Originally published in 1980, this book examines the evolution of the Scottish landscape from pre-historic times to the mid-nineteenth century. It considers the way in which the structural base of agriculture and the changing farming ‘system’ came to alter the Scottish rural landscape. This book, with its focus on the underlying landscape processes, gives a developmental view of landscape change. It therefore considers the crucial question of the rate and pace of landscape change and argues that the Scottish landscape was not the product of a few brief phases of quite rapid development but rather the result of a continual and gradual process of change. It also looks at the regional variation of landscape change and establishes the importance of regional linkages in the diffusion of ideas especially in new technology.

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of figures -- List of plates -- Abbreviations -- 1 Introduction -- 2 The physical environment -- 3 Scotland prior to the Iron Age -- 4 Iron Age forts and brochs -- 5 The Dark Ages: Picts, Scots and Vikings -- 6 Medieval Scotland -- 7 The improving movement -- 8 Conclusion -- Appendix -- Bibliography -- Index

At the heart of this stirring tale and visual delight is a group of ten extraordinary houses and castles that have survived the vicissitudes of Scotland's history with almost all of the original families who built them still in residence today. Their histories are peopled with strongwilled men and women--from the notorious General Tam Dalyell of the House of the Binns, who served not only the Stuart kings but the czar of Russia, to the first Duke of Queensberry, who built one of the most sensational castles in Britain, to a love match worthy of the "auld alliance" between the Earl of Stair and his French-born countess. Each house also represents a landmark in Scotland's architectural history, ranging from the early seventeenth to the early twentieth century. The cutting-edge classicism of William Bruce at Balcaskie, the sensational French chateau-inspired Drumlanrig, the splendor of William Adam's baroque at Arniston, and the sublime Palladianism of his sons, the Adam brothers, at Dumfries House, are a roll call of architectural genius. The Victorian passion for all things Scottish is displayed in Lochinch Castle, a bravura example of the Baronial style, bristling with turrets, bartizans, and stepped roofs. And Robert Lorimer's beautifully crafted reconstruction at Monzie at the turn of the twentieth century reveals him as a major talent who synthesized European and purely Scottish styles, expressing, like his fellow architects in this book, a uniquely Scottish sensibility. The architectural revelation is matched by the houses' sensational settings, which merge the historically designed gardens and landscape with the unparalleled wildness and vistas of Scotland. But, as author James Knox writes in his lively, insightful text, "The glory of Scottish country houses is not just their architecture but their contents, which add layers of personality to the interiors." As Knox guides the reader on an intimate tour of the houses, he recounts their fascinating histories and profi les the colorful, often eccentric, lairds, lady lairds, clan chiefs, and nobles who have called them home. And James Fennell's masterly photographs, which rely solely on natural light for effect, capture the distinctive atmosphere of each residence. The Duchess of Buccleuch's boudoir at Bowhill is a frenzy of chinoiserie, needlepoint, and silk tassels. At Ballindalloch, the Macpherson-Grant tartan carpets the entrance hall and Victorian paintings of the family's prized Aberdeen Angus herd--the oldest in Scotland--adorn many a room. The motto of the Munro clan, "Dread God," is emblazoned throughout Foulis Castle--on china, wall plaques, not to mention the clan chief 's bonnet. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. Some are also treasure houses, not least Dumfries House, saved from the auction block by a consortium headed by the Prince of Wales, which boasts an unrivaled collection of documented Chippendale and Scottish rococo furniture. "The Scottish Country House" will enthrall anyone with an interest in Scotland, history, architecture, or interior decoration--all wrapped in a compelling narrative of past lives and taste. Praise for "The Scottish Country House" "If you like historic homes, this book is for you. It's filled with beautiful photos of historic Scottish castles and grand estates." -"Design*Sponge" "Who can resist a beautiful chateau set in the lush green countryside of Scotland? I, for one, cannot. In James Knox's new book, he focuses on ten standout examples of Scottish country living. With each house, he details the history of the establishment, and follows through to how it stands today." --"Home Design with Kevin Sharkey" "This book, filled with lavish photography by James Fennell, profiles ten outstanding Scottish castles and mansions, from sprawling Walter Scott

