This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In these stories of Indian life in Trinidad in the 1940s and 50s, Ismith Khan brings to vivid life the morning smells of eggplant frying in coconut oil, and herrings baking in the embers of the earthen fireplace; childhoods such as Pooran's, who has to make his way between the poetic mythology of the pundit and the cold, rationalistic materialism of his science teacher, or 'Thiney Boney' who, newly arrived in Port of Spain from the country, has to choose between his new Creole friends and his father's harsh moral certainties. These are not comfortable childhoods, and several stories show the pressures of poverty and despair leading to the abuse of children by their parents. Stories deal with the trauma of urbanisation as Indians are drawn from the country to Port of Spain, though even in the villages, where the shining metal of the oil refineries dwarfs the grasscutter tending his oxen, old ways must change. Ismith Khan brings a tender and affecting style to stories of troubled childhoods, questioning youth and adult struggle. This is beautiful writing to savour beyond place and time. "The brilliant short story 'A Day in the Country' has a home in my heart. It reminded me of the intense, uplifting genius of Thomas Wolfe's (1900-1938) short story 'Circus at Dawn'. In both stories the concentration on life, on living, on things seen, heard and felt, is so full and rich that plot becomes unnecessary. But 'A Day in the Country' is much more than a generous slice of life, and it does much more than revel in secure country childhood, or celebrate boyhood in the countryside. It makes a moving, ominous communication about the unsheltering of Trinidad, about its unprepared journey, from the 'Drinking Rum and Coca Cola' years of the 40s and 50s to the bewildering, homogeneous brutality of the 20th century." Keith Jardim, The Trinidad Guardian Ismith Khan was born in Trinidad in 1925. He is the author of The Jumbie Bird and The Obeah Man. He lived in New York until his death in 2002.

Winner of the 2017 J. Anthony Lukas PrizeShortlisted for the 2017 Hurston/Wright Foundation AwardFinalist for the 2017 Helen Bernstein Book Award for Excellence in JournalismLonglisted for the 2017 Andrew Carnegie Medal for Excellence in Non Fiction On an average day in America, seven children and teens will be shot dead. In Another Day in the Death of America, award-winning journalist Gary Younge tells the stories of the lives lost during one such day. It could have been any day, but he chose November 23, 2013. Black, white, and Latino, aged nine to nineteen, they fell at sleepovers, on street corners, in stairwells, and on their own doorsteps. From the rural Midwest to the barrios of Texas, the narrative crisscrosses the country over a period of twenty-four hours to reveal the full human stories behind the gun-violence statistics and the brief mentions in local papers of lives lost. This powerful and moving work puts a human face-a child's face-on the "collateral damage" of gun deaths across the country. This is not a book about gun control, but about what happens in a country where it does not exist. What emerges in these pages is a searing and urgent portrait of youth, family, and firearms in America today.

In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora. From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.

The story of a kind of poverty in America so deep that we, as a country, don't even think exists--from a leading national poverty expert who "defies convention" (New York Times)

Tired of the pace and noise of life near London and longing for a better place to raise their young children, Mary J. MacLeod and her husband encountered their dream while vacationing on a remote island in the Scottish Hebrides. Enthralled by its windswept beauty, they soon were the proud owners of a near-derelict croft house—a farmer’s stone cottage—on “a small acre” of land. Mary assumed duties as the island’s district nurse. Call the Nurse is her account of the enchanted years she and her family spent there, coming to know its folk as both patients and friends. In anecdotes that are by turns funny, sad, moving, and tragic, she recalls them all, the crofters and their laird, the boatmen and tradesmen, young lovers and forbidding churchmen. Against the old-fashioned island culture and the grandeur of mountain and sea unfold indelible stories: a young woman carried through snow for airlift to the hospital; a rescue by boat; the marriage of a gentle giant and the island beauty; a ghostly encounter; the shocking discovery of a woman in chains; the flames of a heather fire at night; an unexploded bomb from World War II; and the joyful, tipsy celebration of a ceilidh. Gaelic fortitude meets a nurse’s compassion in these wonderful true stories from rural Scotland.

