One of the lengthier grimoires of the medieval period, the Ars Notoria, commonly referred to as the Notary Art of Solomon, promises the reader a series of orations, prayers, and invocations, which may be used to secure the favor of the christian god, enhancing the memory, eloquence, and general academic capability of the one performing such rituals. Originally its own text, based on even older sources not yet fully documented, this text is commonly wrapped up into the Lesser Keys of Solomon along with such works as the Ars Goetia- some editions of the latter omit this work. Prayers contained herein invoke not just the god of christianity, but Jesus Christ and various angelic powers as well.

Lemegeton, also known as The Lesser Key of Solomon the King or Clavicula Salomonis Regis, is a 17th century demonology Grimoire written by an anonymous author. It contains names of spirits/demons, other sacred names, sigils/seals, invocations and summoning techniques, spells, prayers, rituals and occult knowledge that has been obtained by the author, material which dates between the early 15th and the late 17th century. The Grimoire is divided in five parts called The Books. These are: Ars Goetia (or Goetia), Ars Theurgia Goetia (or Theurgia), Ars Paulina, Ars Almadel and Ars Notoria. Note from the Publisher: The illustrations in this book come from enhanced scans of the original seals. The scans have been painted over by hand using black ink and then re-scanned in order to improve the texture and make the lines and letters more legible, as some of the pages and illustrations of the book have deteriorated due to the manuscript's age, and they appear faded or broken. The original manuscript can be found in the British Museum.

The first book of The Lesser Key of Solomon, concerning the 72 Demons which King Solomon bound with in a brass vessel. This grimoire contains descriptions of the Demons and their seals, as well as all rituals and requisites required for their summoning.The Lesser Key of Solomon, also known as Clavicula Salomonis Regis or Lemegeton, is an anonymous grimoire (or spell book) on demonology. Its one-hundred-forty-four spells were compiled in the mid-17th century, mostly from materials some centuries older. It is divided into five books-the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria.

"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.

An illustrated guide to the history and evolution of the beloved role-playing game told through the paintings, sketches, illustrations, and visual ephemera behind its creation, growth, and continued popularity. FINALIST FOR THE HUGO AWARD • FINALIST FOR THE LOCUS AWARD • NOMINATED FOR THE DIANA JONES AWARD From one of the most iconic game brands in the world, this official DUNGEONS & DRAGONS illustrated history provides an unprecedented look at the visual evolution of the brand, showing its continued influence on the worlds of pop culture and fantasy. Inside the book, you’ll find more than seven hundred pieces of artwork—from each edition of the core role-playing books, supplements, and adventures; as well as Forgotten Realms and Dragonlance novels; decades of Dragon and Dungeon magazines; and classic advertisements and merchandise; plus never-before-seen sketches, large-format canvases, rare photographs, one-of-a-kind drafts, and more from the now-famous designers and artists associated with DUNGEONS & DRAGONS. The superstar author team gained unparalleled access to the archives of Wizards of the Coast and the personal collections of top collectors, as well as the designers and illustrators who created the distinctive characters, concepts, and visuals that have defined fantasy art and gameplay for generations. This is the most comprehensive collection of D&D imagery ever assembled, making this the ultimate collectible for the game's millions of fans around the world.

A complete alchemy manuscript in 36 full page color plates Ars Notoria Sive Flores Aurei (The Art of Magic or Golden Flowers) is attributedto Apollonius of Tyana (c. 15–100), a Greek neo-Pythagorean ascetic andphilosopher from the town of Tyana in Cappadocia in Asia Minor. It is a practicaltext in which direct knowledge is sought by means of incantation. Its numerousprayers include long series of invented and exotic names as well as instructions fortheir use. The present manuscript, created in France c. 1225, is held by the BeineckeRare Book and Manuscript Library, Yale University.

"A collection of essays examining medieval and early modern texts aimed at performing magic or receiving illumination via the mediation of angels. Includes discussion of Jewish, Christian and Muslim texts"--Provided by publisher.

In a time of social distancing and isolation, a meditation on the beauty of solitude from renowned Buddhist writer Stephen Batchelor “Whatever a soul is, the author goes a long way toward soothing it. A very welcome instance of philosophy that can help readers live a good life.”—Kirkus Reviews “Elegant and formally ingenious.”—Geoff Wisner, Wall Street Journal When world renowned Buddhist writer Stephen Batchelor turned sixty, he took a sabbatical from his teaching and turned his attention to solitude, a practice integral to the meditative traditions he has long studied and taught. He aimed to venture more deeply into solitude, discovering its full extent and depth. This beautiful literary collage documents his multifaceted explorations. Spending time in remote places, appreciating and making art, practicing meditation and participating in retreats, drinking peyote and ayahuasca, and training himself to keep an open, questioning mind have all contributed to Batchelor’s ability to be simultaneously alone and at ease. Mixed in with his personal narrative are inspiring stories from solitude’s devoted practitioners, from the Buddha to Montaigne, from Vermeer to Agnes Martin. In a hyperconnected world that is at the same time plagued by social isolation, this book shows how to enjoy the inescapable solitude that is at the heart of human life.

During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.