"What would it have been like to be a sixteen-year-old girl in 1925, unmarried and pregnant? In those days, society was cruel to a young woman in this situation. Family members often turned their backs out of embarrassment. The young woman was disgraced and ostracized. The child born out of wedlock was tarnished for life unless secretly adopted. Options were few. Abortion was illegal, expensive, and extremely risky, ignoring any moral issues. Scared and ashamed, many girls were sent to "visit" family in another city or states until the problem went away. A well-kept secret from society, over 100,000 of these young women were sent to Kansas City, Missouri. They traveled, mostly by train, to facilities like The Willows Maternity Sanitarium to hide their dilemma. The Willows was one of the largest homes in America for unwed, pregnant girls to live in seclusion. Months later they would return home empty handed to carry on as though nothing ever happened. They physical pain and trauma were over but the emotional wounds were never healed or forgotten. This is the incredible, true story of The Willows Maternity Sanitarium, the Haworth family who were savvy business owners yet deeply compassionate to these unfortunate girls, and the voices of several whose lives were touched by The Willows."--back cover.

How much can someone forget about a tragedy which occurred during childhood and how much haunts you for the rest of your life, as a heavy and dark shadow attached to your skin, to each breath of your exhalation, along the walked path? This is what Simon pretends to discover when he returns to the place where he spent his childhood, of which he keeps almost any memory. The old family manor called "The Home of the Willows" will open a door that, once opened, it cannot be closed again. The door of his lost memory. A door that should have been locked forever. He will discover a world of light and of darkness that cohabits with ours. A world plagued with wonderful creatures, but also with terrible beings that feed from the weakness of some human beings who can be much more horrifying than any monster living in a child ́s most gloomy nightmares.

Mole, Ratty, Toad, and Badger are back for more rollicking adventures in this sequel to The Wind in the Willows. With lavish illustrations by Clint Young, Jacqueline Kelly masterfully evokes the magic of Kenneth Grahame's beloved children's classic and brings it to life for a whole new generation. A riveting tale of bravery, bravado, and hot-air ballooning!

To prevent the selling of their ancestral home, Martha and Tad use the power of a magical ring to travel back in time.

"The Willows" is a novella by English author Algernon Blackwood, originally published as part of his 1907 collection The Listener and Other Stories. It is one of Blackwood's best known works and has been influential on a number of later writers. Horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature.[1] "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

The Wind in the Willows has its origins in the bedtime stories that Kenneth Grahame told to his son Alastair and then continued in letters (now held in the Bodleian Library) while he was on holiday. But the book developed into something much more sophisticated than this, as Peter Hunt shows. He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger and Toad, and explores the literary genres of boating, caravanning and motoring books on which the author drew. He also recounts the extraordinary correspondence surrounding the book's first publication and the influence of two determined women - Elspeth Grahame and publisher's agent Constance Smedley - who helped turn the book into the classic for children we know and love today, when it was almost entirely intended for adults.Generously illustrated with original drawings, fan letters (including one from President Roosevelt) and archival material, this book explores the mysteries surrounding one of the most successful works of children's literature ever published.

Birddog Harlin is a willful and bitter woman whose husband leaves suddenly one morning. She is left with her sad and angry daughter. Birddog, feeling the detachment from her only child, recalls her own difficult past filled with the hurt of death, abandonment and loneliness. Painful memories flood her mind, forcing Birddog, who is teetering between self-destruction and redemption, to choose whether she will rise above her pain or whether she will fall.

With the help of his good friend Rat, Mole returns to his old home and shares a wonderful Christmas celebration with former friends. Features all new full-color paintings by Hague.