Written by a popular Estonian author, this book tells of how Satan returns to earth to live as a human, all in an effort to prove that humans are capable of salvation.

A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. Showcases critical historical work and up-to-date assessments of post-socialist film cultures Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary Places the cinemas of the region in a European and global context Resists the Cold War classification of Eastern European cinemas as “other” art cinemas by reconnecting them with the main circulation of film studies Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej ̄u3awski, and Karel Vachek amongst many others

This book sets out to provide a matrix for surveying the literary treatment of biblical tropes. It supplies an overview of the literary reception of the Bible from the earliest times right through to contemporary writers such as Jeanette Winterson and Colm Tóibín, traces the literary reception and treatment of the Book of Job; the figure of Uriah in the narrative of David and Bathsheba; the figure of Lilith; and Angels of Death and of Mercy. These are all handled as specimen histories. This is followed by an examination of the output of several specific early and later Twentieth-Century rewriters of the Bible. In the last chapters, three sets of other writers under particular headings ("the Great Disrupters" etc.) are grouped together with a view to finding common characteristics as well as unique features in their approach to biblical tropes and provide conclusions and suggestions for further research.

In the first edition of the Bancroft Prize-winning Entertaining Satan, John Putnam Demos presented an entirely new perspective on American witchcraft. By investigating the surviving historical documents of over a hundred actual witchcraft cases, he vividly recreated the world of New England during the witchcraft trials and brought to light fascinating information on the role of witchcraft in early American culture. Now Demos has revisited his original work and updated it to illustrate why these early Americans' strange views on witchcraft still matter to us today. He provides a new Preface that puts forth a broader overview of witchcraft and looks at its place around the world--from ancient times right up to the present.

Estonia is a country with surprising cultural diversity and a wealth of outdoor attractions.

Postcolonial studies is a well-established academic field, rich in theory, but it is based mostly on postcolonial experiences in former West European colonial empires. This book takes a different approach, considering postcolonial theory in relation to the former Soviet bloc. It both applies existing postcolonial theory to this different setting, and also uses the experiences of former Soviet bloc countries to refine and advance theory. Drawing on a wide range of sources, and presenting insights and material of relevance to scholars in a wide range of subjects, the book explores topics such as Soviet colonality as co-constituted with Soviet modernity, the affective structure of identity-creation in national and imperial subjects, and the way in which cultural imaginaries and everyday materialities were formative of Soviet everyday experience.

This collection of essays examines the unprecedented reach, magnitude and complexity of global challenges—political, economic, technological, social and environmental. It advocates fundamental changes in theory, research, public policy, and institutions, and advances new thinking on global leadership, human security, human-centered economics, and human rights. The book also proposes measures to break down the barriers between academic disciplines and between research and policy-making, and reconciles the objective facts of science with the subjective truths of the arts and human values. It replaces mechanistic analytic thinking with integrated knowledge, bridging the divide between abstract theory and the living complexity of social reality.

The Routledge Handbook of Translation, Feminism and Gender provides a comprehensive, state-of-the-art overview of feminism and gender awareness in translation and translation studies today. Bringing together work from more than 20 different countries – from Russia to Chile, Yemen, Turkey, China, India, Egypt and the Maghreb as well as the UK, Canada, the USA and Europe – this Handbook represents a transnational approach to this topic, which is in development in many parts of the world. With 41 chapters, this book presents, discusses, and critically examines many different aspects of gender in translation and its effects, both local and transnational. Providing overviews of key questions and case studies of work currently in progress, this Handbook is the essential reference and resource for students and researchers of translation, feminism, and gender.

The first in a series of books that have taken Europe by storm and are soon to be filmed, featuring a chemist-turned-sleuth who battles ignorance and superstition—as well as killers—in a beautiful setting and in a gripping and mysterious era of historyThe Apothecary Melchior series plunges the reader into 15th-century Tallinn when Estonia is at the edge of Christian lands and the last foothold before the East: a town of foreign merchants and engineers, dominated by the mighty castle of Toompea and the construction of St Olaf's Church, soon to become the tallest building in the world. Apothecary Melchior is a divisive figure in the town: respected for his arcane knowledge and scientific curiosity but also slightly feared for his mystical witch-doctor aura. When a mysterious murder occurs in the castle, Melchior is called in to help find the killer and reveals a talent for detection. But Tallinn has a serial killer in its midst, and Melchior is tested to the limit in a plot with as many twists and turns as the turreted castle itself. Melchior uncovers a mystery surrounding St Olaf's and a secret society that has been controlling the town for years, uncovering truths about the town that may spell danger.