This anthology brings together three short mysteries in the Captain Lacey series: The Necklace Affair (novella); and The Gentleman's Walking Stick and The Disappearance of Miss Sarah Oswald (short stories). In The Necklace Affair, Captain Lacey agrees to help a society matron discover what has become of her expensive diamond necklace and to clear her maid, who has been arrested for its theft. Lady Clifford declares that the rival for her husband's affections has stolen the necklace, but Lacey soon realizes that the problem is not so simple. He quickly becomes enmeshed in scandal and past secrets, and recruits Grenville and Lady Breckenridge to assist him. As he investigates, he finds himself competing with the underworld criminal, James Denis, for the necklace's retrieval. In The Gentleman's Walking Stick, Captain Lacey is asked to retrieve a walking stick, which embroils him in an affair of theft, deception, and betrayal. In The Disappearance of Miss Sarah Oswald, Lacey hunts for a missing young woman, learning more about a family's sordid secrets than he wanted to know. Events in these stories occur between the end of The Sudbury School Murders and the beginning of A Body in Berkeley Square.

Set in the Paris of society women, prostitutes and small-minded bourgeousie, and the isolated villages of rural Normandy that de Maupassant knew as a child, the thirty-three tales in this volume are among the most darkly humorous and brilliant short stories in nineteenth-century literature. They focus on the relationships between men and women, as in the poignant fantasy of 'A Parisian Affair', between brothers and sisters, and between masters and servants. Through these relationships, Maupassant explores the dualistic nature of the human character and his stories reveal both nobility, civility and generosity, and, in stories such as 'At Sea' and 'Boule de Suif', vanity, greed and hypocrisy. Maupassant's stories repeatedly lay humanity bare with deft wit and devastating honesty.

'A hell of a tale and Jonathan Beckman gives it all the verve and swagger it deserves . . . I read it with fascination, delight and frequent snorts of incredulity' The Spectator On 5 September 1785, a trial began in Paris that would divide the country, captivate Europe and send the French monarchy tumbling down the slope towards the Revolution. Cardinal Louis de Rohan, scion of one of the most ancient and distinguished families in France, stood accused of forging Marie Antoinette's signature to fraudulently obtain the most expensive piece of jewellery in Europe - a 2,400-carat necklace worth 1.6 million francs. Where were the diamonds now? Was Rohan entirely innocent? Was, for that matter, the queen? What was the role of the charismatic magus, the comte de Cagliostro, who was rumoured to be two-thousand-years old and capable of transforming metal into gold? This is a tale of political machinations and extravagance on an enormous scale; of kidnappings, prison breaks and assassination attempts; of hapless French police disguised as colliers, reams of lesbian pornography and a duel fought with poisoned pigs. It is a detective story, a courtroom drama, a tragicomic farce, and a study of credulity and self-deception in the Age of Enlightenment.

This gripping memoir tells the true story of a scandal that rocked the French court in the 18th century. It is a must-read for fans of historical true crime. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In a “lively, sparkling, and sharp-edged” (Arthur Goldhammer) new translation, Guy de Maupassant’s most beloved works are reintroduced to twenty-first-century readers. A Parisian civil servant turned protégé of Flaubert, Guy de Maupassant is considered not only one of the greatest short story writers in all of French literature but also a pioneer of psychological realism and modernism who helped define the form. Credited with influencing the likes of Chekhov, Maugham, Babel, and O. Henry, Maupassant had, at the time of his death at the age of forty-two, written six novels and some three hundred short stories. Yet in English, Maupassant has, curiously, remained unappreciated by modern readers due to outdated translations that render his prose in an archaic, literal style. In this bold new translation, Sandra Smith—the celebrated translator of Irene Nemirovsky's Suite Francaise—brings us twenty-eight of Maupassant's essential stories and two novellas in lyrical yet accessible language that brings Maupassant into vibrant English. In addition to her sparkling translation, Smith also imposes a structure that captures the full range of Maupassant's work. Dividing the collection into three sections that reflect his predominant themes—nineteenth-century French society, the Franco-Prussian War of 1870–71, and the supernatural—Smith creates "an arrangement suggesting a culture of relation, of structure, of completion" (Richard Howard). In "Tales of French Life," we see Maupassant explore the broad swath of French society, not just examining the lives of the affluent as was customary for writers in his day. In the title story of the collection, "The Necklace," Maupassant crafts a devastating portrait of misplaced ambition and ruin in the emerging middle class. The stories in "Tales of War" emerge from Maupassant’s own experiences in the devastating Franco-Prussian War and create a portrait of that disastrous conflict that few modern readers have ever encountered. This section features Maupassant's most famous novella, "Boule de Suif." The last section, "Tales of the Supernatural," delves into the occult and the bizarre. While certain critics may attribute some of these stories and morbid fascination as the product of the author's fevered mind and possible hallucinations induced by late-stage syphilis, they echo the gothic horror of Poe as well as anticipate the eerie fiction of H. P. Lovecraft. The result takes readers from marriage, family, and the quotidian details of life to the disasters of war and nationalism, then to the gothic and beyond, allowing us to appreciate Maupassant in an idiom that matches our own times. The Necklace and Other Stories enables us to appreciate Maupassant as the progenitor of the modern short story and as a writer vastly ahead of his time.

This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Opulence is sometimes deceiving“She removed the wraps from her shoulders before the glass, for a final view of herself in her glory. Suddenly she uttered a cry. Her necklace was not around...” - Guy de Maupassant, The Necklace Madame Mathilde Loisel is displeased: she cannot go to a fancy party because she doesn’t have anything to wear. Her husband tries to help her and gives her money to buy a new dress. She insists she also needs jewels so she borrows a diamond necklace from her friend, Madame Jeanne Forestier. After the party, Mathilde realizes that she lost the stunning necklace. ,This book has been professionally formatted for e-readers and contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.

Four years before the French Revolution some priceless diamonds - they cost 1.8m francs, 'the price of a battleship' - were purchased in elaborate secrecy from the court jeweller of France, presumably for Marie Antoinette and at her own instructions. The necklace - not yet paid for - was delivered into the hands of Cardinal Prince de Rohan, first prelate of the Church of France. He in turn gave it to the Countess de La Motte-Valois, who claimed to be acting for the Queen. Although essentially an innocent bystander amidst this chicanery, Marie Antoinette became embroiled in a scandal which fatally weakened the monarchy.

The true crime author of Lady Killers presents a roundup of history’s most notorious female con artists and their bold, outrageous scams. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best—or worst. In 18th century Paris, Jeanne de Saint-Rémy scammed the royal jewelers out of a priceless diamond necklace by pretending to be best friends with Queen Marie Antoinette. In 19th century Rochester, NY, Kate and Maggie Fox accidentally started a religious movement by pretending they could speak to spirits. In the 20th century, a woman named Margaret Lydia Burton embezzled money all over the country—and stole upwards of forty prized show dogs. A few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. Confident Women investigates how these and other notorious women were able to so spectacularly dupe and swindle their victims . . .