The children on Earth see there’s something wrong with the moon, but it isn’t until they send Dr. Jon Jon to give the moon a checkup that we learn the truth. Dr. Jon Jon Saves the Moon gives us an important lesson: our planet is sick and we must work together to care for it. Since the beginning of time, kids have looked into the night sky and seen a glowing white moon and twinkling stars. But over time, they started to notice the moon had turned green! Dr. Jon Jon Saves the Moon is the story of what happens when we forget to take care of the world around us. The children of Earth send Dr. Jon Jon to give the moon a checkup and when he comes back, he has a message: the moon is a reflection of what we do to our precious planet and we must work together to care for our one and only home. Dr. Jon Jon Saves the Moon follows in the footsteps of Greta Thunberg and the many other young people fighting for the health of our planet. Join Dr. Jon Jon on a trip to the moon and back and get inspired to help save the world!

In writing the story of our adventures in the Moon I, Thomas Stubbins, secretary to John Dolittle, M.D. (and son of Jacob Stubbins, the cobbler of Puddleby-on-the-Marsh), find myself greatly puzzled. It is not an easy task, remembering day by day and hour by hour those crowded and exciting weeks. It is true I made many notes for the Doctor, books full of them. But that information was nearly all of a highly scientific kind. And I feel that I should tell the story here not for the scientist so much as for the general reader. And it is in that I am perplexed. For the story could be told in many ways. People are so different in what they want to know about a voyage. I had thought at one time Jip could help me; and after reading him some chapters as I had first set them down I asked for his opinion. I discovered he was mostly interested in whether we had seen any rats in the Moon. I found I could not tell him. I didn’t remember seeing any; and yet I am sure there must have been some—or some sort of creature like a rat. Then I asked Gub-Gub. And what he was chiefly concerned to hear was the kind of vegetables we had fed on. (Dab-Dab snorted at me for my pains and said I should have known better than to ask him.) I tried my mother. She wanted to know how we had managed when our underwear wore out—and a whole lot of other matters about our living conditions, hardly any of which I could answer. Next I went to Matthew Mugg. And the things he wanted to learn were worse than either my mother’s or Jip’s: Were there any shops in the Moon? What were the dogs and cats like? The good Cats’-meat-Man seemed to have imagined it a place not very different from Puddleby or the East End of London. No, trying to get at what most people wanted to read concerning the Moon did not bring me much profit. I couldn’t seem to tell them any of the things they were most anxious to know. It reminded me of the first time I had come to the Doctor’s house, hoping to be hired as his assistant, and dear old Polynesia the parrot had questioned me. “Are you a good noticer?” she had asked. I had always thought I was—pretty good anyhow. But now I felt I had been a very poor noticer. For it seemed I hadn’t noticed any of the things I should have done to make the story of our voyage interesting to the ordinary public. The trouble was of course attention. Human attention is like butter: you can only spread it so thin and no thinner. If you try to spread it over too many things at once you just don’t remember them. And certainly during all our waking hours upon the Moon there was so much for our ears and eyes and minds to take in it is a wonder, I often think, that any clear memories at all remain. The one who could have been of most help to me in writing my impressions of the Moon was Jamaro Bumblelily, the giant moth who carried us there. But as he was nowhere near me when I set to work upon this book I decided I had better not consider the particular wishes of Jip, Gub-Gub, my mother, Matthew or any one else, but set the story down in my own way. Clearly the tale must be in any case an imperfect, incomplete one. And the only thing to do is to go forward with it, step by step, to the best of my recollection, from where the great insect hovered, with our beating hearts pressed close against his broad back, over the near and glowing landscape of the Moon.

A lyrical and honest portrait of illness and the way it changes life and faith, from the award-winning author of Things Seen and Unseen. “A fabulous book—brilliant, tender soulful.” —Anne Lamott In the winter of 2009, Nora Gallagher was told she had an inflamed optic nerve, cause unknown, that if untreated would leave her blind. With this news, and the search for a diagnosis and treatment, her once busy and fast-moving life tunneled into a quieter country she calls Oz: unfamiliar, slower, deeply rooted in uncertainty and vulnerability. Moonlight Sonata at the Mayo Clinic, written as Gallagher was still recovering, is a moving meditation on serious illness, what helped her through and what didn’t, why a wall exists between the sick and the healthy, and what can take it down partway. It is also a testament of modern faith—accepting of both science and intellect—and a hard-won revelation of what lies at the heart of ordinary suffering.

