This is a microhistory of 400 years of southern history told in the study of one place, Eyre Hall on the eastern shore of Chesapeake Bay.

Comprising nine original essays by specialists in material culture, book history, literary criticism and curatorial and archival studies, this co-edited volume addresses a wide range of Brontë’s writing—from vignettes composed during her teenage years (“The Tea Party” and “The Secret”) to completed novels (The Professor, Jane Eyre, Shirley and Villette) and unfinished works (“Ashworth” and “Emma”). In bringing to life the surprising array of embodied experiences that shaped Brontë’s creative practice (from writing to book-making, painting, and drawing), Charlotte Brontë, Embodiment and the Material World forges new connections between historical, material, and textual approaches to the author’s work.

Her secret cloaks her in isolation. His secret traps him in a life that is not his own. They will have to learn to trust one another in order to find freedom in this Regency romance. England, 1819—Cecily Faire carries the shame of her past wherever she treads, knowing one slip of the tongue could expose her disgrace. But soon after becoming a lady’s companion at Willowgrove Hall, Cecily finds herself face-to-face with a man well-acquainted with the past she’s desperately hidden for years. Nathaniel Stanton has a secret of his own—one that has haunted him for years and tied him to his father’s position as steward of Willowgrove Hall. To protect his family, Nathaniel dares not breathe a word of the truth. But as long as the shadow looms over him, he’ll never be free to find his own way in the world. He’ll never be free to fall in love. When the secrets swirling within Willowgrove Hall come to light, Cecily and Nathaniel must confront a painful choice: Will they continue running from the past . . . or will they stand together and fight for a future without the suffocating weight of secrets long kept? Praise for Sarah Ladd: “Fans of Regency romance will be instantly drawn in and happily lost within the pages.” —Kristy Cambron, bestselling author, regarding The Thief of Lanwyn Manor “Not only does Ladd prove again how effortlessly her pen can wield an authentic Regency portrait, she shines a spotlight on the limitations of women in an era where they were deprived of agency and instead were commodities in transactions of business and land. The thinking woman’s romance, The Thief of Lanwyn Manor is an unputdownable escape.” —Rachel McMillan “This blend of Jane Eyre, Jane Austen, and Jamaica Inn has it all. Intrigue. Danger. Poignant moments. And best of all a sweet, sweet love story.” —Michelle Griep, award-winning author, regarding The Governess of Penwythe Hall The third book in the Whispers on the Moor series but can be read in any order: Book one: The Heiress of Winterwood Book two: The Headmistress of Rosemere A sweet Regency romance Full-length novel at approximately 90,000 words Includes discussion questions for book clubs XXX

Initially published under the pseudonym Currer Bell in 1847, Charlotte Brontë's Jane Eyreerupted onto the English literary scene, immediately winning the devotion of many of the world's most renowned writers, including William Makepeace Thackeray, who declared it a work "of great genius." Widely regarded as a revolutionary novel, Brontë's masterpiece introduced the world to a radical new type of heroine, one whose defiant virtue and moral courage departed sharply from the more acquiescent and malleable female characters of the day. Passionate, dramatic, and surprisingly modern, Jane Eyre endures as one of the world's most beloved novels.

The first book to explore their history, legacy, and influence This is a book about the Kids in the Hall „ the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall „ told by the people who were there, namely the Kids themselves. John SemleyÍs thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the KidsÍ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a criticÍs eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly. The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, theyÍre always better when theyÍre together. This is a book about friendship, collaboration, and comedy „ and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.

In 1500, as many as 99 out of 100 English women may have been illiterate, and girls of all social backgrounds were the objects of purposeful efforts to restrict their access to full literacy. Three centuries later, more than half of all English and Anglo-American women could read, and the female reader was emerging as a cultural ideal and a market force. While scholars have written extensively about women's reading in the nineteenth and twentieth centuries and about women's writing in the early modern period, they have not attended sufficiently to the critical transformation that took place as female readers and their reading assumed significant cultural and economic power. Reading Women brings into conversation the latest scholarship by early modernists and early Americanists on the role of gender in the production and consumption of texts during this expansion of female readership. Drawing together historians and literary scholars, the essays share a concern with local specificity and material culture. Removing women from the historically inaccurate frame of exclusively solitary, silent reading, the authors collectively return their subjects to the activities that so often coincided with reading: shopping, sewing, talking, writing, performing, and collecting. With chapters on samplers, storytelling, testimony, and translation, the volume expands notions of reading and literacy, and it insists upon a rich and varied narrative that crosses disciplinary boundaries and national borders.

Presents an analysis of nineteenth-century English fiction, focusing on objects found in three Victorian novels, arguing that these items have meanings the modern reader does not understand, but were clear to the Victorian reader.

One of the BBC's '100 Novels That Shaped Our World' The groundbreaking story of a woman's valiant struggle for independence from her abusive husband Gilbert Markham is deeply intrigued by Helen Graham, a beautiful and secretive young woman who has moved into nearby Wildfell Hall with her young son. He is quick to offer Helen his friendship, but when her reclusive behaviour becomes the subject of local gossip and speculation, Gilbert begins to wonder whether his trust in her has been misplaced. It is only when she allows Gilbert to read her diary that the truth is revealed and the shocking details of the disastrous marriage she has left behind emerge. Told with great immediacy, combined with wit and irony, The Tenant of Wildfell Hall is a powerful depiction of a woman's fight for domestic independence and creative freedom. In her introduction Stevie Davies discusses The Tenant of Wildfell Hall as feminist testament, inspired by Anne Brontë's experiences as a governess and by the death of her brother Branwell Brontë, and examines the novel's language, biblical references and narrative styles. Edited with an introduction and notes by Stevie Davis