As Australia comes to grips with accusations that some of its elite soldiers committed war crimes in Afghanistan, a catchcry for certain commentators is that the 'fog of war' explains, justifies and possibly excuses the alleged atrocities that have come to light. The term seeks to capture the uncertainty regarding one's own capability, the adversary's capability, and intent. However, the 'fog of war' is woefully inadequate in explaining actions that were deliberate, targeted and repeated. Abuses of power and the normalisation of deviance are at the heart of the 'cultural issues' that have long plagued the Australian Defence Force. In fact, this can be said of all institutions grappling with the same problems: histories of abuse and secrecy, sexual harassment, and problems of diversity and inclusion. It is always easiest to point a finger at a 'what' rather than a 'who', so 'culture' features prominently in analyses of what went wrong regarding the alleged war crimes committed by Australia's Special Operations Command. But does a focus on culture provide clarity or obscurity? Does it lead to or is it a barrier to accountability? How do you know when you've achieved cultural change?

A blistering critique of the gulf between America's soldiers and the society that sends them off to war. As war has become normalized, armed conflict has become an "abstraction" and military service "something for other people to do." Bacevich takes stock of a nation with an abiding appetite for war waged at enormous expense by a standing army demonstrably unable to achieve victory.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

The war in Afghanistan is now the longest and, arguably, worst reported conflict in Australian history. In Don’t Mention the War, Kevin Foster explores why this is so and considers who engineered and who has benefitted from its impoverished coverage. He examines how and why the Australian Defence Force restricted the media’s access to and freedom of movement among its troops in Afghanistan and what we can learn about their motives and methods from the more liberal media policies of the Dutch and Canadian militaries. He analyses how the ADF ensured positive coverage of its endeavours by bringing many aspects of the reporting of the war in-house and why some among the fourth estate were only too happy to hand over responsibility for newsgathering to the military. The book also investigates how political responses to the conflict, and the discourse that framed them, served to conceal the facts and neuter public debate about the war. After more than a decade of evasion and obstruction, half-truths and hype, Don’t Mention the War reveals how politicians, the military and the media failed the public over the Afghan conflict. Here is the real story behind the Australian story of the war.

The Ypres salient 'was the favourite battle ground of the devil and his minions' wrote one returned serviceman after the First World War. Few who fought in the infamous third battle of Ypres - now known as Passchendaele - in 1917 would have disagreed. All five of the Australian Imperial Force's (AIF) infantry divisions were engaged in this bloody campaign. Despite early successes, their attacks floundered when autumn rains drenched the battlefield, turning it into an immense quagmire. By the time the AIF withdrew, it had suffered over 38,000 casualties, including 10,000 dead, far outweighing Australian losses in any other Great War campaign. Given the extent of their sacrifices, the Australians' exploits in Belgium ought to be well known in a nation that has fervently commemorated its involvement in the First World War. Yet, Passchendaele occupies an ambiguous place in Australian collective memory. Tracing the commemorative work of official and non-official agents, The Battlefield of Imperishable Memory explores why these battles became, and still remain, peripheral to the dominant First World War narrative in Australia: the Anzac legend.

Vampires, Witches, and Venice! Ivan Lockhart cheated death for the last time. Tormented by his past, Ivan flees to the Grand Tour. But amidst the seventeenth-century grandeur of the Venetian lifestyle, he stumbles upon the Old World’s darkest secrets. Vampires are real. Witches are real. Monsters lurk in the shadows. A blood drinker longs to claim him. A witch has stolen his heart. And the love of his life plunges his soul into fathomless despair. Entangled in this web of shadows, Ivan plummets into the unknown—and the only way out of darkness might be the one to seal his doom. Will Ivan escape the monsters that lurk in La Serenissima… or will he become a monster himself? Don't miss the beginning of this thrilling Paranormal Romance series by USA TODAY bestselling author Silvana G. Sánchez. One-click now and start reading today! Written in Love is the first installment in the Unnatural Brethren series, packed with immortals, feisty witches, and morally grey heroes. If you like Vampire Romance, Love Triangles, Enemies to Lovers, and Fated Mates, then you’ll LOVE Written in Blood! Trigger Warning: *** Contains some mature situations, (self-harm, incest, death, blood) and is recommended for 18+ *** ________________________________________________________________________________________________ ◆ What readers are saying about The Unnatural Brethren: ★★★★★ Where do I start? It's gonna be a challenge, I want to gush a fountain of spoilers! This book should be filed away under "Guilty Pleasures." Our hero, Ivan, is a field of wild oats, begging to be sown. While his sister Alisa is the calm and the storm. There were so many minor characters with unforgettable personalities, I found myself getting attached to every new person that popped up. (Except one, he knows who he is, and take it from me, he had it coming) The writing style is solid. The author's style was passionate and fast-paced, I sailed through this book... partly because of the pace, and partly because the drama and intrigue kept me hooked all the way through. I especially appreciated all of the traveling in this book. I enjoyed taking a tour of London, Paris, and Venice all from the comfort of my couch. ☆☆☆☆☆, I loved this book! Now if you'll excuse me, I have a sequel to buy. ★★★★★ Ivan Lockhart is the definition of a romantic anti-hero. His heart is the right place, his life is a constant strife to do the right thing, yet circumstances have shaped him into something he abhors. There's a sense of cruel fate that haunts him. Even as a child, surviving death becomes a curse of sorts, and, in his need to be loved and accepted, he forges unconventional relationships, dragging those who hold near and dear into his dark world. And this all happens before the supernatural even shows up in this story. ★★★★★ An amazing read from an amazing author. I love how she combines the paranormal with the historical. So perfect and I can't wait for her next read!! __________________________________________________________________________________________ ◆ Excerpt from Written in Blood: “It haunted me from a distance. Swathed in a thick veil of fog, with but a few old trees looming above, the island appeared desolated and dead. An overwhelming sense of despair crept behind my neck as we reached the shore. Thousands of men, women, and children had been condemned to live the last of their days here, infected by the plague. Dragged away from their homes, here, they suffered their agonizing illness, shunned by society, exiled from everything they knew and held dear.” Fans of the Vampire Chronicles and A Discovery of Witches will love The Unnatural Brethren series!

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

Pain. It hurts us. It pushes us. It punishes us. Or, for the few poor souls out there like me...it defines us. I'm not a good person. There are no redeeming qualities about me...not anymore. Any that I had, I'd given to the devil on the night that changed everything. The night my baby sister died. The night I murdered her killer. Yes, I've taken a life...and I would do it again in a heartbeat. And I would never, ever, have an ounce of regret for being who I am. Until her. My name is Jackson Reid. There are two things you need to know about me. The first-is that I'm in love with Alyssa Tanner. The second-is that I'm a murderer. My name is Alyssa Tanner, but you probably know me as the whore who caused her step-father to lose the election for New York City Mayor. And you would be right- because the day the world branded me a slut I decided to become one. You think you know all there is to know about me because you've seen what I look like naked. Believe me, you haven't even cracked the surface. What you don't know-is my past, because I've been forced to keep it a secret to ensure my safety. What you don't know is my pain. Because if you did-you'd be dead. I bet you think you know how this story will unfold...but trust me, you really have no idea. Warning: Due to strong language, some violence, explicit sexual content, and some dark elements, this book is not intended for readers under the age of 18. This is a full-length, novel. (100,000+ words.)

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Includes an excerpt from Marked by the moon.