The literary magazine The New Age brought together a diverse set of intellectuals. Against the backdrop of the First World War, they chose to write about more than modernist art and aesthetics. By closely reading and contextualizing their contributions, Paul Jackson's study engages with the political and philosophical responses of literary artists to modernity. Jackson demonstrates the need to interpret modernism not merely as an aesthetic phenomenon,but inherently linked to politics and philosophy. By placing the writing of a canonical modernist, Wyndham Lewis, against a figure usually excluded from the modernist canon, H.G. Wells, Jackson examines further a wartime modernism that embraced socialist and political views. This reinterpretation of modernism provides a historicised understanding of the politicised hopes of artists promoting revolutionary forms of cultural renewal. Considering modernist writers' relationship between politics,philosophy and aesthetics in the context of total war Jackson encourages new cultural-historical definitions of modernism. In addition this study provides the first close analysis of cultural contributions from a leading wartime Little Magazine, tracing the radical modernist debates that developed in its pages.

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A source of information on every aspect of New Age phenomena is divided into such specific areas as UFO's, psychic phenomena, and spiritual healing and includes a comprehensive listing of media sources

A damning exploration of the many ways in which the effects and logic of anti-black colonialism continue to inform our modern world. Colonialism and imperialism are often thought to be distant memories, whether they're glorified in Britain's collective nostalgia or taught as a sin of the past in history classes. This idea is bolstered by the emergence of India, China, Argentina and other non-western nations as leading world powers. Multiculturalism, immigration and globalization have led traditionalists to fear that the west is in decline and that white people are rapidly being left behind; progressives and reactionaries alike espouse the belief that we live in a post-racial society. But imperialism, as Kehinde Andrews argues, is alive and well. It's just taken a new form: one in which the U.S. and not Europe is at the center of Western dominion, and imperial power looks more like racial capitalism than the expansion of colonial holdings. The International Monetary Fund, World Bank, World Trade Organization and even the United Nations are only some of these modern mechanisms of Western imperialism. Yet these imperialist logics and tactics are not limited to just the west or to white people, as in the neocolonial relationship between China and Africa. Diving deep into the concepts of racial capitalism and racial patriarchy, Andrews adds nuance and context to these often over-simplified narratives, challenging the right and the left in equal measure. Andrews takes the reader from genocide to slavery to colonialism, deftly explaining the histories of these phenomena, how their justifications are linked, and how they continue to shape our world to this day. The New Age of Empire is a damning indictment of white-centered ideologies from Marxism to neoliberalism, and a reminder that our histories are never really over.

Douglas Groothuis explains what the New Age movement is, analyzes its major doctrines and shows how it is influencing politics, science, health care and education.

This Element introduces New Age religion. The New Age Movement is a loosely cohesive conglomerate of different spiritual currents with no common founder, leader, institution, dogma, or scripture. Because of its diversity, it may appear amorphous and incoherent at first sight. This Element emphasizes both the unity and diversity of the New Age. It approaches the phenomenon from three main perspectives: 1) the historical development of New Age religion, 2) ideas and practices associated with the New Age, and 3) the social organization of the New Age movement. It thus provides a wide-angle view that sketches out some of the main patterns that emerge from a mosaic of individual currents and actors associated with the New Age. It also highlights some of the differences within the movement by exploring some ideas and practices in depth.

THE FUTURE AGE BEYOND THE NEW AGE MOVEMENT reveals the NEW AGE MOVEMENT over 130 years. Successes and failures are described in different NEW AGE religious groups. This book contains the most important messages you can possibly read on this planet and the most important events on Earth in 75,000 years. Influential leaders in the New Age Movement are Helena Blavatsky, Francia La Due, William Quan Judge, William David Dower, Ph.D., Godfrey Rey King, Rudolph Steiner Mark and Elizabeth Prophet, Aleister Crowley, Dolores Cannon, Wynn Free, David Wilcox, Barbara Hand Clow, Michael Newton, Lyssa Royal and Ashayana Deane, etc. Part One focuses on the New Age Renaissance of 1966 through 1976. In Part Two we have explored the history of the New Age Movement through the 1970s and traced many of its most popular beliefs and practices to very ancient times. In Part Three we gave details about the Future Age Movement from 1987 to 2013.

Acclaimed poet and translator Robert Bly here assembles a unique cross–cultural anthology that illuminates the idea of a larger–than–human consciousness operating in the universe. The book's 150 poems come from around the world and many eras: from the ecstatic Sufi poet Rumi to contemporary voices like Kenneth Rexroth, Denise Levertov, Charles Simic, and Mary Oliver. Brilliant introductory essays trace our shifting attitudes toward the natural world, from the "old position" of dominating or denigrating nature, to the growing sympathy expressed by the Romantics and American poets like Whitman and Dickinson. Bly's translations of Neruda, Rilke, and others, along with superb examples of non–Western verse such as Eskimo and Zuni songs, complete this important, provocative anthology.