A moving biography of Kenneth Grahame, author of the children’s classic The Wind in the Willows, and of the vision of English pastoral life that inspired it. During his regular days in London, Kenneth Grahame sat behind a mahogany desk as Secretary of the Bank of England; on weekends he retired to the house in the country that he shared with his fanciful wife, Elspeth, and their fragile son, Alistair, and took lengthy walks along the Thames in Berkshire, "tempted by the treasures of hedge and ditch; the rapt surprise of the first lords-and-ladies, the rustle of a field-mouse, the splash of a frog." The result of these pastoral wanderings was his masterful creation of The Wind in the Willows, the enduring classic of children's literature; a cautionary tale for adult readers; a warning of the fragility of the English countryside; and an expression of fear at threatened social changes that, in the aftermath of the World War I, became a reality. Like its remarkable author, the book balances maverick tendencies with conservatism. Kenneth Grahame was an Edwardian pantheist whose work has a timeless appeal, an escapist whose withdrawal from reality took the form of time travel into his own past.

Mole, Ratty, Toad, and Badger are back for more rollicking adventures in this sequel to The Wind in the Willows. With lavish illustrations by Clint Young, Jacqueline Kelly masterfully evokes the magic of Kenneth Grahame's beloved children's classic and brings it to life for a whole new generation. A riveting tale of bravery, bravado, and hot-air ballooning!

This musical is constantly in demand for groups anxious to produce the better type of imaginative plays for young people. The play expresses perfectly the mood of the Grahame book, which is a combination of poetry, fantasy and exquisite comedy. The romance of early childhood is celebrated in this adaptation. Scripts includes full stage directions, notes on scenery, illustrations of sets, costume, property and lighting plots.

"The Willows" is a novella by English author Algernon Blackwood, originally published as part of his 1907 collection The Listener and Other Stories. It is one of Blackwood's best known works and has been influential on a number of later writers. Horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature.[1] "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

A dazzling new biography of Vita Sackville-West, the 20th century aristocrat, literary celebrity, devoted wife, famous lover of Virginia Woolf, recluse, and iconoclast who defied categorization. In this stunning new biography of Vita Sackville-West, Matthew Dennison's Behind the Mask traces the triumph and contradictions of Vita's extraordinary life. His narrative charts a fascinating course from Vita's lonely childhood at Knole, through her affectionate but ‘open' marriage to Harold Nicolson (during which both husband and wife energetically pursued homosexual affairs, Vita most famously with Virginia Woolf), and through Vita's literary successes and disappointments, to the famous gardens the couple created at Sissinghurst. The book tells how, from her privileged world of the aristocracy, Sackville-West brought her penchant for costume, play-acting and rebellion to the artistic vanguard of modern Britain. Dennison is the acclaimed author of many books including a biography of Queen Victoria. Here, in the first biography to be written of Vita for thirty years, he reveals the whole story and gets behind ‘the beautiful mask' of Vita's public achievements to reveal an often troubled persona which heroically resisted compromise on every level. Drawing on wideranging sources and the extensive letters that sustained her marriage, this is a compelling story of love, loss and jealousy, of high-life and low points, of binding affection and illicit passion – a portrait of an extraordinary, 20th-century life.

The Wind in the Willows has its origins in the bedtime stories that Kenneth Grahame told to his son Alastair and then continued in letters (now held in the Bodleian Library) while he was on holiday. But the book developed into something much more sophisticated than this, as Peter Hunt shows. He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger and Toad, and explores the literary genres of boating, caravanning and motoring books on which the author drew. He also recounts the extraordinary correspondence surrounding the book's first publication and the influence of two determined women - Elspeth Grahame and publisher's agent Constance Smedley - who helped turn the book into the classic for children we know and love today, when it was almost entirely intended for adults.Generously illustrated with original drawings, fan letters (including one from President Roosevelt) and archival material, this book explores the mysteries surrounding one of the most successful works of children's literature ever published.

The Wind in the Willows is a classic of children's literature, first published in 1908. Alternately slow moving and fast paced, it focuses on four anthropomorphised animal characters in a pastoral version of England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the Thames valley.

How much can someone forget about a tragedy which occurred during childhood and how much haunts you for the rest of your life, as a heavy and dark shadow attached to your skin, to each breath of your exhalation, along the walked path? This is what Simon pretends to discover when he returns to the place where he spent his childhood, of which he keeps almost any memory. The old family manor called "The Home of the Willows" will open a door that, once opened, it cannot be closed again. The door of his lost memory. A door that should have been locked forever. He will discover a world of light and of darkness that cohabits with ours. A world plagued with wonderful creatures, but also with terrible beings that feed from the weakness of some human beings who can be much more horrifying than any monster living in a child ́s most gloomy nightmares.