and susceptible to human manipulation through three modes of engagement: religion, magic, and science. How these ways of understanding developed in light of modern notions of rationality is an important element of ongoing scholarly conversation. As Kieckhefer has emphasized, ambiguity and ambivalence characterize medieval understandings of the divine and demonic powers at work in the world. The ten chapters in this volume focus on four main aspects of this assertion: the cult of the saints, contested devotional relationships and practices, unsettled judgments between magic and religion, and inconclusive distinctions between magic and science. Freshly insightful, this study of ambiguity between magic and religion will be of special interest to scholars in the fields of medieval studies, religious studies, European history, and the history of science. In addition to the editor, the contributors to this volume are Michael D. Bailey, Kristi Woodward Bain, Maeve B. Callan, Elizabeth Casteen, Claire Fanger, Sean L. Field, Anne M. Koenig, Katelyn Mesler, and Sophie Page.

Simon Forman (1552-1611) is one of London's most infamous astrologers. He stood apart from the medical elite because he was not formally educated and because he represented, and boldly asserted, medical ideas that were antithetical to those held by most learned physicians. He survived the plague, was consulted thousands of times a year for medical and other questions, distilled strong waters made from beer, herbs, and sometimes chemical ingredients, pursued the philosopher's stonein experiments and ancient texts, and when he was fortunate spoke with angels. He wrote compulsively, documenting his life and protesting his expertise in thousands of pages of notes and treatises. This highly readable book provides the first full account of Forman's papers, makes sense of hisnotorious reputation, and vividly recovers the world of medicine and magic in Elizabethan London.