A Little Piece Of Ground will help young readers understand more about one of the worst conflicts afflicting our world today. Written by Elizabeth Laird, one of Great Britain’s best-known young adult authors, A Little Piece Of Ground explores the human cost of the occupation of Palestinian lands through the eyes of a young boy. Twelve-year-old Karim Aboudi and his family are trapped in their Ramallah home by a strict curfew. In response to a Palestinian suicide bombing, the Israeli military subjects the West Bank town to a virtual siege. Meanwhile, Karim, trapped at home with his teenage brother and fearful parents, longs to play football with his friends. When the curfew ends, he and his friend discover an unused patch of ground that’s the perfect site for a football pitch. Nearby, an old car hidden intact under bulldozed building makes a brilliant den. But in this city there’s constant danger, even for schoolboys. And when Israeli soldiers find Karim outside during the next curfew, it seems impossible that he will survive. This powerful book fills a substantial gap in existing young adult literature on the Middle East. With 23,000 copies already sold in the United Kingdom and Canada, this book is sure to find a wide audience among young adult readers in the United States.

"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books

Welcome to the thought-provoking realm of H. G. Wells' *The Country of the Blind, and Other Stories*, where imagination meets incisive social commentary and the boundaries of reality blur with fantasy. As you embark on this literary journey, prepare to be captivated by the visionary narratives that have defined the genre of science fiction. Delve into the titular story, *The Country of the Blind*, where a sighted man finds himself in a secluded valley inhabited by the blind. Explore the profound themes of perception, adaptation, and the often arbitrary nature of normalcy as Wells challenges our understanding of reality. Witness how this tale weaves the threads of human experience into a tapestry that invites reflection on the essence of humanity. Wells’ masterful storytelling traverses a range of captivating themes, including societal evolution, the interplay of science and morality, and the consequences of technological advancement. Through rich character development and vivid imagery, he presents a compelling critique of contemporary society that resonates with readers across generations. The overall tone of the collection is both contemplative and speculative, skillfully balancing the eerie with the enlightening. Wells’ pioneering approach has garnered critical acclaim, establishing him as a titan of science fiction whose insights remain relevant today. This collection appeals to a broad audience, from ardent science fiction fans to casual readers intrigued by moral dilemmas and the human condition. Wells' ability to intertwine fantastical elements with relatable human emotions ensures that each story leaves an indelible mark. As you immerse yourself in *The Country of the Blind, and Other Stories*, you'll discover not just engaging tales, but a profound exploration of our world and the choices we face. Wells’ unique perspective and narrative style make this collection an essential addition to the library of any literature enthusiast. In conclusion, *The Country of the Blind, and Other Stories* is more than just a collection of tales; it is a thought-provoking examination of the human experience that continues to resonate with readers today. Whether you're revisiting Wells' genius or experiencing it for the first time, prepare to be challenged and inspired by the depth and breadth of his imagination. Don't miss your chance to explore the fascinating world of H. G. Wells. Let *The Country of the Blind, and Other Stories* transport you to a landscape of thought-provoking narratives and timeless themes. Grab your copy now and join the ranks of readers captivated by Wells’ enduring literary brilliance.

GRISHA, a fat, solemn little person of seven, was standing by the kitchen door listening and peeping through the keyhole. In the kitchen something extraordinary, and in his opinion never seen before, was taking place. A big, thick-set, red-haired peasant, with a beard, and a drop of perspiration on his nose, wearing a cabman's full coat, was sitting at the kitchen table on which they chopped the meat and sliced the onions. He was balancing a saucer on the five fingers of his right hand and drinking tea out of it, and crunching sugar so loudly that it sent a shiver down Grisha's back. Aksinya Stepanovna, the old nurse, was sitting on the dirty stool facing him, and she, too, was drinking tea. Her face was grave, though at the same time it beamed with a kind of triumph. Pelageya, the cook, was busy at the stove, and was apparently trying to hide her face.