THE SUNDAY TIMES BESTSELLER With a foreword by Diana Gabaldon. Two men. One country. And a lot of whisky. As stars of Outlander, Sam and Graham eat, sleep and breathe the Highlands on this epic road trip around their homeland. They discover that the real thing is even greater than fiction. Clanlands is the story of their journey. Armed with their trusty campervan and a sturdy friendship, these two Scotsmen are on the adventure of a lifetime to explore the majesty of Scotland. A wild ride by boat, kayak, bicycle and motorbike, they travel from coast to loch and peak to valley and delve into Scotland's history and culture, from timeless poetry to bloody warfare. With near-death experiences, many weeks in a confined space together, and a cast of unforgettable characters, Graham and Sam's friendship matures like a fine Scotch. They reflect on their acting careers in film and theatre, find a new awestruck respect for their native country and, as with any good road trip, they even find themselves. Hold onto your kilts... this is Scotland as you've never seen it before.

This management handbook explains the skills and systems needed by all those involved in managing the countryside. It deals with the process of management, national trends, establishing local policies and priorities, implementing schemes, as well as the legislation which surrounds countryside management.

The third duke of Buccleuch (17461812) presided over the management of one of Britain's largest landed estates during a period of profound agrarian, social and political change. Tutored by the philosopher Adam Smith, the duke was also a leading patron of the Scottish Enlightenment, lauded by the Edinburgh literati as an exemplar of patriotic nobility and civic virtue, while his alliance with Henry Dundas dominated Scottish politics for almost 40 years. Combining the approaches of intellectual, economic and agrarian history, this book examines the life and career of the third duke, focusing in particular on his relationship with Adam Smith and the improvement of his vast Border estates, assessing the influence of Enlightenment thought on agricultural revolution. In its exploration of the cultural as well as the economic roots of Improvement and in its assessment of a previously unappreciated aspect of Smith's career, this book has appeal for both specialist scholars and general readers interested in the Scottish Enlightenment and the culture of Improvement in 18th-century Scotland.

Rural Scotland is a charged landscape, alive with history, soaked in myth and often rather sublime. For those of us living an urban existence, the countryside is a retreat for refuge and decompression, but it is also a place where infrastructures strain to reach and in which livings must be made. The countryside is resistant to easy explanation and is thus vulnerable to stereotyping. The nine building stories told in this book show how rural households and communities define themselves, and the role architecture plays in this. Illustrated with beautiful photography and drawings, the projects, from affordable housing on the islands to exquisite renovations of traditional agricultural stock, and all recognised by the Saltire Society's Housing Design Awards, are visually rich both in themselves and the contexts in which they sit.

This book has been seminal in bringing to the fore the injustices that have been inflicted on the Highlands in the name of government and landlord – injustices often lost in the name of dry statistics and academic balance. Written by a man who has gone on to become both an award-winning historian of the Highlands and a leading figure in the public life of the region, The Making of the Crofting Community has attracted praise, inspired debate, and provoked outrage and controversy over the years. This book remains necessary to challenge standard academic interpretations of the Highland past. Having long been one of the classics of Birlinn's John Donald list, this revised and updated new edition includes a substantial new preface and an extensive reworking of the existing text.

Landscape and History explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.

In The Georgian Triumph, 1700–1830 (originally published in 1983), Michael Reed re-creates the ambience of eighteenth-century Britain, a period of astonishing change and, paradoxically, of massive stability. Both the change and the stability were reflected in the landscape. Dr Reed explores the visual impact on the landscape of the adoption of new ideas and practices. These range from the acceptance of the Palladian style of architecture and its gradual replacement by a taste for Gothic, Picturesque or Chinese designs, to the practical exploration of the power of atmospheric pressure and improvements in road-making techniques and the design of water wheels. He describes the ‘feel’ of what it must have been like to live through the years which saw the beginning of the end for the old, medieval society, and the birth of a modern industrial nation. Traditional ways of life were slowly abandoned as ancient open fields were enclosed and divided up by straight roads and hedgerows. Changes in the moral climate led to the gradual disappearance of village feasts and the suppression of cockfighting and bull-running, while other, more acceptable, pastimes such as horse-racing and cricket acquired rules and institutions. The book shows that these changes were brought about by people at work and at play; going about their everyday affairs, they wrote and re-wrote upon the landscape the autobiography of the society of which they formed a part, reflecting its aspirations, ideals and achievements.