A brand new series of adventures for the Doctor and her TARDIS team! The Doctor and her friends find themselves in terrible danger in a psychic forest, and discover a threat as old as time itself, in the first of four linked adventures for Team TARDIS. Written in the form of a diary, with entries from Ryan, Graham and Yaz, and illustrated throughout, this new series is perfect for young fans of Doctor Who.

Soon to be a major motion picture, from Brad Pitt and Tony Kushner A Washington Post Best Book of 2015 A mid-century doctor's raw, unvarnished account of his own descent into madness, and his daughter's attempt to piece his life back together and make sense of her own. Texas-born and Harvard-educated, Dr. Perry Baird was a rising medical star in the late 1920s and 1930s. Early in his career, ahead of his time, he grew fascinated with identifying the biochemical root of manic depression, just as he began to suffer from it himself. By the time the results of his groundbreaking experiments were published, Dr. Baird had been institutionalized multiple times, his medical license revoked, and his wife and daughters estranged. He later received a lobotomy and died from a consequent seizure, his research incomplete, his achievements unrecognized. Mimi Baird grew up never fully knowing this story, as her family went silent about the father who had been absent for most of her childhood. Decades later, a string of extraordinary coincidences led to the recovery of a manuscript which Dr. Baird had worked on throughout his brutal institutionalization, confinement, and escape. This remarkable document, reflecting periods of both manic exhilaration and clear-headed health, presents a startling portrait of a man who was a uniquely astute observer of his own condition, struggling with a disease for which there was no cure, racing against time to unlock the key to treatment before his illness became impossible to manage. Fifty years after being told her father would forever be “ill” and “away,” Mimi Baird set off on a quest to piece together the memoir and the man. In time her fingers became stained with the lead of the pencil he had used to write his manuscript, as she devoted herself to understanding who he was, why he disappeared, and what legacy she had inherited. The result of his extraordinary record and her journey to bring his name to light is He Wanted the Moon, an unforgettable testament to the reaches of the mind and the redeeming power of a determined heart.

In writing the story of our adventures in the Moon I, Thomas Stubbins, secretary to John Dolittle, M.D. (and son of Jacob Stubbins, the cobbler of Puddleby-on-the-Marsh), find myself greatly puzzled. It is not an easy task, remembering day by day and hour by hour those crowded and exciting weeks. It is true I made many notes for the Doctor, books full of them. But that information was nearly all of a highly scientific kind. And I feel that I should tell the story here not for the scientist so much as for the general reader. And it is in that I am perplexed. For the story could be told in many ways. People are so different in what they want to know about a voyage. I had thought at one time Jip could help me; and after reading him some chapters as I had first set them down I asked for his opinion. I discovered he was mostly interested in whether we had seen any rats in the Moon. I found I could not tell him. I didn’t remember seeing any; and yet I am sure there must have been some—or some sort of creature like a rat. Then I asked Gub-Gub. And what he was chiefly concerned to hear was the kind of vegetables we had fed on. (Dab-Dab snorted at me for my pains and said I should have known better than to ask him.) I tried my mother. She wanted to know how we had managed when our underwear wore out—and a whole lot of other matters about our living conditions, hardly any of which I could answer. Next I went to Matthew Mugg. And the things he wanted to learn were worse than either my mother’s or Jip’s: Were there any shops in the Moon? What were the dogs and cats like? The good Cats’-meat-Man seemed to have imagined it a place not very different from Puddleby or the East End of London. No, trying to get at what most people wanted to read concerning the Moon did not bring me much profit. I couldn’t seem to tell them any of the things they were most anxious to know. It reminded me of the first time I had come to the Doctor’s house, hoping to be hired as his assistant, and dear old Polynesia the parrot had questioned me. “Are you a good noticer?” she had asked. I had always thought I was—pretty good anyhow. But now I felt I had been a very poor noticer. For it seemed I hadn’t noticed any of the things I should have done to make the story of our voyage interesting to the ordinary public. The trouble was of course attention. Human attention is like butter: you can only spread it so thin and no thinner. If you try to spread it over too many things at once you just don’t remember them. And certainly during all our waking hours upon the Moon there was so much for our ears and eyes and minds to take in it is a wonder, I often think, that any clear memories at all remain. The one who could have been of most help to me in writing my impressions of the Moon was Jamaro Bumblelily, the giant moth who carried us there. But as he was nowhere near me when I set to work upon this book I decided I had better not consider the particular wishes of Jip, Gub-Gub, my mother, Matthew or any one else, but set the story down in my own way. Clearly the tale must be in any case an imperfect, incomplete one. And the only thing to do is to go forward with it, step by step, to the best of my recollection, from where the great insect hovered, with our beating hearts pressed close against his broad back, over the near and glowing landscape of the Moon.

“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window With their dark sophistication and dry humor, Andrea Camilleri's classic crime novels continue to win more and more fans in America. The latest installment of the popular mystery series finds the moody Inspector Montalbano further beset by the existential questions that have been plaguing him of late. But he doesn't have much time to wax philosophical before the gruesome murder of a man-shot at point-blank range in the face with his pants down-commands his attention. Add two evasive, beautiful women as prime suspects, some dirty cocaine, mysterious computer codes, and a series of threatening letters, and things soon get very complicated at the police headquarters in Vigàta.

