The Museum of the Old Colony is an ongoing conceptual art installation by visual artist Pablo Delano (b. 1954) that addresses the complex history of his native Puerto Rico after the Spanish-American War (1898), when the Caribbean archipelago was seized by the United States from Spain as a "possession." Appropriating archival photographs, film footage, and popular artifacts that Delano collects and "curates" for his performative museum, the installation provocatively critiques the stereotypes and entrenched misperceptions of Puerto Rico disseminated in mainstream media over a century. The work thus speaks to the relationship between U.S. imperial power and the island-nation, and to the lasting and devastating legacies of colonial rule. With dry wit and sardonic humor, The Museum of the Old Colony equally illuminates the power of images to inculcate cultural values and the authority of museums to confer meaning on the objects that such trusted institutions have acquired and displayed. This catalog is the companion volume to the latest iteration of Delano's installation, at James Madison University's Duke Hall Gallery of Fine Art. With essays by editor Laura Katzman and distinguished scholars Amanda J. Guzmán (Trinity College); Beth Hinderliter (James Madison University); Laura Roulet (independent curator); and César A. Salgado (University of Texas, Austin), the publication examines Delano's ever-evolving project from historical, anthropological, cultural, literary, and museological perspectives. This richly illustrated volume features a foreword by Marianne Ramírez Aponte (Museum of Contemporary Art, Puerto Rico) and an extensive interview with the artist by the editor.

Colonial government, Pilgrims, the New England town, Native land, the background of religious toleration, and the changing memory recalling the Pilgrims – all are examined and stereotypical assumptions overturned in 15 essays by the foremost authority on the Pilgrims and Plymouth Colony. Thorough research revises the story of colonists and of the people they displaced. Bangs’ book is required reading for the history of New England, Plymouth Colony, Massachusetts Natives, the Mennonite contribution to religious toleration in Europe and New England, and the history of commemoration, from paintings and pageants to living history and internet memes. If Pilgrims were radical, so is this book.

This study includes a revised model of the historical geography of Anatolia in the Old Assyrian Colony Period (c. 1969-1715 BC), that is based on topographical, archaeological, and written records. The book challenges traditional views of Anatolian geography by using arguments based on logistics, infrastructure, and the organization of trade to suggest a new interpretation focused on central markets, fluctuating prices, and interlocking regional systems of exchange. The historical implications of this revised geography for Old Assyrian and early Hittite history and Bronze Age archaeology are extensively discussed. The book contains translations and discussions of passages from hundreds of published and unpublished Old Assyrian texts and gives a comprehensive inventory of Anatolian toponyms, accompanied by numerous photographs and maps.

Art Forum’s Best of the Year List A panoramic look at art in America in the second half of the twentieth century, through the eyes of the visionary curator who helped shape it. An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol’s Campbell’s Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman’s edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington’s Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as "the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation)." He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book. With an introduction by legendary Pop artist Ed Ruscha, The Dream Colony is a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century.

The utterly absorbing real story of the lives of the Pilgrims, whose desires and foibles may be more recognizable to us than they first appear. Americans have been schooled to believe that their forefathers, the Pilgrims, were somber, dark-clad, pure-of-heart figures who conceived their country on the foundation of piety, hard work, and the desire to live simply and honestly. But the truth is far from the portrait painted by decades of historians. They wore brightly colored clothing, often drank heavily, believed in witches, had premarital sex and adulterous affairs, and committed petty and serious crimes against their neighbors in surprisingly high numbers. Beginning by debunking the numerous myths that surround the landing of the Mayflower and the first Thanksgiving, James Deetz and Patricia Scott Deetz lead us through court transcripts, wills, probate listings, and rare firsthand accounts, as well as archaeological finds, to reveal the true story of life in colonial America.

An engaging guide to over 150 art museums and more throughout New England

Located in the heart of southeastern Massachusetts, Taunton has witnessed the full scope of American history for more than three and a half centuries. IN this engaging book, William F. Hanna vividly describes the life of the city and its people from the time of settlement in the 1630s down to our own day. Although this is the first full-length treatment of Taunton's history in more than a century, within these pages are people who have never before appeared in any history of the city. For the first time, Taunton's rich ethnic history is explored, as is the vital role that the city's women have played throughout its past. A History of Taunton, Massachusetts presents more than three hundred years of local heroes, villains, and everday people, all with a story to tell.

Hartford Seen is the first modern-day art photography book focused exclusively on Connecticut's capital city. Born and raised in Puerto Rico, Pablo Delano relocated from Manhattan to Hartford in 1996 to teach photography at Trinity College. On his daily drive to work, he was struck continually by the city's visual beauty and complexity. He left the car and began to explore, using his camera as a means of gaining a deeper understanding of what he found. In this personal meditation on Harford's built environment, Delano implements a methodical but intuitive approach, scrutinizing the layers of history embedded in the city's fabric. He documents commercial establishments, industrial sites, places of worship, and homes with a painter's eye to color and composition. His vision tends to eschew the city's better-known landmarks in favor of vernacular structures that reflect the tastes and needs of the city's diverse population at the dawn of the 21st Century. Over the last 100 years Hartford may have transformed from one of America's wealthiest cities to one of its poorest, but as suggested by Hartford Seen, today it nevertheless enjoys extraordinary cultural offerings, small entrepreneurship, and a vibrant spiritual life. The city's historical palette consists mostly of the brownstone, redbrick, and gray granite shades common in New England's older cities. Yet Delano perceives that it is also saturated with the blazing hues favored by many of its newer citizens. With more than 150 full-color images,Hartford Seen vitally expands the repertoire of photographic studies of American cities and of their contemporary built environments.

New archeological discoveries may finally solve the greatest mystery of Colonial America in this history of Roanoke and Hatteras Islands. Established on what is now North Carolina’s Roanoke Island, the Roanoke Colony was intended to be England’s first permanent settlement in North America. But in 1590, the entire population disappeared without a trace. The only clue to their fate was the word “Croatoan” carved into a tree. For centuries, the legend of the Lost Colony has captivated imaginations. Now, archaeologists from the University of Bristol, working with the Croatoan Archaeological Society, have uncovered tantalizing clues to the fate of the colony. In The Lost Colony and Hatteras Island, Hatteras native and amateur archaeologist Scott Dawson compiles what scholars know about the Lost Colony along with what scholars have found beneath the soil of Hatteras.