In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants

In this latest book, J. Marshall Unger exposes the historical, scientific, cultural, and practical flaws accompanying the widespread belief that Chinese characters embody pure, language-less meaning. Whether one is interested in Chinese characters from the standpoint of language, literature, semiotics, psychology, history, cultural studies, or computers, Ideogram contains new ideas and insights that are sure to challenge preconceptions and provoke thought.

A systematic, building block-style plan for mastering the most daunting aspect of learning Chinese--how to remember the meaning of more than 2,000 of the most common characters--is provided in this handbook. Beginning with the simplest of strokes, such as those for numbers, scepter, and earth, and progressing to the extremely complex, such as destroy, insert, and mouse, this manual presents a methodology employing memory techniques to associate meanings with the characters' visual components. A sequence of numbered panels displays each character in two font styles, and a notation in the adjacent margin describes the character's pinyin pronunciation. Graphics that identify the components or characters from which the featured characters are drawn, and a listing of both the names of these root components, and the panel numbers that cite their location in the book augment the presentation. Beginners will be best served by using this guide in conjunction with the development of language skills, while those who are familiar with the language will find this book to be a comprehensive reference and refresher.

This book presents the most comprehensive synthesis and analysis of major developments in reforming programs in modernizing the Chinese writing system. It traces the language policy and planning related developments for Chinese characters, with particular emphasis on post-1950 period in the People’s Republic of China (PRC) and the more recent challenges that technology, and particularly the World Wide Web, have posed for the language.

Chinese characters are not simply letters or symbols; they are picture-words. This fascinating book chronicles the history of Chinese writing to reveal how today's characters have developed over the centuries from complex paintings and drawings to the codified systems currently in use. for instance, the character for chariot does not resemble a chariot at all, but you can see how over the years elaborate pictures of various chariots and vehicles merged into today's character. Richly illustrated

The origins of Chinese ideographs were not known until 1899, when a scholar went to an apothecary for some medicine made of “dragon bone.” To his surprise, the bone, which had not yet been ground into powder, contained a number of carved inscriptions. Thus began the exploration of the 3000-year-old sources of the written characters still used in China today. In this unparalleled and deeply researched book, Cecilia Lindqvist tells the story of these characters and shows how their shapes and concepts have permeated all of Chinese thought, architecture, art, and culture.

PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.

Explores the different meanings of forty fundamental ideograms of Chinese characters.

Incompatible with modernity -- Puzzling Chinese -- Radical machines -- What do you call a typewriter with no keys? -- Controlling the Kanjisphere -- QWERTY is dead! Long live QWERTY! Lin Yutang and the birth of input -- The typing rebellion

Reprint of the original, first published in 1838.