Following on from The Boy I Love, Marion Husband's highly acclaimed debut novel, Paper Moon explores the complexities of love and loyalty against a backdrop of a world transformed by war. 'Husband's novels are compelling page turners with hidden secrets and complex love lives that vividly convey the aftermath of dreadful conflicts.' The Northern Echo In 1938, Spitfire pilot Bobby Harris moves to London where he's picked up by Jason Hargreaves, a society photographer, and poses with model Nina Tate. The passionate love affair between Bobby and Nina lasts through the turmoil of World War Two but is tested when his plane is shot down. Disfigured and wanting to hide from the world, Bobby retreats from Bohemian Soho to the empty house his grandfather has left him, a house haunted by the secrets of Bobby's childhood, where the mysteries of his past are gradually unravelled and he discovers that love is more than skin deep. Just some of the amazing GOODREADS REVIEWS: 'Absolutely marvellous!!! I was enthralled.' 'Fantastic. I couldn't put the book down.' 'What a whirlwind this book is, so evocative of its time and compelling. It has an unexpected - and understated - intensity that quite bowled me over.'

Kate Quinn’s The Rose Code meets Mr. and Mrs. Smith in this intrigue-filled debut, as two former spies who shared more than just missions during WWII reunite in 1948 Los Angeles. Can they let go of heartbreak long enough to team up for one last operation in this tightly-plotted, emotionally rich postwar mystery? It’s 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war’s end brings with it an act of deep betrayal. Six years later, Evelyn is back home in Los Angeles, working as a private investigator. The war was supposed to change everything, yet Evelyn, contemplating marriage to her childhood sweetheart, feels stifled by convention. Then the suspected cheating husband she’s tailing is murdered, and suddenly Evelyn is back in Nick’s orbit again. Teaming up for a final mission, Evelyn and Nick begin to uncover the true nature of her case— and realize that the war has followed them home. For beyond the public horrors waged by nations there are countless secret, desperate acts that still reverberate on both continents, and threaten everything Evelyn holds dear...

Blue Moon is a horror novel in the Lovecraftian tradition. The novel tells the story of an investigator of the outre who fully knows what terrors lurk in the darkness. He, however, is amoral and uses individual people as tools for his own ends. The book focuses on a subtle plot and his attempts to defeat it.

Mr. and Mrs. Tibbetts pop into a pub for lunch but get served a murder case in this novel with “all the proper ingredients for a cozy whodunit” (The New York Times). What could be more delightful than a long-forgotten relative who dies and leaves you a tidbit in his will? How about if that tidbit is in fact a charming country pub, and that pub is now yours—lock, stock, and barrels of beer? Susan Gardiner is delighted, even when it becomes clear that the establishment has a lineup of regulars, not all of them as endearing as one might prefer. No, she doesn’t love all her new customers, but she certainly didn’t intend for one of them to be poisoned by a bad batch of mushrooms. The outlook is dire for both Susan and the Blue Moon . . . until Inspector Henry Tibbett steps in. He and Emmy just want a spot of lunch, but they are, as ever, willing to take on more than they had bargained for, in this compelling British mystery by the Agatha Award-winning “new queen of crime” (Daily Herald) . “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene

Love in a Blue Moon' is a story of five decades of friendship, two and half years of love, and a treasured book. Charan asks for 'love marriage' as a gift from his parents after cracking the board exams but loses hopes of love at a later stage. Surprisingly, when hHe meets Tulsi in a book store,and his interest in love marriages is rekindled. He stands by her in critical times as a good friend, and eventually, she is obsessed with him. One day, Tulsi comes to know of a bitter truth from Charan’s mother and starts avoiding him. Finally, in sheer surprise, he proposes to her and reveals every secret behind the whole story one by one. The union of long awaiting hearts at their wedding ceremony is the highlight of this story. The story touches upon the probable reasons for love failures in our society and the parents' outlook towards it. The story revolves around two young hearts, decades-old friendships, and a book that binds all the characters in this tale with some surprises and secrets.

#1 NEW YORK TIMES BESTSELLER • THE BLOCKBUSTER JACK REACHER SERIES THAT INSPIRED TWO MAJOR MOTION PICTURES AND THE STREAMING SERIES REACHER “Jack Reacher is today’s James Bond, a thriller hero we can’t get enough of.”—Ken Follett “This is a random universe,” Reacher says. “Once in a blue moon things turn out just right.” This isn’t one of those times. Reacher is on a Greyhound bus, minding his own business, with no particular place to go, and all the time in the world to get there. Then he steps off the bus to help an old man who is obviously just a victim waiting to happen. But you know what they say about good deeds. Now Reacher wants to make it right. An elderly couple have made a few well-meaning mistakes, and now they owe big money to some very bad people. One brazen move leads to another, and suddenly Reacher finds himself a wanted man in the middle of a brutal turf war between rival Ukrainian and Albanian gangs. Reacher has to stay one step ahead of the loan sharks, the thugs, and the assassins. He teams up with a fed-up waitress who knows a little more than she’s letting on, and sets out to take down the powerful and make the greedy pay. It’s a long shot. The odds are against him. But Reacher believes in a certain kind of justice . . . the kind that comes along once in a blue moon. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY EVENING STANDARD