Explores the character of the Joker and his significance as the quintessential villain.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

"Originally published as LEX LUTHOR: MAN OF STEEL #1-5 and JOKER."

"Based on the screenplay Monster Mayhem written by Heath Corson. Batman created by Bob Kane with Bill Finger."

Since he first fought Batman in 1940, The Joker has evolved into one of pop culture's most complex, chaotic, and confounding psychological creations. In The Joker Psychology, Dr. Travis Langley, author of the bestselling Batman and Psychology, explores the twisted psyche of this great supervillain, as well as the personalities who are inexorably drawn to it. Through 15 chapters, including special interviews with the people who have brought the Joker and Harley to life in comics and onscreen, this collection analyzes: Why a bright, laughing monster who looks like a clown could be the ultimate antagonist to a grim, brooding hero who looks like a monster. The relationship between a therapist and her patient--and what happens when a therapist crosses the line, as Harley Quinn does when she falls for The Joker. How a smart person could fall for the most dangerous of criminals. Why so many fans find Harley Quinn inspirational. How different kinds of therapy could (or could not) help twisted minds like Mister J and Harley Quinn. The development of a fictional character that so completely embodies psychopathy (including interviews with creators who have shaped The Joker's character over the years).

Who are the jokers? The jokers are the government, and the biggest joker of all is the governor, a bug-eyed, strutting, rapacious character of unequaled incompetence who presides over the nameless Middle Eastern city where this effervescent comedy by Albert Cossery is set. The jokers are also the revolutionaries, no less bumbling and no less infatuated with the trappings of power than the government they oppose. And the jokers are Karim, Omar, Heykal, Urfy, and their friends, free spirits who see the other jokers for the jokers they are and have cooked up a sophisticated and, most important, foolproof plan to enliven public life with a dash of subversive humor. The joke is on them all.

This edition includes a packet of Andrew Hudgins's favorite jokes, plus original commentary by the author. Since Andrew Hudgins was a child, he was a compulsive joke teller, so when he sat down to write about jokes, he found that he was writing about himself—what jokes taught him and mistaught him, how they often delighted him but occasionally made him nervous with their delight in chaos and sometimes anger. Because Hudgins’s father, a West Point graduate, served in the US Air Force, his family moved frequently; he learned to relate to other kids by telling jokes and watching how his classmates responded. And jokes opened him up to the serious, taboo subjects that his family didn’t talk about openly—religion, race, sex, and death. Hudgins tells and analyzes the jokes that explore the contradictions in the Baptist religion he was brought up in, the jokes that told him what his parents would not tell him about sex, and the racist jokes that his uncle loved, his father hated, and his mother, caught in the middle, was ambivalent about. This book is both a memoir and a meditation on jokes and how they educated, delighted, and occasionally horrified him as he grew.

In the Year of the Villain, what’s a Clown Prince of Crime to do when the world has started to accept doing bad as the only way to live? Out-bad everyone else, of course! The Joker is on a mission to get his mojo back and prove to the world that there is no greater villainy than the kind that leaves you laughing. This special one-shot is co-written by legendary film auteur John Carpenter (The Thing, Halloween) and Anthony Burch (the Borderlands video games), making for a Joker comic that’s twisted in ways you never imagined!

The terrifying Sampson family is ready to exact their revenge on the Clown Prince of Crime for the murder of one of their own during A-Day! Will Gordon risk his life to save…The Joker? The shocking series continues with the most horrifying issue yet! Backup: Punchline and Harper Row go head-to-head for the life and safety of Kelly Ness! If Harper loses, the radicalization of young people in Gotham City will know no limits!

Following the events of Infinite Frontier #1, The Joker is the most wanted man in the world! But the Clown Prince of Crime is several steps ahead of law enforcement-and he’s on the run overseas. James Gordon, facing retirement, realizes this is the manhunt of his life and the last piece of a storied career…but what mysterious and deadly forces are also in pursuit of The Joker? And in the backup story, following the events of the smash hit Punchline #1, DC’s most controversial new villain navigates the infrastructure of Blackgate Penitentiary-while on the outside, Harper Row takes up the mantle of Bluebird to stop her brother from falling under Punchline’s influence.