Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.

We now live in enlightened times that reassure us that, far from being a lower form of literature, pulp fiction is the term for what the best storytelling provides - pyrotechnic thrills, shocks galore and excitement by the bucketload! From cops, both straight and crooked, to ruthless bigshots, shady operators, femmes fatales and damsels in distress. Including gangsters, drifters, common crooks, shady attomeys to molls with a heart of gold, enjoy a rollercoaster ride through popular literature's best pulp writers. The MBO of Pulp Action includes the talents of Charles Willeford, Ed McBain, Bill Pronzini, Ed Gorman, Lawrence Block, John D. Macdonald, William Campbell Gault, Bruno Fischer, Mark Timlin, Joe R. Lansdale and many of the classic Black Mask magazine...

Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology . . . and sometimes a dash of the occult. Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines. Praise for The Mammoth Book of Steampunk: 'World Fantasy Award-winning editor Wallace has compiled an outstanding anthology . . . sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading.' Publishers Weekly

With "Nosferatu," or vampires, as a common theme, this collection of macabre stories gathers together the work of Harlan Ellison, Paul McAuley, Chelsea Quinn Yarbro, Peter Tremayne, Steve Rasnic Tern, Clive Barker, Brian Lumley, Neil Gaiman, and Kim Newman, among others. Original.

Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.

Mammoth Books: From history to manga, true crime to sci-fi, these anthologies feature top-name contributors and award-winning editors.

This encyclopedia is the most up-to-date, concise, clear and affordable guide to all aspects of science fiction, from its background to generic themes and devices, from authors (established and new) to films. Science fiction has evolved into one of the most popular, cutting-edge and exciting fiction geners, with a proliferation of modern and classic authors, themes and ideas, movies, TV series and awards. Arranged in an A-Z format, and featuring a comprehensive index and cross-referencing system, The Mammoth Encyclopedia of Science Fiction is also the most accessible and easy to use encyclopedia of its kind currently available.

A new and truly awesome collection of comic fantasy masterpieces! It isn't often you find a posse of Greek goddesses putting down insurrection among unruly classical mortals, stranded aliens escaping earth in a church converted into a rocket, or a light-fingered time-traveller attempting to steal the universe - but here they all are, in another selection of bizarre comic fantasies.

We think of Sherlock Holmes and Doctor Watson, but far more seductive is the pairing of Holmes and Professor James Moriarty, 'the Napoleon of crime' - a rivalry unparalleled in the world of crime fiction. Fiercely intelligent and a relentless schemer, Moriarty is the super-villain as megastar. This wonderfully diverse collection by writers such as Martin Edwards, Jürgen Ehlers, Barbara Nadel, L. C. Tyler, Michael Gregorio, Alison Joseph and Peter Guttridge reveals not just the evil side of Moriarty's personality, but his humanity, his motivations and his human failings. Some of the stories are humorous, some scary, but all are hugely entertaining.

Ten of the finest short science fiction novels of the 1940s are collected in this outsized volume.