The Mysterious Universe is a science book by the British astrophysicist Sir James Jeans. It is an expanded version of the Rede Lecture delivered at the University of Cambridge in 1930, and begins with a full-page citation of the famous passage in Plato’s Republic, Book VII, laying out the allegory of the cave. It makes frequent reference to the quantum theory of radiation, begun by Max Planck in 1900, to Einstein’s general relativity, and to the new theories of quantum mechanics of Heisenberg and Schrödinger, of whose philosophical perplexities the author seemed well aware. This New Revised Edition was first published in 1932. A popular book to this day, and a valuable addition to any reader’s science book collection.

“A fascinating, comprehensive, and accessible exploration of life’s most fundamental questions. If you’re wondering who we are and why we’re here, this book is a great place to start.” —Mark Gober, award-winning author of An End to Upside Down Thinking and board member at the Institute of Noetic Sciences Is our physical universe actually a virtual simulation that is thought into existence by consciousness? Noted astrophysicist Bernard Haisch explores the frontiers of science, consciousness, and God, revolutionizing our understanding of the universe and what’s behind it all. Have you ever wondered why and how the world around you came to exist and whether there might be another experience awaiting you after the physical body dies? Might there actually be a God and a heaven of some sort? Without consciousness there is nothing. The hypothesis presented in this book is that our seemingly physical universe of matter and energy is a virtual simulation which is thought into existence by a universal consciousness which we call God. Authors Bernard Haisch and Marsha Sims tackle age-old metaphysical questions such as the following: Are near-death experiences real? What is the zero-point field? What kind of being could God be? Is there some place that God could have come from? How does the Big Bang figure into this? It there an afterlife, and what could it be like? What is the purpose of life? Is consciousness all there is? Is the universe a virtual reality? Why is hell impossible?

FFaith Physics is a new Theory of Everything (ToE) combining ancient spiritual wisdom and modern quantum physics findings to deliver a belief system that is both intellectually sound and spiritually satisfying. It maintains an ineffable Supreme Consciousness is the catalyst of all material creation as a ‘great thought’ through pure white light in zero-point morphogenetic quantum fields. Faith Physics claims that consciousness is the cornerstone of base reality existing in a timeless state of now. By using the natural cause-and-effect laws of classical physics, the uncertainty principle of quantum mechanics, and dark matter/energy, Faith Physics posits pure consciousness manifests physical creation in a remarkable myriad of forms. In the wave/particle duality paradigm revealed by quantum mechanics, conscious observation transforms light energy into particulate physical matter as condensed or frozen light in accordance with Albert Einstein’s famous E=mc2 equation. Faith Physics teaches us we exist and thrive in a unified participatory universe emanating from an eternal Supreme Consciousness source, and we are not just a product of random-chance evolution. In the 21st century, religion and science are reaching an enlightened consensus that pure metaphysical consciousness is perpetually painting a picture on the space-time continuum canvas depicting a miraculous cycle of physical creation, entropy, and cosmic rebirth.

Our experience of a unified sense of the self is underwritten by a multiplicity of self-aspects having very different metaphysical commitments. Our experience of unity is provided by a process-which, under certain clinical conditions, is rendered inoperative-that enables a person to experience mental states as personally owned.

A distinguished mathematician traces the history of science, illustrating philosophy's ongoing role, explaining technology's erosion of the rapport between the two fields, and offering suggestions for their reunion. 1962 edition.

"Has science made religion intellectually implausible? Does it rule out the existence of a personal God? In an age of science can we really believe that the universe has a "purpose"? And, finally, doesn't religion hold much of the blame for the present ecological crisis?" "These questions form the nucleus of today's debate between science and religion. This book is a guide for that debate, identifying the questions, isolating the issues and pointing to ways the questions can be resolved." "There are four possible ways, says John F. Haught, that we can view the relationship between religion and science. First, they can stand in complete opposition - the conflict position. Or, we can believe they are so different that conflict is impossible - the contrast position. A third approach holds that while science and religion are distinct, each has important implications for the other. A fourth way views them as different but mutually supportive."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

From the dawn of humankind, men and women have looked at change--as wrought by weather, the seasons, and, most strikingly, the inexorable advance of time--as something essentially to be feared. And partially from this fear the great religions and mythologies have arisen, systems which gave meaning to the ever-changing world, and, quite often, immortality to ourselves. By the late nineteenth century, the quest for ultimate meanings became largely the province of science, and today, change still figures (on the surface, at least) as a malevolent force: most of the cosmological theories formulated in recent years predict the ultimate extinction of the world by universal entropy. Bringing together the evidence and insights of biology and physics, of astronomy and cosmology, Louise Young offers a profoundly original and stirring vision of order, form, change, and the creative forces in the universe. Opposing the long-held beliefs of many scientists that the universe is running down and will eventually collapse upon itself, Young eloquently argues that the tendency toward increasing entropy is merely one aspect of a single process that is creating more complex, highly organized, and more efficient forms of matter all the time, and at every level--from the microscopic to the stellar. In vivid, compelling prose, Louise Young--an award-winning writer on science and a former physicist--takes us on an unforgettable tour of the world around us, showing how even the most ordinary aspects of life and the universe display a strangely beautiful symmetry. She clearly demonstrates that creation was not simply some big-bang eons ago, but rather is an ongoing process, one in which we are both witnesses and participants. Illustrating her findings with many remarkable photographs and fascinating examples ranging from geology to animal behavior, and from oceanography to genetics, Young gracefully canvasses the themes of growth, change creativity, and the mystery of the universe in a book that is as much poetry as it is science. Based on solid scientific knowledge, yet informed by a refreshingly philosophical sensibility, The Unfinished Universe is a book that will inspire anyone who has ever questioned their place and purpose in a world filled with uncertainty and change.