Comprising nine original essays by specialists in material culture, book history, literary criticism and curatorial and archival studies, this co-edited volume addresses a wide range of Brontë’s writing—from vignettes composed during her teenage years (“The Tea Party” and “The Secret”) to completed novels (The Professor, Jane Eyre, Shirley and Villette) and unfinished works (“Ashworth” and “Emma”). In bringing to life the surprising array of embodied experiences that shaped Brontë’s creative practice (from writing to book-making, painting, and drawing), Charlotte Brontë, Embodiment and the Material World forges new connections between historical, material, and textual approaches to the author’s work.

Comprising nine original essays by specialists in material culture, book history, literary criticism and curatorial and archival studies, this co-edited volume addresses a wide range of Brontë’s writing—from vignettes composed during her teenage years (“The Tea Party” and “The Secret”) to completed novels (The Professor, Jane Eyre, Shirley and Villette) and unfinished works (“Ashworth” and “Emma”). In bringing to life the surprising array of embodied experiences that shaped Brontë’s creative practice (from writing to book-making, painting, and drawing), Charlotte Brontë, Embodiment and the Material World forges new connections between historical, material, and textual approaches to the author’s work.

This is the first collection to investigate Charles Dickens on his vast and various opinions about the uses and abuses of the tenets of Christian faith that imbue English Victorian culture. Although previous studies have looked at his well-known antipathies toward Dissenters, Evangelicals, Catholics, and Jews, they have also disagreed about Dickens’ thoughts on Unitarianism and speculated on doctrines of Protestantism that he endorsed or rejected. Besides addressing his depiction of these religious groups, the volume’s contributors locate gaps in scholarship and unresolved illations about poverty and charity, representations of children, graveyards, labor, scientific controversy, and other social issues through an investigation of Dickens’ theological concerns. In addition, given that Dickens’ texts continue to influence every generation around the globe, a timely inclusion in the collection is a consideration of the neo-Victorian multi-media representations of Dickens’ work and his ideas on theological questions pitched to a postmodern society.

"In these elegant engagements with literary works, cultural history, and critical theory, Cohen advances a phenomenological approach to embodiment, proposing that we encounter the world not through our minds or souls but through our senses."--BOOK JACKET.

Industrialization in the eighteenth and nineteenth centuries inspired deep fears and divisions throughout England. The era's emergent factory system disrupted traditional patterns and familiar ways of life. Male laborers feared the loss of meaningful work and status within their communities and families. Condemning these transformations, Britain's male writers looked longingly to an idealized past. Its women writers, however, were not so pessimistic about the future. As Susan Zlotnick argues in Women, Writing, and the Industrial Revolution, women writers foresaw in the industrial revolution the prospect of real improvements. Zlotnick also examines the poetry and fiction produced by working-class men and women. She includes texts written by the Chartists, the largest laboring-class movement in the early nineteenth century, as well as those of the dialect tradition, the popular, commercial literature of the industrial working class after mid-century.

Contains articles which focus on a broad spectrum of significant figures in fiction, philosophy, and criticism such as Austen, Carlyle, Dickens,Thackeray, the Brontes, Tennyson, Browning, Arnold, Emerson, Hawthorne, Thoreau, Whitman, Twain, and Henry James.

Crammed with information, The Brontës in Context shows how the Brontës' fiction interacts with the spirit of the time.

A highly original account of how literature and neuroscience interact to explain the relationship between the mind, body, and brain

The 'World's Greatest Classics in One Volume' encompasses an unparalleled assembly of literary geniuses, spanning from ancient to modern times. This anthology curates a mosaic of narratives, philosophies, and poetic expressions that have shaped and reflected societies through centuries. The collection boasts a tapestry of literary styles, from the tragic to the comedic, the epic to the intimate, enveloping the reader in a journey through the human condition as seen by the likes of Shakespeare, Austen, Dostoyevsky, and Whitman, among others. It highlights the diversity and significance of these works, threading together the universal themes of love, conflict, ambition, and identity across different cultures and epochs, offering a kaleidoscope of human experience. The contributors to this volume are not only titans in the literary world but also pivotal figures who have contributed significantly to various intellectual movements, from the Enlightenment to Romanticism, and Modernism to the Harlem Renaissance. Their backgrounds are as diverse as their writing, spanning continents and centuries, reflecting a rich tapestry of global history and thought. The anthology serves as a confluence where the East meets the West, tradition confronts modernity, and narrative innovation interlaces with timeless truths, providing a pluralistic platform that celebrates the breadth of human creativity. 'Readers are invited to delve into the 'World's Greatest Classics in One Volume' not just as a means of literary exploration but as an enriching journey through the annals of human thought and expression. This collection is perfect for those seeking to immerse themselves in the cornerstone texts of global literature, offering a unique opportunity to engage with the minds that have perennially inspired, disturbed, and transformed the world. For students, educators, and lifelong learners, this anthology promises a comprehensive and insightful compendium that fosters appreciation, critical reflection, and an enduring dialogue between the past and present.