Index -- About the Author -- Back Cover

Abraham Lincoln’s sense of humor proved legendary during his own time and remains a celebrated facet of his personality to this day. Indeed, his love of jokes—hearing them, telling them, drawing morals from them—prompted critics to dub Lincoln “the National Joker.” The political cartoons and print satires that mocked Lincoln often trafficked in precisely the same images and terms Lincoln humorously used to characterize himself. In this intriguing study, Todd Nathan Thompson considers the politically productive tension between Lincoln’s use of satire and the satiric treatments of him in political cartoons, humor periodicals, joke books, and campaign literature. By fashioning a folksy, fallible persona, Thompson shows, Lincoln was able to use satire as a weapon without being severely wounded by it. In his speeches, writings, and public persona, Lincoln combined modesty and attack, engaging in strategic self-deprecation while denouncing his opponents, their policies, and their arguments, thus refiguring satiric discourse as political discourse and vice versa. At the same time, he astutely deflected his opponents’ criticisms of him by embracing and sometimes preemptively initiating those criticisms. Thompson traces Lincoln’s comic sources and explains how, in reapplying others’ jokes and stories to political circumstances, he transformed humor into satire. Time and time again, Thompson shows, Lincoln engaged in self-mockery, turning negative assumptions or depictions of him—as ugly, cowardly, jocular, inexperienced—into positive traits that identified him as an everyman while attacking his opponents’ claims to greatness, heroism, and experience as aristocratic or demagogic. Thompson also considers how Lincoln took advantage of political cartoons and other media to help proliferate the particular Lincoln image of the “self-made man”; underscores exceptions to Lincoln’s ability to mitigate negative, satiric depictions of him; and closely examines political cartoons from both the 1860 and 1864 elections. Throughout, Thompson’s deft analysis brings to life Lincoln’s popular humor.

This edition includes a packet of Andrew Hudgins's favorite jokes, plus original commentary by the author. Since Andrew Hudgins was a child, he was a compulsive joke teller, so when he sat down to write about jokes, he found that he was writing about himself—what jokes taught him and mistaught him, how they often delighted him but occasionally made him nervous with their delight in chaos and sometimes anger. Because Hudgins’s father, a West Point graduate, served in the US Air Force, his family moved frequently; he learned to relate to other kids by telling jokes and watching how his classmates responded. And jokes opened him up to the serious, taboo subjects that his family didn’t talk about openly—religion, race, sex, and death. Hudgins tells and analyzes the jokes that explore the contradictions in the Baptist religion he was brought up in, the jokes that told him what his parents would not tell him about sex, and the racist jokes that his uncle loved, his father hated, and his mother, caught in the middle, was ambivalent about. This book is both a memoir and a meditation on jokes and how they educated, delighted, and occasionally horrified him as he grew.

When Peter Scholey did his National Service, he not only enjoyed it, he found his vocation. After joining the regular army he served three tours of duty then volunteered for the SAS. Here, he tells of the triumphs and the terrors he experienced. Originally published: 1999.

An electrifying collection of poems from the author of The Sellout, winner of the 2016 Man Booker Prize Originally published in 1994, Paul Beatty’s second volume of poetry won praise for the way it “pushes the boundaries of free verse while assessing the landscapes of African American autobiography” (Bomb Magazine). In these poems, which explore aspects of race, identity, and popular culture, Beatty was honing the comic, satirical voice and vivid imagination that came to full realization in his acclaimed fiction. Joker, Joker, Deuce “moves to fierce urban rhythms, both cool and hot,” writes Jessica Hagedorn. “A rush of intense visual images and electric word music.”

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

After graduating from Princeton, Donovan Campbell wanted to give back to his country, engage in the world, and learn to lead. So he joined the service, becoming a commander of a forty-man infantry platoon called Joker One. Campbell had just months to train and transform a ragtag group of brand-new Marines into a first-rate cohesive fighting unit, men who would become his family. They were assigned to Ramadi, the capital of the Sunni-dominated Anbar province that was an explosion just waiting to happen. And when it did happen—with the chilling cries of "Jihad, Jihad, Jihad!" echoing from minaret to minaret—Campbell and company were there to protect the innocent, battle the insurgents, and pick up the pieces. Thrillingly told by the man who led the unit of hard-pressed Marines, Joker One is a gripping tale of a leadership and loyalty.

A gang of bank robbers known as the Jokers has the authorities scratching their heads. The FBI believes the bank robbers consist of meta-humans—genetically engineered humans with superior abilities—because not only are they extremely elusive, but one of them outran a speeding car. Having experience with metas, Special Agents Gabi Longoria and Ian Armory are called in to catch them. Gabi and Ian quickly figure out the identity of three of the four robbers. The fourth member, who they believe is the gang’s mastermind, remains a secret. What’s worse, he is actively trying to kill Gabi. Everywhere she goes, she has to worry about him assassinating her. The clock is ticking as she and Ian desperately try to find the Joker - before he can find her...

A guide to the most memorable quotes by Gotham’s clown prince of crime, The Joker! As one of Gotham’s most notorious criminal masterminds and Batman’s archenemy, The Joker has shared lots of cracks and quips throughout his comic history. Now readers can enjoy the clown prince’s wisdom in this collectible tiny book. Part of an exciting new series of miniature comic book titles, this book compiles all of The Joker’s cleverest quotes and wittiest banter along with classic artwork in an appealing mini package.

In Joker Moon, the next Wild Cards adventure from series editor George R. R. Martin, we follow Aarti, the Moon Maid, who can astrally project herself onto the surface of the moon and paint projections across the lunarscape. Theodorus was a dreamer. As a child, he dreamt of airplanes, rockets, and outer space. When the wild card virus touched him and transformed him into a monstrous snail centaur weighing several tons, his boyhood dreams seemed out of reach, but a Witherspoon is not so easily defeated. Years and decades passed, and Theodorus grew to maturity and came into his fortune . . . but still his dream endured. But now when he looked upward into the night sky, he saw more than just the moon . . . he saw a joker homeland, a refuge where the outcast children of the wild card could make a place of their own, safe from hate and harm. An impossible dream, some said. Others, alarmed by the prospect, brought all their power to bear to oppose him. Theodorus persisted . . . . . . never dreaming that the Moon was already inhabited. And the Moon Maid did not want company. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.