How do we explain the lurid fascination that most people experience when confronted by real or simulated acts of violence, murder, horror, and crime? This is the subject examined in this candid assessment of our dark vicarious thrills. Based on a series of interviews with perpetrators, victims, and "consumers" of violence, including several celebrities, the author of a best-selling book on serial killers explores what there is about this subject that draws such a wide audience. Unlike many other books that attempt to probe the murky psyches of deviant individuals, this book focuses on normal, average people who, despite themselves, enjoy getting close to the most forbidden, perverse side of destruction and evil. The persons interviewed range from homicide detectives and emergency room personnel to a heavyweight boxer and groupies of serial killers on death row. The author considers ideas from a variety of theories and research to explain our responses to violence, raises questions about the shifting line between normal and abnormal, evaluates the confusion and ambivalence that many people feel when witnessing others'' suffering, and suggests future trends in society''s attitudes toward violence.

The 16-year-old was lucky. She at least survived her encounter with Dayton Leroy Rogers to detail its horrors. But a long list of other women were not as fortunate. Their stories had to be painstakingly pieced together by police from the corpses on the most shocking trail of terror ever left by a serial killer. The Man Who Loved to Kill Women--Dayton Leroy Rogers was known in Portland, Oregon as a respected businessman and devoted husband and father. But at night he abducted women, forced them into sadistic bondage games, and thrilled in their pain, terror and mutilation. His murderous spree was stopped only after, in plain view, he slashed to death his final victim...and when a hunter accidentally stumbled onto the burial grounds of seven other women Rogers had killed one-by-one in the depths of the Molalla Forest did police realize they were dealing with a killer whose bloodlust knew no bounds. This is the shocking true story of the horrifying crimes, capture, and conviction of Dayton Leroy Rogers, Oregon's mild-mannered businessman by day--vicious serial killer by night.

"Biting nonfiction about the creatures readers have found irresistible ever since Bram Stoker's Dracula. Authoritative, chilling, and complete, Lust for Blood is a hypnotic, popularly written history of vampires from their most ancient predations all over the world, up to and including 20th-century cases in America and in Europe. Revealing the various forms of vampires and their character, it also spells out the traditional methods men and women have used to protect themselves against the creatures of the night and how both clergy and laity have worked to destroy them. This book surveys not only the famous cases such as that of Countess Báthory, the 'Vampire Lady of the Carpathians", but details even more gripping tales of the undead, and interviews actual modern American vampires--people obsessed by their own lust for blood." --Back cover.

To rescue their daughter, a powerful psychic reunites with the man she abandoned in this paranormal romance from a New York Times–bestselling author. The Sentinel assassin, Bas, is facing the greatest challenge of his outcast existence. His young daughter, Molly, has been kidnapped. But her disappearance has brought the return of her mother, Myst, whom Bas has never forgotten—or forgiven. Haunted by a vision that she's destined to create a weapon that will destroy thousands, Myst was never impulsive—until she met the irresistibly handsome Bas. But with the Brotherhood, the enemy of the high-bloods hunting for her, Myst had to stay on the run, to keep her child, and the world, safe. Now, with the most important thing in both their lives at stake, she and Bas must embark on a treacherous journey to save Molly, to confront the truth of Myst's fate—and to face their fierce desire for one another. Praise for Born in Blood “Ivy's fans will be invested in the development of romances introduced between supporting characters as well as further building of this conflicted universe.” —Publishers Weekly “An exciting and sizzling new paranormal romance series.” —RT Book Reviews

Sooner or later, the thirst always wins… After a thousand years, Lucian had given up any interest in the world. His only concern that night was finding his next drink, preferably from a flavoursome twenty-something with loose morals and no expectations. Then he saw her… Kate is just a girl from the country, who came to the city with her brother to find a life away from their parents’ car crash. That is until the police came knocking on her door one morning and ripped her new life apart. Now she has nothing and no one, with only one on her mind… When these worlds collide, and the things that go bump in the night come calling, can they mend the rifts in their souls and give each other what they need? Blood Lust is a sizzling-hot Paranormal romance. If you like strong-willed, sassy heroines and oh-so-bad, drop-dead gorgeous Vampire heroes with lots of bite, you’ll love this page turner.

These pages are the sheets of my Shredded soul This is my spirit poured onto paper My heart throbs relentlessly in the ink of These pages These are words drenched with desire They must be heard They are conscious Alive You hold in your hands So much life

"WHEN THE MOON TURNS TO BLOOD is a harrowing and fascinating tale of apocalyptic obsession and murder. Leah Sottile leads us down every head-shaking twist and turn of the case, an expert guide to the dark tributaries of religious extremism that run closer to the American mainstream than we'd ever like to believe."―Jess Walter, American author of Ruby Ridge On the heels of the sensational murder trial and shocking verdict, WHEN THE MOON TURNS TO BLOOD examines the culture of end times paranoia and a trail of mysterious deaths surrounding former beauty queen Lori Vallow and her husband, grave digger turned doomsday novelist, Chad Daybell. When police in Rexburg, Idaho perform a wellness check on seven J.J. Vallow and his sister, sixteen-year-old Tylee Ryan, both children are nowhere to be found. Their mother, Lori Vallow, gives a phony explanation, and when officers return the following day with a search warrant, she, too, is gone. As the police begin to close in, a larger web of mystery, murder, fanaticism and deceit begins to unravel. Vallow's case is sinuously complex. As investigators prod further, they find the accused Black Widow has an unusual number of bodies piling up around her. WHEN THE MOON TURNS TO BLOOD tells a gripping story of extreme beliefs, snake oil prophets, and explores the question: if it feels like the world is ending, how are people supposed to act?

True-crime author Scott reveals the gruesome true story of Sebastian Shaw, a serial killer and rapist who terrorized the Pacific Northwest in the early 1990s. photos. Original.

As Australia comes to grips with accusations that some of its elite soldiers committed war crimes in Afghanistan, a catchcry for certain commentators is that the 'fog of war' explains, justifies and possibly excuses the alleged atrocities that have come to light. The term seeks to capture the uncertainty regarding one's own capability, the adversary's capability, and intent. However, the 'fog of war' is woefully inadequate in explaining actions that were deliberate, targeted and repeated. Abuses of power and the normalisation of deviance are at the heart of the 'cultural issues' that have long plagued the Australian Defence Force. In fact, this can be said of all institutions grappling with the same problems: histories of abuse and secrecy, sexual harassment, and problems of diversity and inclusion. It is always easiest to point a finger at a 'what' rather than a 'who', so 'culture' features prominently in analyses of what went wrong regarding the alleged war crimes committed by Australia's Special Operations Command. But does a focus on culture provide clarity or obscurity? Does it lead to or is it a barrier to accountability? How do you know when you've achieved cultural change?