The industrial revolution in nineteenth-century England disrupted traditional ways of life. Condemning these transformations, the male writers who explored the brave new world of Victorian industrialism looked longingly to an idealized past. However, British women writers were not so pessimistic and some even foresaw the prospect of real improvement. As Susan Zlotnick argues in Women, Writing, and the Industrial Revolution, novelists Elizabeth Gaskell, Charlotte Brontë, Frances Trollope, and Charlotte Elizabeth Tonna were more willing to embrace industrialism than their male counterparts. While these women's responses to early industrialism differed widely, they imagined the industrial revolution and the modernity it heralded in ways unique to their gender. Zlotnick extends her analysis of the literature of the industrial revolution to the poetry and prose produced by working-class men and women. She examines the works of Chartist poets, dialect writers, and two "factory girl" poets who wrote about their experiences in the mills.

Industrialization in the eighteenth and nineteenth centuries inspired deep fears and divisions throughout England. The era's emergent factory system disrupted traditional patterns and familiar ways of life. Male laborers feared the loss of meaningful work and status within their communities and families. Condemning these transformations, Britain's male writers looked longingly to an idealized past. Its women writers, however, were not so pessimistic about the future. As Susan Zlotnick argues in Women, Writing, and the Industrial Revolution, women writers foresaw in the industrial revolution the prospect of real improvements. Zlotnick also examines the poetry and fiction produced by working-class men and women. She includes texts written by the Chartists, the largest laboring-class movement in the early nineteenth century, as well as those of the dialect tradition, the popular, commercial literature of the industrial working class after mid-century.

The Industrial Revolution of the 18th and 19th centuries saw a period of technological, historical, and even social advancements. Men like James Hargreaves and Eli Whitney worked to make life easier for the working class, inventing machines like the spinning jenny and the cotton gin. But men weren’t the only luminaries of the Industrial Revolution: women of all ages from the joined in the revolution to further advance society. Margaret Elizabeth Knight brought paper bags to the world, and Elizabeth Magie’s interest in politics and economics gave us the much beloved game of Monopoly. And what would we do without Tabitha Babbitt’s circular saw or Josephine Cochran’s dishwasher? In today’s modern world, we often take important inventions like these for granted, but with their female inventors, we’d be living vastly different lives. A part of the Hidden in History series, “The Untold Stories of Women During the Industrial Revolution” shares the stories of women who should be remembered for their remarkable talents, ingenious inventions, and hard work, but have been previously overshadowed and forgotten to history.

Have you ever wondered what life was like for individuals and families in the Industrial Revolution? Learn about what their days consisted of, what they ate and wore, and more! Primary sources with accompanying questions, multiple prompts, A Day in the Life section, index, and glossary also included. Aligned to Common Core Standards and correlated to state standards. Core Library is an imprint of Abdo Publishing, a division of ABDO.

“Emma Griffin gives a new and powerful voice to the men and women whose blood and sweat greased the wheels of the Industrial Revolution” (Tim Hitchcock, author of Down and Out in Eighteenth-Century London). This “provocative study” looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class (The New Yorker). The era didn’t just bring about misery and poverty. On the contrary, Emma Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom. This rich personal account focuses on the social impact of the Industrial Revolution, rather than its economic and political histories. In the tradition of bestselling books by Liza Picard, Judith Flanders, and Jerry White, Griffin gets under the skin of the period and creates a cast of colorful characters, including factory workers, miners, shoemakers, carpenters, servants, and farm laborers. “Through the ‘messy tales’ of more than 350 working-class lives, Emma Griffin arrives at an upbeat interpretation of the Industrial Revolution most of us would hardly recognize. It is quite enthralling.” —The Oldie magazine “A triumph, achieved in fewer than 250 gracefully written pages. They persuasively purvey Griffin’s historical conviction. She is intimate with her audience, wooing it and teasing it along the way.” —The Times Literary Supplement “An admirably intimate and expansive revisionist history.” —Publishers Weekly

Women, Work and Family is a classic of women's history and is still the only text on the history of women's work in England and France, providing an excellent introduction to the changing status of women from 1750 to the present.

This book provides a clear historical and theoretical framework for reading three important novels published in Britain in the second half of the nineteenth century. Examining the novels by Charlotte Brontë, Charles Dickens and Elizabeth Gaskell, the book offers an analysis of their strategies for radical reforms and for the restructuring of society and politics through improvements in the living and working conditions of the working class. The Industrial Novels begins with an introduction of the Industrial Revolution, which is then followed by chapters devoted to a detailed discussion of each novel. Through this, the book explores the negative social, political and economic effects of industrialization and urbanization, as reflected in Charlotte Brontë’s Shirley (1849), Charles Dickens’ Hard Times (1854), and Elizabeth Gaskell’s North and South (1855). As such, the book will be of interest to academics and students in the fields of both literature and sociology.

Working Women, Literary Ladies explores the simultaneous entry of working-class women in the United States into wage-earning factory labor and into opportunities for mental and literary development. It is the first book to examine the fascinating exchange between the work and literary spheres for laboring women in the rapidly industrializing America of the nineteenth and early twentieth centuries. As women entered the public sphere as workers, their opportunities for intellectual growth expanded, even as those same opportunities were often tightly circumscribed by the factory owners who were providing them. These developments, both institutional and personal, opened up a range of new possibilities for working-class women that profoundly affected women of all classes and the larger social fabric. Cook examines the extraordinary and diverse literary productions of these working women, ranging from their first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of female factory life, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker. This vital new book traces the hopes and tensions generated by the expectations of working-class women as they created a wholly new way of being alive in the world.

World-renowned economist Klaus Schwab, Founder and Executive Chairman of the World Economic Forum, explains that we have an opportunity to shape the fourth industrial revolu­tion, which will fundamentally alter how we live and work. Schwab argues that this revolution is different in scale, scope and complexity from any that have come before. Characterized by a range of new technologies that are fusing the physical, digital and biological worlds, the developments are affecting all disciplines, economies, industries and governments, and even challenging ideas about what it means to be human. Artificial intelligence is already all around us, from supercomputers, drones and virtual assistants to 3D printing, DNA sequencing, smart thermostats, wear­able sensors and microchips smaller than a grain of sand. But this is just the beginning: nanomaterials 200 times stronger than steel and a million times thinner than a strand of hair and the first transplant of a 3D printed liver are already in development. Imagine “smart factories” in which global systems of manu­facturing are coordinated virtually, or implantable mobile phones made of biosynthetic materials. The fourth industrial revolution, says Schwab, is more significant, and its ramifications more profound, than in any prior period of human history. He outlines the key technologies driving this revolution and discusses the major impacts expected on government, business, civil society and individu­als. Schwab also offers bold ideas on how to harness these changes and shape a better future—one in which technology empowers people rather than replaces them; progress serves society rather than disrupts it; and in which innovators respect moral and ethical boundaries rather than cross them. We all have the opportunity to contribute to developing new frame­works that advance progress.

A major study of the role of women in the labour market of Industrial Revolution Britain. It is well known that men and women usually worked in different occupations, and that women earned lower wages than men. These differences are usually attributed to custom but Joyce Burnette here demonstrates instead that gender differences in occupations and wages were instead largely driven by market forces. Her findings reveal that rather than harming women competition actually helped them by eroding the power that male workers needed to restrict female employment and minimising the gender wage gap by sorting women into the least strength-intensive occupations. Where the strength requirements of an occupation made women less productive than men, occupational segregation maximised both economic efficiency and female incomes. She shows that women's wages were then market wages rather than customary and the gender wage gap resulted from actual differences in productivity.