Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology . . . and sometimes a dash of the occult. Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines. Praise for The Mammoth Book of Steampunk: 'World Fantasy Award-winning editor Wallace has compiled an outstanding anthology . . . sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading.' Publishers Weekly

An anthology focusing on newer elements of steampunk, one which deconstructs the staples of the genre and expands on them, rather than simply repeating them, with a greater spread both in terms of location and character. This is steampunk with a modern, post-colonial sensibility. Contributors include: Jeff VanderMeer, Caitlín Kiernan, Mary Robinette Kowal, Jay Lake, Cherie Priest, Cat Rambo, Catherynne M. Valente, Genevieve Valentine and many more.

Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."

A bumper collection of the most outrageous, but absolutely true, news stories.

Every short story in this wonderfully varied collection has one thing in common: each features some alteration in history, some divergence from historical reality, which results in a world very different from the one we know today. As well as original stories specially commissioned from bestselling writers such as James Morrow, Stephen Baxter and Ken MacLeod, there are genre classics such as Kim Stanley Robinson's story of how World War II atomic bomber the Enola Gay, having crashed on a training flight, is replaced by the Lucky Strike with profoundly different consequences. Praise for the editors: 'Mr Watson wreaks havoc with what is accepted - and acceptable.' The Times 'One of Britain's consistently finest science fiction writers.' New Scientist

War is becoming increasingly 'SF-ized' with remotely controlled attack drones and robot warriors already in development and being tested. Over the past 100 years the technology of war has advanced enormously in destructive power, yet also in sophistication so that we no longer seem to live under the constant threat of all-out global thermonuclear cataclysm. So what will future wars be like? And what will start them: religion, politics, resources, refugees, or advanced weaponry itself? Watson and Whates present a gripping anthology of SF stories which explores the gamut of possible future conflicts, including such themes as nuclear war, psychological and cyberwars, enhanced soldiery, mercenaries, terrorism, intelligent robotic war machines, and war with aliens. All the stories in this collection of remarkable quality and diversity reveals humankind pressed to the limits in every conceivable way. It includes 24 stories with highlights such as: The Pyre of the New Day' - Catherine Asaro. The Rhine's World Incident' - Neal Asher. Caught in the Crossfire' - David Drake. Politics' - Elizabeth Moon. The Traitor' - David Weber. And others from: Dan Abnett, Tony Ballantyne, Fredric Brown, Algis Budrys, Simon R. Green, Joe Haldeman, John Kessel, John Lambshead, Paul McAuley, Andy Remic, Laura Resnick, Mike Resnick & Brad R. Torgersen, Fred Saberhagen, Cordwainer Smith, Allen Steele, William Tenn, Walter Jon Williams, Michael Z. Williamson, Gene Wolfe.

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.

The mummy lives . . . As a figure of the supernatural the mummy has attained iconic status in the popular imagination. For the first time, The Mammoth Book of the Mummy presents a collection of tales written for the twenty-first century-including three brand-new stories-that explore, subvert, and reinvent the mummy mythos. Some delve into the past, others explore alternative histories, and some bring mummies into our own world. Within these covers lie stories of revenge, romance, monsters, and mayhem, ranging freely across time periods, genres, and styles sure to please both mummy-lovers and those less wrapped up in mummy lore!

From the editor of The Mammoth Book of Steampunk, this anthology of steam-powered short stories, dirigibles aloft, retro-tech wonders, and astounding adventure will set clockwork-loving hearts hammering with delight. Longtime steampunk fans: prepare to gleefully grab your goggles to read these remarkable stories! Newcomers: prepare to become fans of this popular genre involving both the past and present—entertainingly and provocatively re-thought, re-invented, and re-evaluated. With stories by K.W. Jeter, Caitlín R. Kiernan, Ken Liu, Cherie Priest, Carrie Vaughn, and many others. Full list of contributors: Christopher Barzak; Tobias Buckell; C. S. E. Cooney; Aliette de Bodard; Lisa L. Hannett; Samantha Henderson; K. W. Jeter; Caitlin R. Kiernan; Jay Lake; Ken Liu; Alex Dally MacFarlane; Tony Pi; Cherie Priest; Cat Rambo; Chris Roberson; Margaret Ronald; Sofia Samatar; Gord Sellar; Nisi Shawl; Benjanun Sriduangkaew; E. Caterine Tobler; Genevieve Valentine; Carrie Vaughn; AC Wise; Jonathan Wood. Praise for the author: The Mammoth Book of Steampunk, edited by Sean Wallace, focuses on newer elements of steampunk and proudly includes work by Mary Robinette Kowal, Jay Lake, Cat Rambo, Ekaterina Sedia, Catherynne M. Valente, Genevieve Valentine and more. Kirkus Reviews The Mammoth Book of Steampunk, edited by Sean Wallace, includes five original stories (and a large selection of good recent work). All the originals are worthy of attention. Locus World Fantasy Award-winning editor Wallace has compiled an outstanding anthology of thirty stories (including four originals) sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading. Publishers Weekly, starred review What I liked best about the majority of these short stories was that they’re true to steampunk; no real unusual deviations for those of you looking for goggles and corsets . . . Wired

This encyclopedia is the most up-to-date, concise, clear and affordable guide to all aspects of science fiction, from its background to generic themes and devices, from authors (established and new) to films. Science fiction has evolved into one of the most popular, cutting-edge and exciting fiction geners, with a proliferation of modern and classic authors, themes and ideas, movies, TV series and awards. Arranged in an A-Z format, and featuring a comprehensive index and cross-referencing system, The Mammoth Encyclopedia of Science Fiction is also the most accessible and easy to use encyclopedia of its kind currently available.