Thirty-five short stories from the top names in British crime fiction, by the likes of Lee Child, Ian Rankin, Alexander McCall Smith, Jake Arnott, Val McDermid, and more.

This collection of criminal conundrums are more than whodunits, they're howdunits and are intended to stretch your powers of deduction to the limits.

A bumper collection of the most outrageous, but absolutely true, news stories.

Leading crime critic Maxim Jakubowski presents this year's must-have collection of British crime fiction. This latest volume of the acclaimed annual collection presents over 20 short stories of murder mystery, selected from the very cream of new British crime fiction. Contributors include Lee Child, Colin Dexter, Val McDermid, Mark Billingham, Len Deighton, John Harvey, and many more. This is an ideal present for anyone who has ever enjoyed a good murder-mystery. A page-turning compendium of British talent to capture the imagination of readers around the world.

Mammoth Books: From history to manga, true crime to sci-fi, these anthologies feature top-name contributors and award-winning editors.

The very best of over 30 gripping stories of British mystery and crime are packed into this tantalizing collection that's sure to keep you on the edge of your seat. This must-have anthology for the lover of all things mysterious contains thrilling works from beloved bestselling authors and exciting new up-and coming talents.

Here are 25 stories of science fiction that push the envelope, by the biggest names in an emerging new crop of high-tech futuristic SF - including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher. High-tech SF has made a significant comeback in the last decade, as bestselling authors successfully blend the super-science of 'hard science fiction' with real characters in an understandable scenario. It is perhaps a reflection of how technologically controlled our world is that readers increasingly look for science fiction that considers the fates of mankind as a result of increasing scientific domination. This anthology brings together the most extreme examples of the new high-tech, far-future science fiction, pushing the limits way beyond normal boundaries. The stories include: "A Perpetual War Fought Within a Cosmic String", "A Weapon That Could Destroy the Universe", "A Machine That Detects Alternate Worlds and Creates a Choice of Christs", "An Immortal Dead Man Sent To The End of the Universe", "Murder in Virtual Reality", "A Spaceship So Large That There is An Entire Planetary System Within It", and "An Analytical Engine At The End of Time", and "Encountering the Untouchable."

42 fantastic stories from Britain's best crime writers. A superb collection of the year's most outstanding short crime fiction published in the UK. Jakubowski has succeeded, as ever, in showcasing the impressive breadth of crime writing, from cosy tales of detection to noir mayhem and psychological suspense and terror. There are puzzles to solve, nagging questions about the nature of the society in which we live, but, above all, there is an abundance of first-class entertainment. Last year saw a sixth Crime Writers Association Dagger award for the series - shared between Margaret Murphy and Cath Staincliffe - and an Edgar award for Peter Turnbull. All three award-winning stories are included in this volume. Lee Child makes his debut and there is a first story from Neil Gaiman, too, in Sherlockian rather than fantastical mode. Return offenders include Ann Cleeves, Phil Lovesey and Ruth Rendell, among many other familiar names. There are a number of newcomers to the series, too, including Nina Allan, Joel Lane and Lisa Tuttle.

Gathers mysteries by Bentley, Charteris, Sayers, Christie, Keating, Collins, Crispin, Chesterton, Innes, Chandler, Simenon, Fraser, James, Queen, and others.

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.