The doctor who can talk to the animals makes some mind-blowing lunar discoveries in this spacefaring adventure from the Newbery Medal–winning author. On the back of a gigantic moth, John Dolittle and his companions travel through space from London to the moon. And they make an interesting landing party indeed. There’s the esteemed doctor and naturalist, his secretary Thomas Stubbins, Polynesia the parrot, and Chee-Chee the monkey. Though their purpose on the moon is mysterious, Doctor Dolittle has much to explore once they discover the lush forests beyond the barren desert landscape that greets them. Strangely no animal life makes itself known, but the doctor soon learns to communicate with the flowers! But it’s the footprints of an apparent giant that hold the greatest fascination for the intrepid explorers—and just might reveal the moon’s greatest mystery . . . “Any child who is not given the opportunity to make the acquaintance of this rotund, kindly and enthusiastic doctor/naturalist and all of his animal friends will miss out on something important.” —Jane Goodall “Each generation cries for the moon in turn and the very newest one will find in these pages not something to cry for but something to completely satisfy their fleeting fancy.” —The Spectator

Soon to be a major motion picture, from Brad Pitt and Tony Kushner A Washington Post Best Book of 2015 A mid-century doctor's raw, unvarnished account of his own descent into madness, and his daughter's attempt to piece his life back together and make sense of her own. Texas-born and Harvard-educated, Dr. Perry Baird was a rising medical star in the late 1920s and 1930s. Early in his career, ahead of his time, he grew fascinated with identifying the biochemical root of manic depression, just as he began to suffer from it himself. By the time the results of his groundbreaking experiments were published, Dr. Baird had been institutionalized multiple times, his medical license revoked, and his wife and daughters estranged. He later received a lobotomy and died from a consequent seizure, his research incomplete, his achievements unrecognized. Mimi Baird grew up never fully knowing this story, as her family went silent about the father who had been absent for most of her childhood. Decades later, a string of extraordinary coincidences led to the recovery of a manuscript which Dr. Baird had worked on throughout his brutal institutionalization, confinement, and escape. This remarkable document, reflecting periods of both manic exhilaration and clear-headed health, presents a startling portrait of a man who was a uniquely astute observer of his own condition, struggling with a disease for which there was no cure, racing against time to unlock the key to treatment before his illness became impossible to manage. Fifty years after being told her father would forever be “ill” and “away,” Mimi Baird set off on a quest to piece together the memoir and the man. In time her fingers became stained with the lead of the pencil he had used to write his manuscript, as she devoted herself to understanding who he was, why he disappeared, and what legacy she had inherited. The result of his extraordinary record and her journey to bring his name to light is He Wanted the Moon, an unforgettable testament to the reaches of the mind and the redeeming power of a determined heart.

In an all-new trilogy set in blissful Edilean, Virginia, Jude Deveraux weaves together the tales of three young women, best friends since college, and the lives, loves, and dreams that await them. Sparks are flying between Jecca Layton and Dr. Tristan Aldredge. At the urging of her dear friend Kim, Jecca put the ruthless New York City art world on hold to spend the summer pursuing her passion for painting while enjoying Edilean's tightly knit artistic community. For years, Kim's cousin Tris-the town's handsome and dedicated doctor-felt a deep connection to Kim's college "sister" Jecca, though they had met only once before; now, Jecca is swept off her feet by this strong, sensitive man in a summer of sensual delights. But when long shadows announce Jecca's return to "real life" and the big city, the lovers must decide: Can they survive the distance? And who will sacrifice the life they've created for themselves to be together?

Aphra Behn’s spectacular farce, Emperor of the Moon (1687), so engaged audiences that it was restaged well into the eighteenth century. Her play was largely adapted from Anne Mauduit de Fatouville’s Arlequin, Empereur dans la lune (1684), a commedia dell’arte production by the Comédie-Italienne troupe, a performance which also proved immensely popular with Parisian audiences. Within its witty and amusing three acts, Behn’s play explores a number of contemporary concerns — from commedia dell’arte, to gender and politics, to science and astronomy, including a plurality of worlds, for example — all culminating in the third act’s operatic spectacle. This volume offers a transcription of Behn’s 1687 play with extensive annotations, a critical discussion of Behn’s text, and the first English translation of Fatouville’s eight French and Italian scenes.

Koyou rolls up her sleeves to perform yet another revolutionary medical procedure -- an appendectomy. But even though she's armed with incredible knowledge and the tools to do it, Koyou is having a hard time convincing people to let her to cut someone open. With the life of a high-profile bureaucrat on the line, Keiun once again stakes his reputation and more on Koyou's skills. Will this first-time operation be a success for the young doctor? Or will it end in tragedy?

A brand new series of adventures for the Doctor and her TARDIS team! The Doctor and her friends find themselves in terrible danger in a psychic forest, and discover a threat as old as time itself, in the first of four linked adventures for Team TARDIS. Written in the form of a diary, with entries from Ryan, Graham and Yaz, and illustrated throughout, this new series is perfect for young fans of Doctor Who.