The Mohegan Demon By: Cleve W. Lewis Alexis Goldstein and a few other kids from Yale University are in for a rude awakening when they find themselves studying a Native American Demon. Legend has it the demon is a man who was once a warrior and fought against the British, allying with the French in the 1700s, and ended up selling his soul to The Devil at his last breath for a very sacred reason. While studying this Demon, Alexis and her friends find out a lot about him and a lot of dark secrets about themselves surface. When they finally get to the woods where the Demon supposedly resides, all Hell breaks loose.

Ground of the Devil: Book Two By: Richard Rezendes Ground of the Devil: Book Two is the continuation of Ground of the Devil: Book One, beginning with its history and clean up, only to be surprised by one of the mother’s demons that terrorized Moodus and the Mohegan Sun Casino, a lizard-like creature with lots of tentacles, pincers, and a stinging tail like the mother. Other demons look like rats, dragons, crocodiles/alligators, lizards, hyenas, devil dogs, giant mosquitoes, bat birds, crawling worm siblings, demons looking like the mother, sea demons, whale shark giant sea monster devils, bigfoot monkey-looking demons. The devil's fourteen demons, some of them come from under the ground, traveling at a high rate of speed for its attack; some fly like prehistoric birds, and some live in the sea and spreads their venom. All fourteen demons have lobster-like claws and a scorpion stinger tail, and all of them are different but attack the same way as their mother. None of the demons spray fire like the mother, but they are all killing machines; however, they were put down by military force! A substance called “the pink blob slime jelly orange sand” was the devil's powerful venom, and all the demons have it. Some of the fourteen demons have siblings. The venom turns colors, and it's electrified and glows in the dark, looking like a moving jellyfish and terrorizing the globe with fear of the second coming of the devil.

DigiCat Publishing presents to you this special edition of "The Wolf Demon; or, The Queen of the Kanawha" by Albert W. Aiken. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A bold and original retelling of the story of race in America Why has a nation founded upon precepts of freedom and universal humanity continually produced, through its preoccupation with race, a divided and constrained populace? This question is the starting point for Scott Malcomson's riveting and deeply researched account, which amplifies history with memoir and reportage. From the beginning, Malcomson shows, a nation obsessed with invention began to create a new idea of race, investing it with unprecedented moral and social meaning. A succession of visionaries and opportunists, self-promoters and would-be reformers carried on the process, helping to define "black," "white," and "Indian" in opposition to one another, and in service to the aspirations and anxieties of each era. But the people who had to live within those definitions found them constraining. They sought to escape the limits of race imposed by escaping from other races or by controlling, confining, eliminating, or absorbing them, in a sad, absurd parade of events. Such efforts have never truly succeeded, yet their legacy haunts us, as we unhappily re-enact the drama of separatism in our schools, workplaces, and communities. By not only recounting the shared American tragicomedy of race but helping us to own, even to embrace it, this important book offers us a way at last to move beyond it.

An illuminating study of America's agricultural society during the Colonial, Revolutionary, and Founding eras In the eighteenth century, three‑quarters of Americans made their living from farms. This authoritative history explores the lives, cultures, and societies of America's farmers from colonial times through the founding of the nation. Noted historian Richard Bushman explains how all farmers sought to provision themselves while still actively engaged in trade, making both subsistence and commerce vital to farm economies of all sizes. The book describes the tragic effects on the native population of farmers' efforts to provide farms for their children and examines how climate created the divide between the free North and the slave South. Bushman also traces midcentury rural violence back to the century's population explosion. An engaging work of historical scholarship, the book draws on a wealth of diaries, letters, and other writings--including the farm papers of Thomas Jefferson and George Washington--to open a window on the men, women, and children who worked the land in early America.

Many know the name Uncas only from James Fenimore Cooper's The Last of the Mohicans, but the historical Uncas flourished as an important leader of the Mohegan people in seventeenth-century Connecticut. In Uncas: First of the Mohegans, Michael Leroy Oberg integrates the life story of an important Native American sachem into the broader story of European settlement in America. The arrival of the English in Connecticut in the 1630s upset the established balance among the region's native groups and brought rapid economic and social change. Oberg argues that Uncas's methodical and sustained strategies for adapting to these changes made him the most influential Native American leader in colonial New England. Emerging from the damage wrought by epidemic disease and English violence, Uncas transformed the Mohegans from a small community along the banks of the Thames River in Connecticut into a regional power in southern New England. Uncas learned quickly how to negotiate between cultures in the conflicts that developed as natives and newcomers, Indians and English, maneuvered for access to and control of frontier resources. With English assistance, Uncas survived numerous assaults and plots hatched by his native rivals. Unique among Indian leaders in early America, Uncas maintained his power over large numbers of tributary and other native communities in the region, lived a long life, and died a peaceful death (without converting to Christianity) in his people's traditional homeland. Oberg finds that although the colonists considered Uncas "a friend to the English," he was first and foremost an assertive guardian of Mohegan interests.

In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American—rather than specifically Native American—literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored. In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination. Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation. The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.

In a series of entertaining essays, geoscientist Jelle Zeilinga de Boer describes how early settlers discovered and exploited Connecticut's natural resources. Their successes as well as failures form the very basis of the state's history: Chatham's gold played a role in the acquisition of its Charter, and Middletown's lead helped the colony gain its freedom during the Revolution. Fertile soils in the Central Valley fueled the state's development into an agricultural power house, and iron ores discovered in the western highlands helped trigger its manufacturing eminence. The Statue of Liberty, a quintessential symbol of America, rests on Connecticut's Stony Creek granite. Geology not only shaped the state's physical landscape, but also provided an economic base and played a cultural role by inspiring folklore, paintings, and poems. Illuminated by 50 illustrations and 12 color plates, Stories in Stone describes the marvel of Connecticut's geologic diversity and also recounts the impact of past climates, earthquakes, and meteorites on the lives of the people who made Connecticut their home.